SYNOPSIS: In the animated family comedy adventure “In Your Dreams,” now streaming on Netflix, siblings Stevie and Elliot must navigate their dreams—and a snarky stuffed giraffe, zombie pamcakes and the queen of nightmares—in hopes that The Sandman will grant them their ultimate dream, saving their parent’s marriage.
CAST: Craig Robinson, Simu Liu, Cristin Milioti, Jolie Hoang-Rappaport, Elias Janssen, Gia Carides, Omid Djalili, and SungWon Cho. Co-directed by Alex Woo, and Erik Benson.
REVIEW: A story of a fractured family wrapped up as a surreal adventure delivers some kid friendly thrills, but at its heart is a grounded story of acceptance and the understanding that not every family has to be perfect.
When perfectionist Stevie (Jolie Hoang-Rappaport) learns that her mother (Cristin Miloti) is considering taking a job in another city, she assumes it means her parents are getting a divorce. In hopes of keeping them together she drags her rambunctious younger brother Elliot (Elias Janssen) into her dreams in the hopes of being granted a marriage saving wish from The Sandman (Omid Djalili).
In the dream they are thrust into a surreal world where they meet a disco-ball moon with trust issues, a glibly sarcastic stuffed giraffes and zombie pancakes who guard The Sandman’s filing system. If they are to get to the all-important Wish Desk they must learn to work together to solve their problems.
In its heart “In Your Dreams” is a kindhearted movie about reality, not dreamland. The dream sequences, from co-directors Alex Woo, and Erik Benson, are beautiful, populated with imaginative characters kids should enjoy, but Stevie and Elliot‘s journey is a personal one, not strictly an otherworld one.
The messages of accepting imperfection, teamwork and resilience are mixed with eye popping visuals and fun needle drops. It may be a little too intense in its representation of the nightmare scenes and the frankness of its depiction of divorce for the under 7 set, but it contains the kind of heart and soul usually associated with Pixar, which is enough to earn a recommend.
“Palm Springs,” the existential new Andy Samberg comedy now streaming on Amazon Prime Video, is a riff on “Groundhog Day.” But if the premise is familiar, the treatment isn’t.
When we first met Nyles (Samberg), he’s a nihilist. “This is one of those infinite time-loop situations you might have heard about,” says Nyles. “It could be purgatory, a glitch in the system, whatever. The important thing is, the only way to live in it, is to embrace that nothing matters.” His girlfriend Misty (Meredith Hagner) is a bridesmaid at the Palm Springs wedding of her childhood friend Tala’s (Camilia Mendes) and her beau Abe (Tyler Hoechlin).
It’s a stuffy affair, livened up only by Sarah (Cristin Milioti), the unlucky-in-love sister-of-the-bride. When Misty runs off with oner of the groomsmen, Nyles sets his eyes on Sarah. They decamp to a private spot in the desert and just as they’re getting down to business, Nyles is impaled by an arrow shot by Roy (J. K. Simmons). Running to escape a second shot, Nyles ducks into a nearby cave but urges Sarah not to follow. Of course, she does and… cut to the next scene, she’s back in her hotel room getting ready for the wedding, caught in the same time loop as Nyles.
Confused, she confronts Nyles. As he explains the screwball situation, she immediately starts looking for a way out. It’s impossible, he tells her, describing how he once tried to escape, and made it to Equatorial Guinea but “still woke up back here.” He lives in the moment, spicing things up a bit from time to time, by hiding a bomb inside the wedding cake to amuse Sarah, knowing that that every day will reset.
As romance blossoms between they wonder, “How can their relationship possibly move forward if time is at a standstill?”
“Palm Springs” is a rom com, but it isn’t so much about finding love as it is finding purpose. “I thought I knew how to live,” Nyles says, “but I didn’t and I don’t.” Nyles and Sarah react to their situations very differently. He uses the endless repeat of his life as an excuse to do whatever strikes his fancy. “I have felt everything I’ll ever feel,” he says, “so I’ll never feel anything again.” He’s not malicious, he simply realizes that there are no consequences to his actions. She wants out, or, at the very least, to get something out of her life after years of being the black sheep of the family. Ultimately, the time loop makes both understand that a life lived without purpose is no life at all.
A great deal of the movie’s success comes from the casting. Samberg and Milioti have tremendous chemistry and bring out the best in one another. She blunts his jerky tendencies; he accentuates her vulnerability and steeliness. Without this sparkling combination the movie wouldn’t work nearly as well.
The time loop rom com is a slim genre, but “Palm Springs” is a worthy addition.
