Posts Tagged ‘Ke Huy Quan’

KUNG FU PANDA 4: 3 ½ STARS. “doesn’t reinvent the nunchuck.”

It’s been eight years since Po, the accident-prone panda voiced by Jack Black, last brought one of his “legendary adventures of awesomeness” to the big screen. He returns, alongside some high-profile help in the form of Awkwafina, Viola Davis, Dustin Hoffman and Ke Huy Quan, to battle all the master villains Po thought were vanquished to the Spirit Realm.

As the film begins, Dragon Warrior Po is reluctantly about to ascend to the position of Spiritual Leader of the Valley of Peace. “I finally found something I’m good at,” he says. “And now you want to take it away from me?”

“No one is taking anything away Po,” says Shifu (Hoffman). “Who you are will always be part of what you become.”

As Po searches for the new Dragon Warrior, an evil shapeshifting sorceress called The Chameleon (Davis) sets her eye on Po’s mystical Staff of Wisdom. She is already able to absorb the martial art abilities of her victims, but if she gets her hands on the Staff she will have the power to jump between the Spirit and Mortal realms and restore villains from the past to the present.

“Once I possess the kung fu of every master villain,” she says, “no one will dare question my power.”

To keep the Valley of Peace safe Po recruits Zhen (Awkwafina), a sly corsac fox and thief whose cunning will help defeat The Chameleon.

“Kung Fu Panda 4” doesn’t reinvent the nunchuck. After three big screen entries and a popular video game version, there isn’t a lot of room for new adventures for Po, but the new movie does a good job at keeping the story and action before its “best by” date.

Likeable main characters, fun voice work and cool animation that, like the previous movies, embraces various styles—computer generated to stylized Kung Fu movie art—and loads of well-choreographed action, may not accurately be described as “legendary adventures of awesomeness,” but they are a good time.

Despite Zhen’s generic design, Awkwafina generates laughs as the fox who lives by “the rules of the street.” The Chameleon benefits from a more elaborate design, and Davis’s suitably villainous performance. Also welcome is a drunken fish (Ronny Chieng) who lives in the beak of a pelican.

The star of the show is Black as Po. He gives Po a charming childlike naiveté and a rock ‘n roll attitude, but while he has great fighting skills, he relies on his inherent goodness to guide his actions. The fight scenes are entertaining but it is his spirit that makes him lovable.

Even though it comes with a slight feeling of déjà vu, “Kung Fu Panda 4” will entertain the eye, and has good messages for the whole family, and, in this case, that’s enough for a good time at the movies.

iHEART RADIO NETWORK: WE MEET FOUR OF THIS YEAR’S OSCAR NOMINEES!

This week on the Richard Crouse Oscar Special we meet four Academy Award nominees!

First up, Ke Huy Quan, nominated for Best Supporting Actor for the most aptly titled movie of last year, “Everything Everywhere All at Once.” You can say a lot of things about “Everything Everywhere All At Once” but you can’t say you’ve ever seen anything quite like it before. An eye-popping reflection on the power of kindness and love to heal the world’s problems, it is exhilarating that mixes and matches everything from family drama and tax problems to martial-arts and metaphysics into a whimsical story that moves at the speed of light. The result is a singular film that milks intentionality out of its madness.

You know Ke Huy Quan as Short Round, the plucky kid companion to Indiana Jones in The Temple Of Doom and from a role in cult classic comedy-adventure The Goonies. We’ll talk about why he chose to return to acting in “Everything Everywhere All at Once” after a twenty-year break from Hollywood.

I caught up with Best Director nominee Baz Lurhmann and the stars of “Elvis,” Best Actor nominee Austin Butler, who hands in a terrific performance as Elvis and Olivia DeJonge who plays Elvis’ wife, Priscilla. We talked about what the story of Elvis’s life can tell us about America, Priscilla’s role in the singer’s life and much more.

Then, we meet Best Actor nominee Brendan Fraser, whose performance as a 600 pound man in “The Whale” earned him a six minute standing ovation at the Venice Film Festival, and the film’s screenwriter Sam Hunter, to talk about what Fraser learned from playing the character, how Hunter changed the script from the original stage play and more.

