Listen to the whole thing HERE! (Starts at 27:45)
Watch the whole thing HERE!
Listen to the whole thing HERE!
Watch the whole thing HERE!
CAST: Brad Pitt, J.K. Simmons, Anna Lambe, Uber. Directed by David Ayer.
REVIEW: Brad Pitt stars as Special Forces officer James Belmont, a thirty-year combat veteran haunted by decades of battlefield action. To quiet his troubled mind Belmont and Odin, a three-legged German Shepard combat scouting dog who suffers from PTSD, who is also Belmont’s “greatest love and friend left on this earth,” take a trip to the Alaskan wilderness to experience the healing power of nature.
When their plane crash lands in the middle of nowhere, they are forced to rely on their combat skills to survive in the face of vicious cold, the unforgiving landscape, injury and threats from a variety of predators. The hurdles are huge, but, as Belmont says, “It’s not the size of the dog in the fight that matters,” says Belmont. “It’s the size of the fight in the dog.”
Like “The Littlest Hobo” with a taste of “The Revenant’ thrown in for seasoning, “Heart of the Beast” is a simple survival story anchored by a great performance.
But I’m not talking about Brad Pitt. He’s fine, doing a good job with a thinly written character, a resourceful soldier haunted by his past. His work is understated, far more subtle than you might expect from a movie like this.
No, the star here is Uber, the canine actor who plays Odin. He manages to do something George Clooney, Leonardo DiCaprio and Matt Damon have not been able to do, and that’s steal every scene they perform together.
Their relationship—they’re alone on screen for 90% of the movie—is the film’s emotional core. Belmont treats the dog as an equal, a fellow soldier who, like him, has been to hell and back. They have a bond, and that unbreakable connection is the film’s main draw.
Perhaps that’s why a number of flashbacks to their early military service left me with the feeling that director David Ayer, working from a script by Cameron Alexander, missed the chance to tell the more interesting story of the beginning of Belmont and Odin’s bond and battlefield experiences.
Set against the rugged beauty of New Zealand (standing in for Alaska), “Heart of the Beast’s” action is episodic, predictable and only occasionally pulse-racing. It’s a raw portrait of endurance, with a few grim moments and nice cameos from J.K. Simmons as a fellow traveler and “North of North’s” Anna Lambe, but it is the connection between man and dog that carries the movie and may have you reach for a Kleenex in its final twenty minutes.
I join guest host Amanda Galbraith on the Vassy Kapelos Show to taklk about “F1,” upcoming summer blockbusters and more!
Listen to the whole thing HERE!
Fast reviews for busy people! Feel the need for speed as I review three movies in less time than it takes to make a pitstop Have a look as I race against the clock to tell you about the pedal to the metal “Grand Prix,” the vroom vroom of “Rush” and the wicked quick “F1.”
Watch the whole thing HERE!
SYNOPSIS: In “F1 The Movie” Brad Pitt plays Sonny Hayes, a Formula One driver who became “the best who never was” after his career was sidelined in a terrible crash. Thirty years later he gets back into the game when his former teammate Ruben Cervantes (Javier Bardem), now the owner of a struggling Formula 1 team, recruits him to mentor rookie prodigy Joshua “Noah” Pearce for the Apex Grand Prix team (APXGP). “If the last thing I ever do is drive that car,” Sonny says, “I will take that life. A thousand times.”
CAST: Brad Pitt, Damson Idris, Kerry Condon, Tobias Menzies, and Javier Bardem. Directed by Joseph Kosinski.
REVIEW: A pedal-to-the-metal crowd pleaser, “F1” rides immersive racing scenes and dynamic lead performances to the finish line.
A loud ‘n proud blockbuster by design, director Joseph Kosinski is all about spectacle. Whether that means sweeping sequences of Formula 1 cars whizzing around the track, or beauty shots of star Brad Pitt filling the screen with charisma, Kosinski entertains the eye.
The straightforward tale, however, won’t give your brain the same workout it gives your eyes.
Plot wise, it’s essentially an earthbound “Top Gun: Maverick.” A story of rivals, high speeds and a mentor with something to prove, it follows a very identifiable sports movie blueprint, but you’ll likely be too busy taking in the adrenalized spectacle to feel the déjà vu.
As washed-up racer Sonny Hayes, Pitt does a riff on his “Once Upon a Time in Hollywood” character. Cocky and charismatic, he an older lone wolf bound to butt heads with rookie Joshua Pearce (Damson Idris). Hayes may be a walking, talking cliché, a Jack Kerouac character forced to confront his past so he can have a future, but through sheer force of will Pitt makes him feel authentic.
Pitt shares an edgy chemistry with Idris. Their rivalry is the film’s heart—much more so than Pitt’s romantic involvement with Kerry Condon’s character Kate—and the evolving relationship between the “the best who never was” and the up-and-comer provides a human backdrop in a movie mostly driven by a need for speed.
The “F” in the title could stand for formulaic, but expertly shot racing sequences and pulse pounding tension make up for the familiar bits.
It’s an old-fashioned summer blockbuster, that, despite its setting, is driven by Pitt’s star power rather than the really fast cars on display.
SYNOPSIS: In “Wolfs,” a new crime comedy in select theatres before moving to Apple TV+ on September 27, George Clooney plays Jack, a lone wolf fixer who aids the rich and powerful when they get into hot water. Need to get rid of a body? He’s your bagman.
“I was told that if I ever need help to call you,” says Margaret (Amy Smart), who finds herself in a hotel room with an inconveniently dead body. “I didn’t know people like you really existed.”
“They don’t,” he says. “There’s nobody who can do what I do.”
Except there is.
That person is Nick (Brad Pitt), a smug Mr. Fixit sent by the hotel. ”I’m here to fix your problem,” he says.
They don’t want to work together, but the hotel’s owner, whose been watching everything on hidden cameras intervenes. “The only course of action is for you to work together,” says Pamela Dowd-Henry (voiced by Frances McDormand), “to clean up this mess.”
As events spiral out of control, the two competitive troubleshooters reluctantly agree to partner up. “It’s gonna be a long night,” says Nick.
CAST: George Clooney, Brad Pitt, Amy Ryan, Austin Abrams, Poorna Jagannathan. Written and directed by Jon Watts.
REVIEW: By the time the end credits roll “Wolfs” has revealed itself to not be about men immersed in a world of murder and mayhem, but as a study in loneliness.
Clooney and Pitt play loners—the title is meant to suggest they are each a lone wolf, not part of a pack, and therefore aren’t wolves, but wolfs… or something like that—whose job, for safety reasons, requires that friendships do not get in the way of the work. But, when thrown together, they slowly form a bond. They don’t exactly become Bert and Ernie, but find commonalities and form a bond of trust, possibly for the first time in their lives.
The movie is at its best as Clooney and Pitt fall in “like.” The rest is finely tuned filmmaking, with a few laughs and some shoot ‘em up action. It’s slick and fleet-of-foot but the events surrounding the characters are not quite as interesting as the characters themselves.
The two leads begin as enemies, become frenemies and finally allies. It is their banter, chemistry and gentle acknowledgment of age that drives the movie, not the intrigue. Clooney and Pitt have an easy charm, and their combination of humorous self-depreciation and charisma is where the action is, not in the car chases or gun battles.
“Wolfs” is a great argument for the existence of movie stars. It’s a good example of how star power (alongside the goofy charm of Austin Abrams as an optimistic kid in constantly thrust into life-and-death situations) can amp an up a run-of-the-mill movie.
