Posts Tagged ‘Daniel Scheinert’

NEWSTALK 1010: IN DEPTH WITH Key Huy Quan + Nicole Lundrigan

On this episode of the Richard Crouse Podcast we’ll meet Ke Huy Quan, the star of the most aptly titled movie of the year. “Everything Everywhere All at Once” is a wild and woolly adventure where the quirk factor is turned up to 11 and literally anything could happen. It’s a full tilt boogie story about a laundromat owner in trouble with the IRS who is sent off to another dimension to battle an evil spirit called Jobu Tupaki.

You know Ke Huy Quan as Short Round, the plucky kid companion to Indiana Jones in The Temple Of Doom and from a role in cult classic comedy-adventure The Goonies. We’ll talk about why he chose to return to acting in “Everything Everywhere All at Once” after a twenty year break from Hollywood.

Then, we’ll meet meet Nicole Lundrigan. She is the author of several critically acclaimed novels, including her latest book, “An Unthinkable Thing.” It is the story of a young boy scarred by tragedy that brings him into the home of a “perfect” family–one whose dark secrets begin closing in, until a horrifying moment changes everything.

Listen to the whole thing HERE!

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Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Ethan Hawke, director Brad Bird, comedian Gilbert Gottfried, Eric Roberts, Brian Henson, Jonathan Goldsmith a.k.a. “The most interesting man in the world,” and best selling author Linwood Barclay.

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EVERYTHING EVERYWHERE ALL AT ONCE: 4 STARS. “most aptly titled movie of the year.”

Marvel has familiarized fans with the concept of the multiverse, a metaphysical theory that sees a collection of parallel universes with alternate realities collide with our own. Marvel superhero superstars Doctor Strange and Spider-Man have both tripped the light fantastic in recent films. Joining them on a cinematic full tilt boogie trip into other worlds is Michelle Yeoh, star of the full tilt boogie sci fi mindbender “Everything Everywhere All At Once,” now playing in theatres.

The action begins in a suburban Southern California laundromat run by Evelyn Wang (Yeoh) and husband Waymond (Ke Huy Quan). The couple have a meeting with the IRS and the situation is dire. “You may only see a pile of receipts,” says bureaucrat Dierdre Beaubeirdra (Jamie Lee Curtis), “but I see a story. I can see where this story is going, and it does not look good.”

The meeting takes a weird twist when Waymond shoves Evelyn into a broom closet, sending her off to another dimension to battle an evil spirit called Jobu Tupaki, armed only with a Bluetooth headset.

“I’m not your husband,” he explains. I’m another version from another universe. I’m here because I need your help. Across the multiverse I’ve seen thousands of Evelyns. You can access all their memories, their emotions, even their skills. There’s a great evil spreading throughout the many verses. And you may be our only chance of stopping it.”

And away she goes, off on an adventure involving multiple Evelyns as a chef, a martial arts expert and movie star. As she verse-jumps, she must absorb the powers of all her alternate personalities and bring them back to the IRS offices.

“Everything Everywhere All At Once” is the most aptly titled movie of the year. A frenetic assault on the senses, it is a wild and woolly adventure where the quirk factor is turned up to 11 and literally anything could happen. A universe where everyone has hotdogs for fingers? Check. A heartfelt conversation between two sentient rocks? Check. A bagel that contains the secrets of the universe? Check.

You can say a lot of things about “Everything Everywhere All At Once” but you can’t say you’ve ever seen anything quite like it before. An eye-popping reflection on the power of kindness and love to heal the world’s problems, it is simultaneously exhilarating and exhausting. The directors, Daniel Kwan and Daniel Scheinert, known collectively as The Daniels, mix and match everything from family drama and tax problems to martial-arts and metaphysics into a whimsical story that moves at the speed of light. The result is a singular film that milks intentionality out of its madness.

Metro: Swiss Army Man has both body and soul, humour and depth

Screen Shot 2016-07-04 at 6.20.28 PMBy Richard Crouse – Metro Canada

Swiss Army Man, the story of a marooned man and his dead buddy’s journey back to civilization is a tale of friendship and what it means to be alive, really and truly alive. The easy thing would be to describe the new Daniel Radcliffe, Paul Dano two-hander as Cast Away meets Weekend at Bernie’s but that doesn’t grab the poetic essence of what the film is trying to achieve.

“We make our movies for ourselves and we wanted to surprise ourselves into learning something and feeling something,” says Dan Kwan, the film’s co-director and co-writer.

Kwan is half of Daniels, his directing collective with partner Daniel Scheinert. The duo came up with the idea for Swiss Army Man after directing a series of innovative, internet-breaking music videos like DJ Snake and Lil’ Jon’s Turn Down for What (35 million views and counting).

“We’ve been working together since 2009 and kind of discovered this movie as much as we wrote it,” says Scheinert. “We have very different filmmaking processes but very similar tastes. As we work together certain stories started to reveal themselves.

“It’s kind of autobiographical about the two of us. That’s a joke answer but it is also kind of true. Certain jokes would make us both laugh. Somewhere in that stew of us becoming friends a movie about two guys becoming friends came out. The signature image of a man riding a corpse’s farts across the ocean came out somewhere in there. The relationships with all the crew that made this movie also inspired the movie. We met our DP and our production designer and wrote a movie that played to their strengths.”

With a premise Monty Python might have rejected as too silly Swiss Army Man uses the relationship between its characters to shed light on everything from stifled machismo and loyalty to unrequited love and the need for compassion.

“The overall meta joke was, let’s make a farting corpse movie but let’s make the most personal movie we can,” says Kwan. “If people are connecting to it they’re connecting to us pouring a lot of ourselves into it.”

“Dan keeps saying this movie breeds a strange kind of empathy,” adds Scheinert. “One of the goals was to tell the most unlikely love story. We knew Farting Corpse and Daniel Radcliffe would be viral. Cool, but if we can make you really care about that farting corpse, what a cool achievement. If we can do that, what can’t you care about? You can walk out of the theatre and it will be real hard for you to find someone you can’t empathize with once you have just fallen in love with a farting corpse.”

Reviews have ranged from rapturous (“Hilarious, deranged, and always alive with possibility.”) to rotten (“ridiculously infantile”) but Daniels are unfazed by the reaction. “Even some of the bad reviews were sweet and complimentary,” says Scheinert. Mostly they just want people to see the film.

“I hope people go to a theatre and watch it with strangers because even if they hate it they’ll have a really memorable experience,” says Scheinert. “I hate it when people say it’s not a movie for everyone because I kind of feel it is a movie for everyone. You have permission to dislike this and you won’t be bored if even if dislike it.”