Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres including the wild “Birds of Prey,” the #MeToo drama “The Assistant” and the giddily gory “Come to Daddy.”
Richard sits in on the CTV NewsChannel to have a look at the weekend’s big releases including the boundary pushing “Birds of Prey,” the #MeToo drama “The Assistant” and the giddily gory “Come to Daddy.”
A weekly feature from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest and most interesting movies! This week Richard looks at the emancipation of Harley Quinn in “Birds of Prey,” the timely messages of “The Assistant” and the father complex(ities) of “Come to Daddy.”
Family reunions are often fraught with tension. Old wounds are opened by familiarity bred by contempt but few reconciliations have turned as dark and twisted as the father and son get together in Elijah Wood’s new thriller “Come to Daddy.”
Wood is Norval, a self-described music industry big deal, raised by his single mother in Beverly Hills. After receiving a letter from his estranged father requesting a face-to-face meeting, he makes the trip to a remote California home to meet a man he barely knows. He’s met by Brian (Stephen McHattie), a flinty, drunken older man with a sharp tongue. When Brian tries to impress the older man by dropping Elton John’s name, Brian calls him out in an embarrassing and cruel way. The situation doesn’t improve with the introduction of alcohol and soon the situation becomes dangerous.
That’s it! No spoilers here. Trust me when I say that unless your family gatherings include torture and excrement dripped shivs, you haven’t experienced a father and son situation quite like this before.
Darkly humorous and disquieting, “Come to Daddy” is a gonzo thriller that revels in the off-kilter nature of the escalating intrigue of the story. As the running time clicks through to the end credits the stakes for Noval surge in increasingly outrageous ways. It’s all good, gory fun that plays up the absurdity of the situation while still maintaining the complexity of the father-son relationship. It’s a mish mash of revenge, squeamish violence and surreal family drama that should please midnight madness fans but leave others reaching for a barf bag.
Richard and CP24 anchor Jamie Gutfreund have a look at the weekend’s new movies including the birthday blues of “Happy Death Day,” Jackie Chan’s return to adult drama “The Foreigner” and Liam Neeson in the self explanatory “Mark Felt: The Man Who Brought Down The White House.”
Richard sits in with CTV NewsChannel anchor Marcia MacMillan to have a look at the birthday blues of “Happy Death Day,” Jackie Chan’s return to adult drama “The Foreigner” and Liam Neeson in the self explanatory “Mark Felt: The Man Who Brought Down The White House.”
Alfred Hitchcock, knew how to scare the wits out of people. The shower scene in “Psycho,” for example, is a benchmark in cinematic fear. If he had any doubts about the effectiveness of that sequence they must have been put to bed when he received an angry letter from a father whose daughter stopped bathing after seeing the bathtub murder scene in “Les Diaboliques” and then, more distressingly, refused to shower after seeing “Psycho.” Hitch’s response to the concerned dad? “Send her to the dry cleaners.”
“78/52,” a new documentary from Alexandre O. Philippe spends ninety minutes exploring not only why the fifty-two second scene continues to terrify but also how it changed cinema. Drawing its title from the 78 shot set-ups it took to film the scene, the movie is an exhaustive but not exhausting look the shower sequence.
A mix of fan info and academia, it covers some familiar territory but more intriguingly looks to experts like filmmaker Guillermo del Toro and editor Walter Murch to dissect the nuts and bolts of the scene. Shot-by-shot they get inside Hitchcock and collaborator Saul Bass’s mindset, delving into the decisions, both artistic and practical, that give the sequence its power. First hand recollections come from a new and spirited interview Janet Leigh’s nude model stand-in Marli Renfro and archival conversations with Hitchcock and Leigh.
“78/52” is likely the final word on the infamous shower scene. The level of detail will enthral film geeks and Hitchcockolytes but shouldn’t dissuade more casual viewers. The enthusiasm of several of the talking heads—most notably Elijah Wood—is infectious. We can learn how and why the scene works but their passion shows why the scene is so successful from a strictly personal point of view.
Vin Diesel is a Witch Hunter in the appropriately named “The Last Witch Hunter,” Christopher Plummer hunts Nazis in “Remember,” while Brie Larson searches for freedom in “Room” and Bill Murray looks for redemption in “Rock the Kasbah.” Richard reviews them all with “Canada AM” host Beverly Thomson.
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres including the wild “Birds of Prey,” the #MeToo drama “The Assistant” and the giddily gory “Come to Daddy.”
Richard sits in on the CTV NewsChannel to have a look at the weekend’s big releases including the boundary pushing “Birds of Prey,” the #MeToo drama “The Assistant” and the giddily gory “Come to Daddy.”
A weekly feature from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest and most interesting movies! This week Richard looks at the emancipation of Harley Quinn in “Birds of Prey,” the timely messages of “The Assistant” and the father complex(ities) of “Come to Daddy.”
Family reunions are often fraught with tension. Old wounds are opened by familiarity bred by contempt but few reconciliations have turned as dark and twisted as the father and son get together in Elijah Wood’s new thriller “Come to Daddy.”
Richard and CP24 anchor Jamie Gutfreund have a look at the weekend’s new movies including the birthday blues of “Happy Death Day,” Jackie Chan’s return to adult drama “The Foreigner” and Liam Neeson in the self explanatory “Mark Felt: The Man Who Brought Down The White House.”
Richard sits in with CTV NewsChannel anchor Marcia MacMillan to have a look at the birthday blues of “Happy Death Day,” Jackie Chan’s return to adult drama “The Foreigner” and Liam Neeson in the self explanatory “Mark Felt: The Man Who Brought Down The White House.”
Alfred Hitchcock, knew how to scare the wits out of people. The shower scene in “Psycho,” for example, is a benchmark in cinematic fear. If he had any doubts about the effectiveness of that sequence they must have been put to bed when he received an angry letter from a father whose daughter stopped bathing after seeing the bathtub murder scene in “Les Diaboliques” and then, more distressingly, refused to shower after seeing “Psycho.” Hitch’s response to the concerned dad? “Send her to the dry cleaners.”
Richard’s CP24 reviews for “The Last Witch Hunter,” “Remember” and “Room.”
Vin Diesel is a Witch Hunter in the appropriately named “The Last Witch Hunter,” Christopher Plummer hunts Nazis in “Remember,” while Brie Larson searches for freedom in “Room” and Bill Murray looks for redemption in “Rock the Kasbah.” Richard reviews them all with “Canada AM” host Beverly Thomson.
