Posts Tagged ‘Jean Smart’

CTV NEWS AT 11:30: MORE MOVIES AND TV SHOWS TO STREAM THIS WEEKEND!

Richard speaks to “CTV News at Six” anchor Pauline Chan about the best movies and television to watch this weekend including the mockumentary “Staged” with Michael Sheen and David Tennant on Hollywood Suite, the Amazon Prime horror series “Them” from producer Lena Waithe, the Netflix superhero comedy “Thunder Force” with Melissa McCarthy and Octavia Spencer and the VOD rom com “Senior Moment” with William Shatner.

Watch the whole thing HERE! (Starts at19:20)

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY APRIL 09, 2021.

Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres including the Oscar nominated “Nomadland,” the William Shatner rom com “Senior Moment” and the coming-of-artistic-age drama “Sugar Daddy.”

Watch the whole thing HERE!

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the Oscar nominated “Nomadland,” the William Shatner rom com “Senior Moment” and the coming-of-artistic-age drama “Sugar Daddy.”

Listen to the whole thing HERE!

BOOZE & REVIEWS: A DRINK AND A THINK ABOUT WILLIAM SHATNER IN “SENIOR MOMENT”!

Richard Crouse makes the perfect cocktail to sip as he has a drink and a think about the William Shatner rom com “Senior Moment.”

Watch the whole thing HERE!

SENIOR MOMENT: 2 STARS. “seasoned cast breathe life into hackneyed material.”

The last time we saw William Shatner and Christopher Lloyd on screen together they were outer space enemies battling over a doomsday device in “Star Trek III: The Search for Spock.” Reunited in “Senior Moment,” a new old-codger rom com now on VOD, their relationship this time around is more earthbound.

Shatner is retired NASA test pilot Victor Martin. He tools around Palm Springs with the love of his life, a vintage Porsche convertible. One afternoon, after spending the day with his BFF Sal Spinelli (Lloyd), he’s stopped at a light when Pablo Torres (Carlos Miranda) pulls up and challenges him to a street race. Never one to back down Victor agrees, and a few out-of-control minutes later, his license is pulled and his beloved car impounded by DA Tess Woodson (Beth Littleford).

A chance encounter with cafe owner Caroline Summers (Jean Smart) on public transit leads to romance. At least, when Victor’s jealousy of Caroline’s friendship with painter Diego Lozana (Esai Morales) doesn’t get in the way.

“Senior Moment” offers the pleasures of watching the seasoned cast breathe some life into the hackneyed material. For instance, Shatner talking dirty to his car — “A good shower before a wild ride is all you need. Ooh my, you make heads turn. I like that.”— is a joke that’s been around for as long as there have been filthy cars to talk dirty about. The jokes may be stale, but Shatner, Smart and Lloyd milk whatever entertainment value can be squeezed from a script that feels like it migrated to the screen from another era.

NEWSTALK 1010: Nomadland interviews + Daniel Lanois + William Shatner

This week on the Richard Crouse Show Podcast: If you love records like Joshua Tree, Wrecking Ball, and Time out of Mind you know my guest’s work. Daniel Lanois has an incredible resume. His work as a producer for U2, Peter Gabriel, Emmylou Harris, Bob Dylan, the Neville Brothers, Robbie Robertson and Neil Young among many others led Rolling Stone Magazine to say, “His unmistakable fingerprints are all over an entire wing of the Rock and Roll Hall of Fame.”

Lanois has moved back to Canada and launched the brand new Maker Series imprint out of his Toronto-based recording studio. First up in the Maker Series is a solo record called Heavy Sun. A soulful, joyous album recorded in Los Angeles and Toronto that fuses classic gospel and modern electronics. He says the intent of the music is to “lift people’s spirits.”

Then, we meet Jessica Bruder, author of the 2017 book “Nomadland: Surviving America in the Twenty-First Century,” and Bob Wells, a real-life nomad and one of the stars of the Oscar nominated film “Nomadland.”

Then, the man, the myth, the legend William Shatner. His career is so epic it spans generations. Some will remember him as the iconic Capt. James T Kirk of the USS Enterprise. Others know him as the veteran police sergeant in T. J. Hooker. Still others think of him as the host of the reality-based television series Rescue 911 or the “Big Giant Head” from 3rd Rock from the Sun or as attorney Denny Crane both in the final season of the legal drama The Practice and in its spinoff series Boston Legal. He’s an actor, an author a singer and now the star of Senior Moment a new rom com on VOD this week.

The romantic comedy focuses on Shatner’s character Victor, a retired pilot whose life goes into a tailspin after he loses his driver’s license, but starts looking up when he finds love with a character played by Jean Smart.

Listen to the whole thing HERE!

Here’s some info on The Richard Crouse Show!

Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Ethan Hawke, director Brad Bird, comedian Gilbert Gottfried, Eric Roberts, Brian Henson, Jonathan Goldsmith a.k.a. “The most interesting man in the world,” and best selling author Linwood Barclay.

