Fast reviews for busy people! Watch as I review three movies in less time than it takes to do a high five! Have a look as I race against the clock to tell you about “The Monkey’s” damn dirty ape, the family story “The Unbreakable Boy” and the Canadian drama “Morningside.”
Watch the whole thing HERE!
I join the CTV NewsChannel to talk about “The Monkey’s” damn dirty ape, the family story “The Unbreakable Boy” and the Canadian drama “Morningside.”
Watch the whole thing HERE!
I join the Bell Media Radio Network national night time show “Shane Hewitt and the Night Shift” for “Booze & Reviews!” This week I go ape for “The Monkey” and suggest some drinks that’ll make you go bananas!
Listen as we monkey around on Booze & Reviews HERE!
Find out why “Spider-Man” star Tom Holland wasn’t able to buy his own brand of non-alcoholic beer HERE!
SYNOPSIS: In “The Monkey,” a new horror comedy based on Stephen King’s 1980 short story of the same name, a vintage toy monkey brings murder and mayhem into the lives of twin brothers Hal and Bill, both played by Theo James.
CAST: Theo James, Tatiana Maslany, Elijah Wood, Christian Convery, Colin O’Brien, Rohan Campbell, and Sarah Levy. Directed by Osgood Perkins.
REVIEW: An inanimate object horror film about the randomness of life and death, “The Monkey” feels like an old-fashioned Stephen King movie. It’s a little rough-and-tumble, meanspirited and it delivers a series of practical splatter gags in great big gory blasts.
There’s even a callback to one of King’s favorite psychopaths.
It’s the story of an organ grinder monkey toy—Wait! Don’t call it a toy! It’s evil incarnate! “It’s basically the devil,” says Hal.—who, with grinning rictus of terror, bangs on a drum like he’s Charlie Watts. As he taps away people die in increasingly terrible ways. From fishhook trauma and aneurisms to immolation and canon fire, the monkey is indiscriminate in choosing his victims or how they will perish. Think “Final Destination,” minus the monkey, and you’ll get the idea.
Try as they might, the twins can’t stop the monkey from dancing to his own drum. “We know it couldn’t be destroyed,” says Hal, “but we hoped it could be controlled.”
As the body count rises, they soon realize that won’t be possible.
Director Osgood Perkins channels his inner Sam “Evil Dead” Raimi, combining old school splatter with very dark humor. It makes for a giddy goodtime, especially as the kills get more and more slapsticky and outlandish.
“The Monkey” does feel stretched from its short story origins to feature film, but Perkins keeps the energy up and the storytelling efficient enough to warrant its 97-minute runtime.
As the “PAW Patrol” franchise enters its 66th year—that’s in dog years—it shows no signs of slowing down. A new film, “PAW Patrol: The Mighty Movie,” based on the canine first responder characters from the wildly successful Canadian kid’s show, now playing in theatres, is a big story about a small pup.
Featuring an all-star voice cast, the begins with a meteor crash in Adventure City. “It’s giving off some kind of energy,” says Ryder (Finn Lee-Epp), the leader of the PAW Patrol. The mysterious meteor imbues the PAW Patrol pups with superpowers, like super strength, elasticity, super speed and the ability to manifest fireballs. “Great, now the clumsy pup shoots fireballs out of his paws.”
For seven-year-old cockapoo Skye (Mckenna Grace), the smallest member of the newly dubbed Mighty Pups, the new powers finally levels the playing field, giving her the chance to make up in super strength what she has always lacked in confidence and size.
When Humdinger (Ron Pardo), the ex-mayor of Adventure City, and his Kitten Catastrophe Crew escapes from prison and teams with meteor expert and supervillain Victoria “Vee” Vance (Taraji P. Henson) to steal the superpowers, the Mighty Pups must fight back to save their city and possibly the world.
“When you go up against one of us, you go up against all of us,” Ryder tells Vance.