Listen to the whole thing HERE! (Link coming soon)

Here’s some info on The Richard Crouse Show!

Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!

Listen to the show live here:

C-FAX 1070 in Victoria

SAT 5:00 PM to 6:00 PM

SUN 10:00 AM to 11:00 AM

CJAD in Montreal

SAT 8 PM to 9:00 PM

CFRA in Ottawa

SAT 8 PM to 9:00 PM

NEWSTALK 610 CKTB in St. Catharines

Sat 8:00 PM to 9:00 PM

NEWSTALK 1010 in Toronto

SAT 8 PM to 9:00 PM

NEWSTALK 1290 CJBK

SAT 8 PM to 9:00 PM

AM 1150 in Kelowna

SAT 11 PM to Midnight

BNN BLOOMBERG RADIO 1410

SAT 8 PM to 9:00 PM

Click HERE to catch up on shows you might have missed!

OSCARS 2023: BRETT MORGEN + DEBRA EISENSTADT + KE HUY QUAN

This week on the Richard Crouse Show we meet director Brett Morgen and producer Debra Eisenstadt of the film “Moonage Daydream,” an impressionistic look at the life and work of iconic artist David Bowie, now playing in theatres.

Bowie led one of the most eclectic show business careers of the last sixty years. He was a seeker, an artist whose work flirted with everything from mime and music to acting and art. He was never less than a free thinker who valued artistic joy over fame.

Morgen’s film emphasizes the restless spirit that defined David Bowie, but don’t buy a ticket expecting a cradle-to-grave “Behind the Music” style expose. This is an experience, a collage of sound and vision, that over the two-and-a-quarter-hour running time creates a portrait that doesn’t attempt to define the artist as much as it does to illuminate his ever-changing philosophical mindset. To achieve this Morgen mixes never-before-seen footage and performances, forty remastered songs spanning the singer’s entire career and, as narration, excerpts from fifty years of Bowie interviews.

There are no talking heads or re-enactments, and neither is this one long music video. It’s an ephemeral collection of ideas and images with a solid intellectual underpinning, a philosophical edge and an emotional component for diehard Bowie fans. It also has a good beat and you can dance to it… most of it anyway.

We also get to know Ke Huy Quan, the star of the most aptly titled movie of the year, “Everything Everywhere All at Once.” You can say a lot of things about “Everything Everywhere All At Once” but you can’t say you’ve ever seen anything quite like it before. An eye-popping reflection on the power of kindness and love to heal the world’s problems, it is exhilarating that mixes and matches everything from family drama and tax problems to martial-arts and metaphysics into a whimsical story that moves at the speed of light. The result is a singular film that milks intentionality out of its madness.

What does all that mean? Stick around as I chat with one of the film’s stars Ke Huy Quan. You know him as Short Round, the plucky kid companion to Indiana Jones in The Temple Of Doom and from a role in cult classic comedy-adventure The Goonies. We’ll talk about why he chose to return to acting in “Everything Everywhere All at Once” after a twenty-year break from Hollywood.

Listen to the whole thing HERE!

Here’s some info on The Richard Crouse Show!

Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!

Listen to the show live here:

C-FAX 1070 in Victoria

SAT 5:00 PM to 6:00 PM

SUN 10:00 AM to 11:00 AM

CJAD in Montreal

SAT 8 PM to 9:00 PM

CFRA in Ottawa

SAT 8 PM to 9:00 PM

NEWSTALK 610 CKTB in St. Catharines

Sat 8:00 PM to 9:00 PM

NEWSTALK 1010 in Toronto

SAT 8 PM to 9:00 PM

NEWSTALK 1290 CJBK

SAT 8 PM to 9:00 PM

AM 1150 in Kelowna

SAT 11 PM to Midnight

BNN BLOOMBERG RADIO 1410

SAT 8 PM to 9:00 PM

Click HERE to catch up on shows you might have missed!

NEWSTALK 1010: IN DEPTH WITH Key Huy Quan + Nicole Lundrigan

On this episode of the Richard Crouse Podcast we’ll meet Ke Huy Quan, the star of the most aptly titled movie of the year. “Everything Everywhere All at Once” is a wild and woolly adventure where the quirk factor is turned up to 11 and literally anything could happen. It’s a full tilt boogie story about a laundromat owner in trouble with the IRS who is sent off to another dimension to battle an evil spirit called Jobu Tupaki.

