Posts Tagged ‘Idiots’

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

I sit in on the CFRA Ottawa morning show with host Bill Carroll to talk about the new movies coming to theatres including the animated anarchy of “Coyote VS Acme,” the dystopopian “The Dog Stars,” the fresh rom com “Finding Emily,” the silly smarts of “Idiots” and the supernatural slasher “Buddy.”

Listen to the whole thing HERE!

YOU TUBE: THREE MOVIES/THIRTY SECONDS! FAST REVIEWS FOR BUSY PEOPLE!

Fast reviews for busy people! Watch as I review three movies in less time than it takes to make a sandwich. Have a look as I race against the clock to tell you about the animated anarchy of “Coyote VS Acme,” the fresh rom com “Finding Emily” and the silly smarts of “Idiots.”

Watch the whole thing HERE!

IDIOTS: 3 STARS. “dark, unpredictable look at privilege & inequality.”

SYNOPSIS: In “The Idiots,” a raucous new comedy starring Dave Franco and O’Shea Jackson Jr., and now playing in theatres, two unqualified drivers get more than they bargained for when they take a job to transport a wealthy, troubled teen to rehab. “Be careful of him. The kid’s a maniac. He’s famous for it.”

CAST: Dave Franco, O’Shea Jackson Jr., Mason Thames, Kiernan Shipka, Nicholas Braun, Peter Dinklage. Written, produced, and directed by Macon Blair.

REVIEW: Despite its title, “Idiots” is a smart cultural commentary that examines the haves and the have-nots.

Dave Franco and O’Shea Jackson Jr. play unemployed odd couple Mark and Davis. Mark’s poor impulse control cost him his call centre job while the earnest and awkward Davis was cut loose from his church after subjecting the Bible Studies kids to a screening of Lars von Trier’s “Antichrist,” mistakenly thinking it was an educational movie about the life of Jesus.

To make ends meet they take jobs as drivers for a shady transport service. “You know what we do here? Drive rich kids to rehab.” It’s a tricky gig with lots of loopholes. Chief among the one-sided rules were the provisos that they, and they alone, would be legally responsible for their cargo from the beginning of the trip until drop off and they won’t be paid until the job is over.

Their first assignment pairs them with Sheridan Kimberley (Mason Thames), an amoral trust fund kid who’ll do anything to avoid going to rehab. A delay caused by a flat tire sends them off on an odyssey that sees the unlikely trio up against Irina (Kiernan Shipka), an exotic dancer who makes house calls, a militia that includes Peter Dinklage and Pricka Bush Da Werewoof (Nicholas Braun), a lycan-obsessed SoundCloud rapper who is convinced the drivers have kidnapped the troublemaking teen. “That kid made a fool of me,” Mark, “and I will take his scalp for that. And that is not a metaphor.”

“Idiots” isn’t exactly a buddy comedy. It’s not consistently funny enough to earn that title.

Instead, it’s a dark, unpredictable look, with some funny, raunchy moments, at privilege, inequality and decency. Director and screenwriter Macon Blair isn’t afraid to play some scenes for sheer comedic shock value, but he’s also unafraid to weave some bleak social commentary in the story’s fabric.

Mason Thames plays Sheridan Kimberley as the poster boy for toxicity, a smirking rich kid whose consequence free behaviour has made him an internet sensation with one million followers. Sociopathic and remorseless, he forces the “idiots”—Mark and Davis—to confront their place on the food chain. Despite despicable behavior, Sheridan is insulated by money against any repercussions. Mark and Davis, however, are left to pay the price for Sheridan’s actions.

The social commentary isn’t subtle but Thames, best known for his work in “The Black Phone” and the live-action “How to Train Your Dragon,” doesn’t play Sheridan as a moustache twirling baddie. Instead, he’s even more insidious, someone who feigns vulnerability, who lies and cheats through a smile.

The secret sauce, however, is the relationship between Mark and Davis. Polar opposites, there is comedy to be mined from the differences, but it is in the unlikely bond that grows between them that the movie finds its heart.

“Idiots” feels stretched in its final third, but up until then is a sporadically funny socially aware reinvention of the buddy comedy.