Richard Crouse

SYNOPSIS: In “The Social Reckoning,” a new legal thriller starring Mikey Madison and Jeremy Allen White now playing in theatres, a whistleblower leaks secret Facebook internal research. “The firehose of bad information you are injecting into the air supply is becoming jet powered.”

CAST: Mikey Madison, Jeremy Allen White, Wunmi Mosaku, Betty Gilpin, Billy Magnussen, Bill Burr, Jeremy Strong. Written, co-produced, and directed by Aaron Sorkin.

REVIEW: A companion piece to Sorkin’s 2010 film “The Social Network,” “The Social Reckoning” is based on the 2021 Facebook leak by whistleblower Frances Haugen (Mikey Madison) and Wall Street Journal reporter Jeff Horwitz (Jeremy Allen White).

When Haugen, a data engineer for Facebook, uncovers documents proving the social platform’s executives knew its products were amplifying misinformation, hate and causing body-image issues in teens.

Instead of looking for remedies, however, Facebook’s parent company choses to ignore the research in favor of engagement and growth. “Almost no one outside of Facebook,” Haugen says, “knows what goes on inside Facebook.”

Putting it all on the line, she contacts Wall Street Journal reporter Jeff Horwitz with data that implicates the company’s billionaire CEO Mark Zuckerberg (Jeremy Strong) who fights to suppress the story, now known as the Facebook Files. “I’m an investigative reporter,” says Horwitz, “and that guy and this company are playing an unprecedented role in our lives.”

Just in time for the US midterms comes a movie about how easily voters are manipulated. Unfortunately, the movie’s timely messaging of Facebook’s (now Meta) commodification of outrage, misinformation, cyberbullying and social isolation, feels like old news.

Had the film, written and directed by Aaron Sorkin with cool elegance, been released in 2021 when The Wall Street Journal unleashed the Facebook Files, it may have packed more of a punch. Today, the detrimental effects of social media are known and ingrained, so the blockbuster disclosures of 2021 aren’t dramatically compelling no matter how many times Sorkin cuts to intense footage of the storming of the United States Capitol.

As a result, watching “The Social Reckoning” in 2026 feels like the cinematic equivalent of doom scrolling, two hours of time spent learning nothing new.

Direction wise, the movie is straightforward and solid, reminiscent of prestige television from the 1990s, long before Facebook drained eyes away from the boob tube. It’s graceful, if a little dull, missing the paranoid vibe that made investigative movies like “All the President’s Men” and “The Parallax View” so compelling.

Of the headliners, Mikey Madison, Jeremy Allen White and Jeremy Strong, it’s Madison who impresses.

White leaves the chef jacket of “The Bear” behind to hand in a restrained performance as the slow-and-steady Horwitz.

Strong plays Meta Founder, Chairman and Chief Executive Officer Mark Zuckerberg as a po-faced robotic villain, the powerful embodiment of free-speech absolutism and profit. His line reading of, “This is a business, Charlie. You know why we don’t fact-check ads: because we don’t have to,” is chilling in its repercussions.

Madison impresses. The external performance of “Anora” has been turned inward as she makes the self-confessed nerdy whistleblower whose actions are driven by idealism, not malevolence, the film’s most persuasive character. “Connecting people, it’s a virtuous mission,” she says. “Something changed.”

Bill Burr also earns a nod as Charlie, an early Facebook investor who becomes one of the few who will speak truth to Zuckerberg’s power. “The firehose of bad information you are injecting into the air supply is becoming jet fuel,” he says.

These performances provide “The Social Reckoning’s” vigor even when the movie takes on the tone of a lecture on profit vs. social harm.