You know Ke Huy Quan as Short Round, the plucky kid companion to Indiana Jones in The Temple Of Doom and from a role in cult classic comedy-adventure The Goonies. We’ll talk about why he chose to return to acting in “Everything Everywhere All at Once” after a twenty year break from Hollywood.

Then, we’ll meet meet Nicole Lundrigan. She is the author of several critically acclaimed novels, including her latest book, “An Unthinkable Thing.” It is the story of a young boy scarred by tragedy that brings him into the home of a “perfect” family–one whose dark secrets begin closing in, until a horrifying moment changes everything.

Listen to the whole thing HERE!

Here’s some info on The Richard Crouse Show!

Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Ethan Hawke, director Brad Bird, comedian Gilbert Gottfried, Eric Roberts, Brian Henson, Jonathan Goldsmith a.k.a. “The most interesting man in the world,” and best selling author Linwood Barclay.

Listen to the show live here:

C-FAX 1070 in Victoria

SAT 5:00 PM to 6:00 PM

SUN 10:00 AM to 11:00 AM

CJAD in Montreal

SAT 8 PM to 9:00 PM

CFRA in Ottawa

SAT 8 PM to 9:00 PM

NEWSTALK 610 CKTB in St. Catharines

Sat 8:00 PM to 9:00 PM

NEWSTALK 1010 in Toronto

SAT 8 PM to 9:00 PM

NEWSTALK 1290 CJBK

SAT 8 PM to 9:00 PM

AM 1150 in Kelowna

SAT 11 PM to Midnight

BNN BLOOMBERG RADIO 1410

SAT 8 PM to 9:00 PM

Click HERE to catch up on shows you might have missed!

EVERYTHING EVERYWHERE ALL AT ONCE: 4 STARS. “most aptly titled movie of the year.”

Marvel has familiarized fans with the concept of the multiverse, a metaphysical theory that sees a collection of parallel universes with alternate realities collide with our own. Marvel superhero superstars Doctor Strange and Spider-Man have both tripped the light fantastic in recent films. Joining them on a cinematic full tilt boogie trip into other worlds is Michelle Yeoh, star of the full tilt boogie sci fi mindbender “Everything Everywhere All At Once,” now playing in theatres.

The action begins in a suburban Southern California laundromat run by Evelyn Wang (Yeoh) and husband Waymond (Ke Huy Quan). The couple have a meeting with the IRS and the situation is dire. “You may only see a pile of receipts,” says bureaucrat Dierdre Beaubeirdra (Jamie Lee Curtis), “but I see a story. I can see where this story is going, and it does not look good.”

The meeting takes a weird twist when Waymond shoves Evelyn into a broom closet, sending her off to another dimension to battle an evil spirit called Jobu Tupaki, armed only with a Bluetooth headset.

“I’m not your husband,” he explains. I’m another version from another universe. I’m here because I need your help. Across the multiverse I’ve seen thousands of Evelyns. You can access all their memories, their emotions, even their skills. There’s a great evil spreading throughout the many verses. And you may be our only chance of stopping it.”

And away she goes, off on an adventure involving multiple Evelyns as a chef, a martial arts expert and movie star. As she verse-jumps, she must absorb the powers of all her alternate personalities and bring them back to the IRS offices.

“Everything Everywhere All At Once” is the most aptly titled movie of the year. A frenetic assault on the senses, it is a wild and woolly adventure where the quirk factor is turned up to 11 and literally anything could happen. A universe where everyone has hotdogs for fingers? Check. A heartfelt conversation between two sentient rocks? Check. A bagel that contains the secrets of the universe? Check.

You can say a lot of things about “Everything Everywhere All At Once” but you can’t say you’ve ever seen anything quite like it before. An eye-popping reflection on the power of kindness and love to heal the world’s problems, it is simultaneously exhilarating and exhausting. The directors, Daniel Kwan and Daniel Scheinert, known collectively as The Daniels, mix and match everything from family drama and tax problems to martial-arts and metaphysics into a whimsical story that moves at the speed of light. The result is a singular film that milks intentionality out of its madness.