“September 5” director Tim Fehlbaum tell the story of the 1972 Munich Olympics terror attack through the lens of the ABC journalists who covered the event. We discuss if, by showing the hostage situation live on television where the terrorists could watch themselves and the police’s response, the journalists were fulfilling the public’s right to know or making the situation worse.
On the Saturday November 30, 2024 edition of The Richard Crouse Show we’ll meet multi-award-winning journalist, author and broadcaster Carol Off. For almost 16 years, she co-hosted CBC Radio’s flagship current affairs program, As It Happens. As a television journalist, writer and radio host it’s estimated she did 25,000 interviews with newsmakers and noticed that as politics became more polarized than ever before, words that used to define civil society were being put to work for completely different political agendas.
In her new book, “At a Loss for Words: Conversation in the Age of Rage,” she analyzes six terms—freedom, democracy, truth, woke, choice and taxes—and how their meanings have been twisted.
Then, we meet a guest who began his career as a child actor, appearing in everything from “Back tio the Future II” to Internal Affairs opposite Richard Gere. He became an international star after playing Frodo Baggins in the acclaimed “Lord of the Rings” trilogy. He’s Elijah Wood, and his extensive filmography now includes “Bookworm,” an intriguing film about a 12-year-old named Mildred whose life is turned upside down when her mother lands in hospital and estranged, American magician father, Strawn Wise, played by Elijah Wood, comes to look after her. Hoping to entertain the bookish tween, Strawn takes Mildred camping in the notoriously rugged New Zealand wilderness, and the pair embark on the ultimate test of family bonding — a quest to find the mythological beast known as the Canterbury Panther.
Finally, we meet director Tim Fehlbaum. He’s an award-winning Swiss filmmaker whose previous films, like “Tides” and “Hell,” focused on post-apocalyptic and science fiction stories. He returns to the real world with “September 5,” a new thriller starring Peter Sarsgaard and Ben Chaplin, and now playing in select theatres, an American sports broadcasting crew finds itself thrust into covering the hostage crisis involving Israeli athletes at the 1972 Munich Olympics.
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
All iHeartRadio Canada stations are available across Canada via live stream on iHeartRadio.caand the iHeartRadio Canada app. iHeartRadio Canada stations are also connected through Alexa, Siri, and Google Home smart speakers.
I join “CTV News Toronto at Five” with host Zuraidah Alman, to talk about the antihero story of “Kraven the Hunter,” the thriller “September 5,” and the epic “The Lord of the Rings: The War of the Rohirrim.”
I join CP24 to talk about three movies hitting theatres today, the antihero story of “Kraven the Hunter,” the thriller “September 5,” and the epic “The Lord of the Rings: The War of the Rohirrim.”
I join the CTV NewsChannel to talk about the antihero story of “Kraven the Hunter,” the thriller “September 5,” and the epic “The Lord of the Rings: The War of the Rohirrim.”
I joined CP24 Breakfast to have a look at new movies coming to theatres, including the antihero story of “Kraven the Hunter,” the thriller “September 5.”
I sit in on the CFRA Ottawa morning show with guest host Andrew Pinsent to talk the new movies coming to theatres including the antihero story of “Kraven the Hunter,” the thriller “September 5,” and the epic “The Lord of the Rings: The War of the Rohirrim.”
Fast reviews for busy people! Watch as I review three movies in less time than it takes to do a high five! Have a look as I race against the clock to tell you about the thriller “September 5,” the epic “The Lord of the Rings: The War of the Rohirrim” and Daniel Craig in “Queer.”
SYNOPSIS: In “September 5,” a claustrophobic new thriller starring Peter Sarsgaard and Ben Chaplin, and now playing in theatres, broadcast executive Roone Arledge oversees the ABC coverage of the terrorist attack on Israeli Olympic team members at the 1972 summer games in Munich, West Germany.
CAST: Peter Sarsgaard, John Magaro, Ben Chaplin, Leonie Benesch, Zinedine Soualem, Corey Johnson, Georgina Rich, Benjamin Walker, Rony Herman. Co-written and directed by Tim Fehlbaum.
REVIEW: Early on in “September 5” television producer Roone Arledge (Peter Sarsgaard) says this about his television coverage of the Olympics: “It’s not about politics, it’s about emotion.”
The same could be said about the film.
Of course, echoes of the ongoing conflict between Israel and Palestine reverberate throughout, but this is more a frantically paced, behind the scenes look at high-stakes newsgathering and the ethics of how the stories are told.
It rewinds the clock to a time when society was more a monoculture, when the news was watched by, well, pretty much everyone. We’re told that more people watched the ABC coverage of this terrorist attack than watched Neil Armstrong’s walk on the moon.
The eyes of the world were on them, and in a brisk 94 minutes, director Tim Fehlbaum tells the story of a complicated terrorism situation the ABC crew, by virtue of their proximity to the action, were in a unique position to cover and broadcast the first acts of terrorism ever shown on live TV.
It’s a closed room drama where 90% of the action takes place in a broadcast control room. Tensions fray, shots are called, and news is made, but what Fehlbaum doesn’t concentrate on is the act itself, the massacre by the group Black September.
Instead “September 5” asks if, by showing the hostage situation live on television where the terrorists could watch themselves and the police’s response, they were fulfilling the public’s right to know or making the situation worse. Screenwriters Moritz Binder, Alex David and Fehlbaum present this and other big ethical questions regarding the job and responsibility of journalism but leave the task of answering them up to the audience.
However you feel about the decisions made on that day, in our era of “fake news” and an eroded trust of mainstream newsgathering it’s thrilling to see the nuts and bolts of how breaking stories unfold and the quick decisions that form the news we see on television.
On the downside, “September 5” is more interested in whip fast editing and forward momentum than characters. The main cast effectively hold our attention, but don’t offer up much in terms of characterization. They are the blunt instruments Fehlbaum uses to create tension, and while it works, it would have been nice to have more of a sense of who these people are.
Perhaps “September 5’s” most interesting aspect, however, is in its ability to wring suspense and tension out of well-known historical events. We know how this story will end, and yet Fehlbaum and editor Hansjörg Weißbrich have us inching toward the edge of our seats as each minute of this tautly rendered story passes. They clearly took Arledge’s maxim, “It’s not about politics, it’s about emotion,” to heart.