Watch as I review three movies in less time than it takes to buy a train ticket! Have a look as I race against the clock to tell you about Brad Pitt in “Bullet Train,” the rescue drama “Thirteen Lives” and the sci fi horror of “Prey.”
Richard appears on “CTV News at 6” with anchor Andria Case to talk about the best movies and television to watch this weekend. This week he has a look at Bard Pitt in “Bullet Train,” the real life drama of “Thirteen Lives” on Prime Video and the Disney+ social media satire “Not Okay.”
Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres. Today we talk about Brad Pitt in “Bullet Train,” the true-to-life drama “Thirteen Lives” and “Prey,” the latest in the Predator franchise.
I sit in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres including Brad Pitt in “Bullet Train,” the true-to-life drama “Thirteen Lives” and “Prey,” the latest in the Predator franchise.
I join NewsTalk 1010 host David Cooper on the coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse Like This?” This week we talk about Brad Pitt in “Bullet Train,” the true-to-life drama “Thirteen Lives” and “Prey,” the latest in the Predator franchise.
Your enjoyment of “Bullet Train,” a new action adventure now playing in theatres, will depend directly on your enjoyment of star Brad Pitt. He’s having fun punching, shooting and generally behaving badly throughout, but it’s possible he’s having more fun than the audience.
Based on the Japanese novel “Maria Beetle,” “Bullet Train” stars Pitt as assassin “Ladybug.” Plagued by mishaps—“My bad luck is biblical,” he complains.—he wants out of the criminal life. “You put peace into the world and you get peace back,” he says.
When his handler, Maria Beetle (Sandra Bullock), needs a replacement for a quick job aboard a bullet train heading from Tokyo to Kyoto, she reaches out. He gives her the “peace” line. Her response? “I think you’re forgetting what you do for a living.”
She ropes him in with the promise of an easy gig. Grab a silver briefcase full of cash and get off at the next stop. “What’s the catch?” “There is no catch,” Beetle says.
Of course, there is a catch. In this kind of movie there is always a catch.
In this case the world’s fastest train is packed with some of the world’s most highly trained killers, and every one of them has some kind of tie to a psychotic crime syndicate boss known as the White Death. “He doesn’t need a reason to kill people like you,” says a passenger. “He needs a reason not to.”
Among them are Cockney killers Tangerine (Brian Tyree Henry) and Lemon (Aaron Taylor-Johnson), The Prince (Joey King), a British assassin posing as a schoolgirl and The Wolf (Benito A Martínez Ocasio), a Mexican murderer with a vendetta against Ladybug.
Cue the darkly comedic action.
For all its high-speed antics, “Bullet Train” feels been-there-done-that. It’s as if Quentin Tarantino and Guy Ritchie met in a head-on collision. Director David Leitch and screenwriter Zak Olkewicz borrow elements from both filmmakers, but despite the flash and sass, the quick edits and even quicker quips, their film lacks the gusto of its inspirations. It’s a familiar tale told with flashbacks, revenge motifs, pop culture references—one of the assassins endlessly quotes “Thomas the Tank Engine”—pop songs layered over violent fight scenes and Ninja swords.
It is, I suppose, a great example of Reduce, Reuse, Recycle, except other than the reductive script, Leitch doesn’t actually reduce anything. Reuse and recycle, for sure, but the film’s commitment to ultraviolence, sprawling cast and excessive 126-minute running time don’t suggest a reduction of any kind.
Pitt appears to be having fun, but the character’s New Age journey—he’s a nonstop font of “let this be a lesson in the toxicity of anger” style platitudes—grows wearisome and it’s hard to shake the feeling that the actor is revisiting his Cliff Booth character in the “Once Upon a Time in Hollywood’s” LSD fight scene. It is a hoot to see him cold-cock a giant Anime character, but his befuddled killer act gets old quickly.
“Bullet Train” is a derailment. It’s a movie with the odd highlight—Lemon and Tangerine’s banter is a hoot—but despite its desperate need to entertain, it ultimately goes off the rails.
Calling all emerging, aspiring at home filmmakers; this challenge is for you. Christopher Nolan’s feature films are known to be cherished, cinematic experiences, guaranteeing the next project by the visionary auteur will be an event like no other.
TENET is set to hit theatres in Canada on August 26, 2020 and if you haven’t poured over the brain-bending trailer countless times yet, here’s what you need to know: John David Washington (BlacKkKlansman) stars as The Protagonist, armed with only one word—Tenet—and, fighting for the survival of the entire world, journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time. Not time travel—Inversion. Whoa. Robert Pattinson, Elizabeth Debicki, Aaron Taylor-Johnson, Clémence Poésy, Himesh Patel, Michael Caine and Kenneth Branagh also co-star for one stacked cast.
As with any Christopher Nolan film, there’s much to unpack and we want to see how you interpret the concept of time for a chance at a major prize.
Do you see time as forward, backward, looping or something else entirely? Grab your camera or phone and create a 55-second video for the Inspired by Tenet National Filmmaker Contest that shows your skills as a filmmaker. The most inventive, exciting entry, as chosen by CTV film critic Richard Crouse, will win $10,000, debut nationally on etalk and be featured in the Cineplex Pre-Show in theatres across Canada. Whether you grab your family to create a fully-produced, time travel epic, or your dog for a looping video of cuteness, all you have to do is show how you interpret time.
Richard joins CP24 anchor Nathan Downer to have a look at the weekend’s new movies including the return of Lisbeth Salander in “The Girl In The Spider’s Web,” the sub-sub-sub-sub genre of Nazi zombie movies and “Overlord,” the sun dappled noir “The Padre” and the historical drama “Outlaw King.”