On the Saturday August 15, 2026 edition of The Richard Crouse Show we meet award-winning comedian, actor, and author Eric Johnston. His book “Run with the Bull: Three Generations of Sports and Entertainment” chronicled his journey as he broke away from his family’s legacy of professional wrestling to pursue stand-up comedy and acting. The book draws inspiration from the challenging lives and untimely deaths of his father Bullwhip Johnson and grandfather Bull Johnson, Johnson navigates the shadows of mental health and addiction that plagued his predecessors.
The book inspired a docuseries, also called “Run with the Bull,” which you can watch on Bell Fibe TV, that chronicles his mission to get healthy for the sake of his newborn son.
Then, we get to know Victor Wallace, who you can see in a new production of Mamma Mia, the jukebox musical that touches down at the Princess of Wales Theatre in Toronto until August 30.
Victor is an experienced stage actor with credits that include shows on and off Broadway and touring productions of The Phantom of the Opera, Les Misérables and many others.
Today we’re talking about his career and Mamma Mia, the ultimate feel-good show that iss often credited with popularizing the jukebox musical genre.
Listen to the whole thing HERE! (Link coming soon)
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Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
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I join CTV Atlantic’s Stephanie Tsicos to talk about the biopic “Tony,” the dino drama “The End of Oak Street,” the kid’s flick “PAW Patrol: The Dino Movie” and the stoner comedy “The Wrong Girls.”
I join “CTV News Toronto at Five” with anchor Zuraidah Alman to talk about the biopic “Tony,” the dino drama “The End of Oak Street,” the kid’s flick “PAW Patrol: The Dino Movie” and the stoner comedy “The Wrong Girls.”
I sit with NewsTalk 1010 host Deb Hutton on NewsTalk 1010 to talk about Spotify’s crackdown on AI music, a renovation at Elizabeth Taylor’s house, free cruises for Zac Brown fans and I review the movie “Tony.”
I join CTV NewsChannel anchor Renée Rodgers to talk about the biopic “Tony,” the dino drama “The End of Oak Street,” the kid’s flick “PAW Patrol: The Dino Movie” and the stoner comedy “The Wrong Girls.”
I sit in on the CFRA Ottawa morning show with guest host Andrew Pinsent to talk about the new movies coming to theatres including the biopic “Tony,” the dino drama “The End of Oak Street,” the kid’s flick “PAW Patrol: The Dino Movie” and the stoner comedy “The Wrong Girls.”
I join the Bell Media Radio Network national night time show “Shane Hewitt and the Night Shift” to talk about the blues and Morgan Freeman, Judge Judy and the passing of the gavel, more “Hacks” and on Booze & Reviews I review “Tony” and suggest a cocktail Anthony Bourdain noted will make you wonder what happened to your pants after drink number three!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to make a sandwich. Have a look as I race against the clock to tell you about the biopic “Tony,” the dino drama “The End of Oak Street” and the slasher flick “Teenage Sex and Death at Camp Miasma.”
SYNOPSIS: In “the End of Oak Street,” a new sci fi survival film starring Anne Hathaway and Ewan McGregor, and now playing in theaters, the Platt family finds their quiet neighborhood overrun by dinosaurs when their suburban street is transported to a dangerous prehistoric realm. “Gather supplies. Grab anything you can use as a weapon.”
CAST: Anne Hathaway, Ewan McGregor, Maisy Stella, Christian Convery. Directed by David Robert Mitchell.
REVIEW: Is Amblinesque a word? It’s not, but it should be because it’s the best way to describe “The End of Oak Street.” A heaping handful of classic Spielberg tropes, some genuine shocks and laughs, the movie feels like the kind of popcorn flick Amblin would have made in the 1980s.
Set in 1982, “The End of Oak Street” centers on unhappily married couple Greg and Denise Platt (Ewan McGregor and Anne Hathaway) and their kids, typical treen Brian (Christian Convery) and the Carl Sagan-quoting Audrey (Maisy Stella). They live lives of quiet desperation on Oak Street in the fictional town of Flowervale, Michigan. Greg has lost his job, but can’t bring himself to tell the family, so he delivers pizzas at night to keep a few dollars coming in. Denise dreams of divorce and is secretly writing a book about a frustrated housewife.
The film’s action begins with a simple question. “Is this the end of the world?” asks Brian (Christian Convery).
“I think our house, our neighborhood, our whole street has moved,” says Denise (Anne Hathaway). “I think our house is somewhere else now… in the past.”
With their suburban street transported to a prehistoric place and time, they find themselves battling bloodthirsty dinosaurs, who come complete with paleontologically correct feathers and fur. “Gather supplies,” commands Denise. “Grab anything you can use as a weapon.”
Their fight for survival brings them closer as a family but will their new family bond be enough to defeat the deadly dinosaurs who see the family as an afternoon snack.
“God’s not gonna let us die here,” says Brian.
“Greg, you only go to church at Christmas,” replies Denise, “and now you’re telling the kids God’s looking out for us?”
“What about the people who are out there getting eaten?” adds Audrey.
Call it “Jurassic Suburb” if you like, but no matter how obvious the references in “The End of Oak Street” feel, it’s not just a Valentine to the blockbusters of yesteryear. Director David Robert Mitchell mines everything from Spielberg ‘s big dino movies, “Poltergeist’s” suburban terror, and the sci fi of “Close Encounters of the Third Kind,” but grafts on a family drama that adds emotional investment and raises the stakes.
At a brisk 99 minutes it barrels along but allows time for character development of the core four before unleashing the dinosaurs. That combo—compelling characters and hungry dinos—goes a long way to hide the film’s absurd aspects. From the silly science behind the street’s move to prehistoric times, the dino sex and pooping, and some truly boneheaded family survival decisions, much of the story exists in a logic free zone that makes the Oak Street situation itself seem reasonable.
Still, “The End of Oak Street” is a cut above the recent “Jurassic” reboots, delivering a blast of late summer faux Amblin adrenaline on the big screen.