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SHOWING UP: 3 ½ STARS. “a declaration about the miracle of making art.”

“Showing Up,” a new dramedy starring Michelle Williams and now playing in theatres, is like a swan. At first glance, it appear calm, cool and collected, but a closer look reveals it is peddling madly underneath the surface.

Set in Portland, Oregon, the story revolves around a week in the life of Lizzy (Williams), a sculptor struggling to prepare for an important show, one that could determine her future, despite the distractions of her day-to-day life. Her frayed nerves are put to the test when her passive-aggressive landlord, and fellow-artist, Jo (Hong Chau), refuses to fix the buildings hot water tank, thus making it impossible for Lizzy to shower. On top of that, Lizzy is stuck caring for a pigeon her cat Ricky seriously injured and left for dead, her co-worker Eric (André Benjamin, aka André 3000) left a piece in the kiln too long, causing it to crack.

Even her family stresses her out. Her mother (Maryann Plunkett), is also her boss at the Oregon College of Art and Craft, and her sculptor father (Judd Hirsch) is less than enthusiastic about her work and ambition. Her brother (brother (John Megaro) suffers with mental illness and spends his days digging a giant hole in his backyard.

“Showing Up” features the slow moving, leisurely pacing that has become writer/director Kelly Reichardt’s trademark. Lizzy’s world is revealed bit by bit, each obstacle adding to the growing anxiety as her opening night approaches.

It feels like watching a slow-motion car crash, but instead of the expected smash-up, the film gently uncovers how Lizzy’s devotion to her art is her lifeline. She lives an artistic life, connected to her community in ways that feed her creativity. Even the poor, broken pigeon finds a spot in Lizzy’s heart and helps transform her life in unforeseen ways.

Williams is a model of restraint, but finds way to add some light comedy into the character. Chau is a live-wire, adding some electricity to the film, even if her role is somewhat underwritten.

It would be easy to think that nothing much happens in “Showing Up,” and it is a quiet movie, but it is loud and proud in its declaration about the miracle of making art that matters while balancing the frustrations of everyday life.


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