Posts Tagged ‘Daniel Radcliffe’


On this special Halloween edition of the Richard Crouse Show we meet Ainslie Hogarth, author of “Motherthing,” darkly comedic novel about a woman who must take drastic measures to save her husband and herself from the vengeful ghost of her mother-in-law.

Then, David Cronenberg stops by. The director of “Eastern Promises,” “A History of Violence,” “The Fly” and “Videodrome,” among many others, talks about “Crimes of the Future,” an all-star story of eroticized human evolution starring Kristen Stewart, Viggo Mortensen and Léa Seydoux and we’ll find out whether he likes the nickname for his fans!

We go to the vault to find an interview I did with Daniel Radcliffe the night after I hosted the Canadian premier of his first post Harry Potter movie, a brooding gothic horror film called “The Woman in Black.” In the film Daniel plays a recently widowed layer who is grieving the loss of his wife when he is sent to a remote village on business. Once there he discovers his client’s house is haunted by the spirit of a woman who is trying to find someone and something she lost, and that no one is safe from her terrible wrath.

We’re talking horror, and who better to talk to than John Landis.  As the director of An American Werewolf in London and the groundbreaking music video for Michael Jackson’s “Thriller,” he knows a thing or two about how to make the hairs on the back of your neck stand up. In this conversation we talk about The Exorcist, The Omen, ghosts and one of th4e scariest scenes he’s ever seen in a movie. Ninety years ago Charles Laughton starred in The Island of Lost Souls as Dr. Moreau, a brilliant surgeon who performed vivisection on animals with the goal of turning animals into half human beings.

Listen to the whole thing HERE! (Link coming soon)

Here’s some info on The Richard Crouse Show!

Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!

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Richard speaks to “CTV News at 11:30” anchor Andria Case about the best movies and television to watch this weekend. This week we have a look at the Sandra Bullock comedy “The Lost City,” the Netfllix documentary “Lucy and Desi,” the Crave war flick “Midway” and the inspirational “Run Woman Run” now playing in theatres.

Watch the whole thing HERE!


Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres.  Today we talk about Sandra Bullock and Channing Tatum in “The Lost City,” the inspirational dramedy “Run Woman Run” and the poignant “Learn to Swim.”

Watch the whole thing HERE!


Richard joins host Jim Richards of the NewsTalk 1010 afternoon show The Rush for Booze and Reviews! Today we talk about Sandra Bullock and Tatum in “The Lost City,” the inspirational dramedy “Run Woman Run” and the poignant “Learn to Swim.” Then, we tell you all about the cocktail named for “Tomb Raider” Angelina Jolie.

Listen to the whole thing HERE!


Watch Richard review three movies in less time than it takes for Channing Tatum to take off his shirt ! Have a look as he races against the clock to tell you about Sandra Bullock and Tatum in “The Lost City,” the inspirational dramedy “Run Woman Run” and the poignant “Learn to Swim.”

Watch the whole thing HERE!


Richard joins NewsTalk 1010 host David Cooper on the coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse Like This?” This week we talk about Sandra Bullock and Channing Tatum in “The Lost City,” the inspirational dramedy “Run Woman Run” and the poignant “Learn to Swim.”

Listen to the whole thing HERE!



Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres including the all-star action adventure “The Lost City,” the inspirational dramedy “Run Woman Run” and the poignant “Learn to Swim.”

Listen to the whole thing HERE!!

THE LOST CITY: 2 ½ STARS. “despite a few laughs, it misses the mark.”

“The Lost City,” a new action adventure now playing in theatres, pairs up goofy, good looking actors Sandra Bullock and Channing Tatum in a new movie about a romance writer, a kidnapping and a secret treasure is a satire of romance stories that actually is a romance.

Bullock plays Loretta Sage, burned-out author of twenty romance novels featuring a Fabio-esque hero named Dash McMahon. Still grieving the loss of her husband, she took years to deliver the manuscript for “The Lost City of D,” an epic adventure that mixes her true loves, archeology and history, with an exploitive romance angle that she has come to hate.

On the front of all the novels Dash is “played” by the world’s sexiest cover model Alan Caprison (Tatum), a sweet-natured hunk with flowing hair and a sculpted torso, who will accompany Loretta on an upcoming promotional tour. He’s dumb-as-a-stump, more Chippendales than Chaucer, but under the long, blonde flowing wig he wears in public is a good guy.

When the author is kidnapped by billionaire Abigail (“It’s a gender-neutral name,” he says.) Fairfax (Daniel Radcliffe), who believes Loretta’s books contain real life clues as to the existence of the legendary Crown of Fire, Alan springs into action. “I’m going to rescue her,” he says. “I want her to think of me as more than just a cover model.”

He enlists the help of Jack Trainer (Brad Pitt), a mercenary with a special set of skills, to breach Fairfax’s secret island compound. “Why are you so handsome,” Loretta asks him. “My dad was a weatherman.” Jack is the real deal, the kind of hero Loretta always imagined Dash would be, but this isn’t the Loretta and Jack story, it’s all about the author and her goofy cover model. “This is so much better than your books,” says Alan about their real-life adventure.

Not funny enough to be a comedy with some action and not action packed enough to be an action comedy, “The Lost City” is somewhere in the mushy middle. The likeable cast is game, and we get the rare chance to see Radcliffe in villain mode, but the movie never quite gels. Too many jokes go south, and, other than the leads, no character really makes much of an impression.

The romance angle is slightly more successful. Big hearted lug Alan loves Loretta. The chemistry between Bullock and Tatum is warm, witty and welcoming, but it’s not enough to rescue a movie that tries hard but feels slipshod.

Brad Pitt slips in for an extended cameo that contains some actual action adventure and a few laughs, but this isn’t his movie. He’s just an added bonus.

“The Lost City” doesn’t take itself seriously, and neither should you. It aims to entertain, but, despite a few laughs, just misses the mark.

LEARN TO SWIM: 3 ½ STARS. “bends the notes to create something new.”

In “Learn To Swim,” a new film about memories and music, and now playing in theatres, first time feature filmmaker Thyrone Tommy tells the story as though he was creating a jazz riff. The love story may be familiar but he bends the notes just enough to create something new.

The story of gifted sax player Dezi (Thomas Antony Olajide) is told on a broken timeline. His past affair with singer Selma (Emma Ferreira) is shot in warm, welcoming colors as the two create music and fall in love. Interspersed are colder, harder scenes from Dezi’s present day. Bitter and alone, he is isolated from the world, unable to play music because of a jaw infection.

It is a study of Dezi’s relationships, with Selma, others around him and his connection to music. Like real life, those relationships are often messy and chaotic, but even as the disparate parts of Dezi’s story threaten to become obtuse, Tommy brings the story back into focus as the sax player’s pain becomes a common thread between the two timelines.

“Learn To Swim” is a simple story told in a way that adds depth and complexity. Dezi is an interesting character, talented and troubled, yet still, often sympathetic. Olajide brings him to life in a quietly powerful performance that emphasizes not only the character’s talent but the love and loss that shaped his creativity.

Ferreira is an effective foil, but never loses sight of what makes Selma tick.

The real star here, however, is Tommy. He and co-writer Marni Van Dyk create a story palette to paint a portrait of love, loss and beautiful music. It is a very promising feature debut, one that expertly balances performance and feel, just like the best jazz.