“PAW Patrol: The Mighty Movie” is bigger and louder than 2021’s “PAW Patrol” or the television show. Returning director Cal Brunker pumps up the action, creating a sort of Marvel movie for the preschool set. Colourful action scenes will grab kid’s attention, but the spirit of cooperation, and messages of over-coming obstacles and never judging a book by its cover, that lie at the heart of the “PAW Patrol” franchise are never far away.
Voice work from Kim Kardashian, Chris Rock, Lil Rel Howery, Kristen Bell and James Marsden is solid, but Henson is having all the fun here. Her villain—don’t call her a “mad scientist”—is a blast, funny and fearless, she steals every scene she’s in.
“PAW Patrol: The Mighty Movie” maintains what made the TV show so appealing for kids, but also has enough gags aimed at parents to round out the experience for the whole family.
My review of “Cocaine Bear” is quoted in this article from Screen Rant.
“Before buying a ticket to “Cocaine Bear” ask yourself this question: Am I likely to enjoy a movie called “Cocaine Bear”? I can tell you authoritatively that it is the best stoned bear movie of the year. Admittedly, it is a small field, but if that turns your crank, by all means check it out…” Read the whole thing HERE!
Talk about wildlife.
“Cocaine Bear,” a grisly new hybrid of “Scarface” and “Yogi Bear” starring Keri Russell, O’Shea Jackson Jr. and Ray Liotta in his last filmed performance, and now playing in theatres, delivers on the promise of its premise. Like “Snakes on a Plane,” another movie whose entire plot was contained in the title, “Cocaine Bear” lives up to its name. There’s a bear and he is tweaked on the devil dust, but is that enough to get people in theatres, or will audiences just say no?
The movie plays fast-and-loose with the true 1985 story of a 79-kilogram American black bear who, while wandering the Georgia wilderness, stumbled across and ate a discarded duffle bag of cocaine. Later nicknamed Pablo Escobear, in real life the poor unfortunate beast overdosed immediately and spent its afterlife stuffed and on display at a local mall.
Director Elizabeth Banks uses the real-life set up as a kick off for her story. In her retelling, drug smuggler Andrew C. Thornton II (Matthew Rhys), in a bid to avoid police, dumps 40 kilos of cocaine in the forests of Georgia. When the bear finds it and ingests it, instead of keeling over he becomes a character out of a Bret Easton Ellis novel, setting off on a bloody, coke fueled rampage through the forest in search of more drugs.
Along the way the Cocaine Bear (one character actually calls him that) gets her paws on a variety of folks, including a concerned mom (Keri Russell), a mob boss (Ray Liotta) and his henchmen (Alden Ehrenreich and Jackson Jr.) and a park ranger (Margo Martindale).
Before buying a ticket to “Cocaine Bear” ask yourself this question: Am I likely to enjoy a movie called “Cocaine Bear”? I can tell you authoritatively that it is the best stoned bear movie of the year. Admittedly, it is a small field, but if that turns your crank, by all means check it out.
If you need convincing, then “Cocaine Bear” may not be for you. On the fence? Read on.
The one-joke premise aside, the movie is a throwback to the slasher films of the 1980s. The gruesome stuff is outlandish, bloody and the kind of thing that you know you shouldn’t be laughing at, but here you are, laughing out loud at the misfortune of others.
Unfortunately, although there is a good vibe between Ehrenreich and Jackson Jr, most other characterization is kept to a bare minimum—many of the characters are essentially sentient slabs of bear food—and the dialogue isn’t nearly as camp or funny as it should be. It feels choppy—there is a good pun to be made here about chopping up lines of cocaine, but I’m too lazy to make it—and the gaps between the action sequences stretch on a bit too long.
However, “Cocaine Bear” has quite a few solid laughs. That makes up for the lack of satire or deeper meaning. This isn’t about anything other than truth in advertising. It’s about a bear and a bunch of cocaine and is only about 90 minutes long. If that appeals, make like the bear and snort it up.
