Fast reviews for busy people! Watch as I review three movies in less time than it takes to do a high five! Have a look as I race against the clock to tell you about “The Monkey’s” damn dirty ape, the family story “The Unbreakable Boy” and the Canadian drama “Morningside.”
Watch the whole thing HERE!
I join the CTV NewsChannel to talk about “The Monkey’s” damn dirty ape, the family story “The Unbreakable Boy” and the Canadian drama “Morningside.”
Watch the whole thing HERE!
I join the Bell Media Radio Network national night time show “Shane Hewitt and the Night Shift” for “Booze & Reviews!” This week I go ape for “The Monkey” and suggest some drinks that’ll make you go bananas!
Listen as we monkey around on Booze & Reviews HERE!
Find out why “Spider-Man” star Tom Holland wasn’t able to buy his own brand of non-alcoholic beer HERE!
SYNOPSIS: In “The Monkey,” a new horror comedy based on Stephen King’s 1980 short story of the same name, a vintage toy monkey brings murder and mayhem into the lives of twin brothers Hal and Bill, both played by Theo James.
CAST: Theo James, Tatiana Maslany, Elijah Wood, Christian Convery, Colin O’Brien, Rohan Campbell, and Sarah Levy. Directed by Osgood Perkins.
REVIEW: An inanimate object horror film about the randomness of life and death, “The Monkey” feels like an old-fashioned Stephen King movie. It’s a little rough-and-tumble, meanspirited and it delivers a series of practical splatter gags in great big gory blasts.
There’s even a callback to one of King’s favorite psychopaths.
It’s the story of an organ grinder monkey toy—Wait! Don’t call it a toy! It’s evil incarnate! “It’s basically the devil,” says Hal.—who, with grinning rictus of terror, bangs on a drum like he’s Charlie Watts. As he taps away people die in increasingly terrible ways. From fishhook trauma and aneurisms to immolation and canon fire, the monkey is indiscriminate in choosing his victims or how they will perish. Think “Final Destination,” minus the monkey, and you’ll get the idea.
Try as they might, the twins can’t stop the monkey from dancing to his own drum. “We know it couldn’t be destroyed,” says Hal, “but we hoped it could be controlled.”
As the body count rises, they soon realize that won’t be possible.
Director Osgood Perkins channels his inner Sam “Evil Dead” Raimi, combining old school splatter with very dark humor. It makes for a giddy goodtime, especially as the kills get more and more slapsticky and outlandish.
“The Monkey” does feel stretched from its short story origins to feature film, but Perkins keeps the energy up and the storytelling efficient enough to warrant its 97-minute runtime.
SYNOPSIS: In “Longlegs,” a new psychological horror film starring Maika Munroe and Nicolas Cage, and now playing in theatres, FBI Agent Lee Harker is assigned to a decades-old case of a serial killer who targets entire families. The case turns personal as she uncovers evidence of the occult.
CAST: Maika Monroe, Nicolas Cage, Alicia Witt, Blair Underwood, Kiernan Shipka. Directed by Osgood Perkins (son of “Psycho” star Anthony Perkins and photographer and actress Berry Berenson).
REVIEW More unsettling than scary, “Longlegs” is both thematically and visually dark. There’s not a lot of cracks to let the light in. As the mystery at the heart of this occult thriller unfolds, the action happens mostly at night or in darkened rooms, lending a heavy air of foreboding to every frame of this strange film.
Adding to the film’s otherworldly vibe is Maika Monroe as Lee Harker, the FBI agent assigned to Longlegs’ case. She is Clarice Starling with a carefully defined introspective side; a sixth sense that helps to unravel her cases. “It’s like something tapping me on the shoulder,” he says, “telling me where to look.” Analytical in the extreme, Munroe, in a quiet performance, allows us to see the gears turning in her head as the clues begin to add up. Her process gives Harker a brooding demeanor that perfectly matches the film’s tense, subdued tone.
On the other end of the scale is Cage as the titular serial killer. His unhinged, chaotic work makes his other gonzo performances in movies like “The Wicker Man,” “Face/Off” and “Vampire Kiss” seem positively understated by comparison. Jame Gumb has nothing on this guy. It’s an over-the-top display and individual mileage may vary, but his Tiny Tim inflection, creepy rendition of “Happy Birthday” and repulsive leer will not soon be forgotten.
Despite Cage’s larger-than-life-and-death performance, “Longlegs” values restraint. Other than a quick flash of decomposing bodies, a gallon or two of blood and a handful of jump scares, Perkins is more interested in burrowing into your subconscious with a nightmarish story that unfolds in the dark corners of Harker’s mind. The story’s psychological underpinnings are where the true horror lies. where the discomfort comes from.
By the time the end credits roll, you’ll leave the theatre unnerved, even after they turn on the lights.