Listen to the show live here:

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RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY OCT 14, 2016.

screen-shot-2016-10-14-at-4-39-11-pmRichard and CP24 anchor Jamie Gutfreund have a look at the weekend’s new movies,“The Accountant,” starring Ben Affleck as a deadly bookkeeper, “American Honey” starring Sasha Lane, “Unless” with Catherine Keener and “Christine” with Rebecca Hall!

Watch the whole thing HERE!

Metro In Focus: The Accountant & Crooks with pocket protectors!

screen-shot-2016-10-11-at-10-04-39-amBy Richard Crouse – In Focus

Ben Affleck plays the title role in the thriller The Accountant. “Like, a CPA accountant?” asks a Treasury Department worker. “Not quite,” replies agent Ray King (J. K. Simmons) in what might be the understatement of the year.

Affleck is a pocket-protector-wearing forensic accountant who “risks his life cooking the books for some of the scariest people on the planet; drug cartels, arms brokers, money launderers, assassins.” An autistic math genius with a violent side, he survives his dangerous world through dual facilities for math and mayhem.

“He’s a very distinct and unusual character,” Affleck told Entertainment Weekly. “A little bit different than your average, everyday person in the way he processes information and social thinking, and the way he sees numbers and logic, and that he’s trapped a little bit in his own mind.”

Affleck joins a long list of actors who have looked for loopholes, legal, financial and otherwise, on the big screen.

The late, great Gene Wilder became a star playing bookkeeper Leo Bloom in The Producers. “I spend my life counting other people’s money. People I’m smarter than.” It’s Bloom who comes up with the get rich quick scheme to mount a terrible Broadway musical and make off with the investor’s cash when the show flops. His plan falls apart when Springtime for Hitler becomes a hit but his business partner still has good things to say. “You’re an accountant,” raves Max Bialystock. “You’re in a noble profession! The word ‘count’ is part of your title!”

Rick Moranis played Louis Tully, an accountant possessed by an ancient spirit in Ghostbusters. Before he goes all supernatural Louis throws a bash to celebrate his fourth anniversary as an auditor at his swanky Central Park West apartment. “I’m givin’ this whole thing as a promotional expense,” he says, “that’s why I invited clients instead of friends.” The scene was shot in one continuous take with Moranis making his way through the party, improvising perfectly nerdy CPA dialogue—“This is real smoked salmon from Nova Scotia, Canada, $24.95 a pound! It only cost me $14.12 after tax, though.”—throughout.

In The Untouchables Charles Martin Smith plays Oscar Wallace, the bespectacled book balancer who puts together the tax evasion case against notorious mobster Al Capone. The character was largely based on Frank Wilson, the IRS Criminal Investigator who spent years keeping tabs on Capone’s financial dealings before laying charges. A self-penned article on his exploits, He Trapped Capone, inspired the 1949 Glenn Ford film The Undercover Man.

Cher initially turned down the Oscar winning role of Loretta Castorini, the widowed accountant in Moonstruck who falls for a one-handed baker. Though exhausted from one of the busiest years of her career, she ultimately took the part, showing up on set just one day after wrapping The Witches of Eastwick. When Moonstruck was done she took a week off before shooting the courtroom drama Suspect. The singer-turned-actress later called making the film, “too silly, too much fun to be work,” and became only the second female performer, alongside Barbra Streisand, to have a #1 hit and an Oscar.

Bloom, Tully, Wallace and Castorini are reel life bookkeepers, but in real life several actors almost chose figures over fame. Bob Newhart worked the ledger books for United States Gypsum and Eddie Izzard studied accountancy at the University of Sheffield.

THE ACCOUNTANT: 4 STARS. “tautly told story that satisfies as a thriller.”

screen-shot-2016-10-11-at-10-05-30-amIn “The Accountant” Ben Affleck plays a pocket-protector-wearing forensic bookkeeper who “risks his life cooking the books for some of the scariest people on the planet; drug cartels, arms brokers, money launderers, assassins.” An autistic math genius with a violent side, he survives his dangerous world through dual facilities for math and mayhem.

Affleck is Christian Wolff. By day he’s a small town strip mall CPA, but when the sun goes down his darker side emerges. Working for the worst of the worst he erases money trails and helps bad guys and gals launder money.

Although Christian has trouble relating to people there are several folks who would dearly like to meet him. First is the soon-to-be retired Treasury agent Director Raymond King (J.K. Simmons)—“I was old ten years ago,” he says.”—who assigns financial analyst (Cynthia Addai-Robinson) to the case. “He’s like, a CPA accountant?” she asks. “Not quite,” replies agent Ray King (J. K. Simmons) in what might be the understatement of the year.

Just as worrisome, but infinitely deadlier is Braxton (Jon Bernthal), a hitman hired by a robotics company to eliminate Christian and researcher Dana Cummings (Anna Kendrick) after they exposed the company’s fraud.

Luckily Christian (or whichever alias he’s using today) is part James Bond, part John Nash. A deadly mix of tactician and mathematician, he balances the books by offing some bad guys. “How does he do that?” asks Braxton. “Hit them over the head with an adding machine?”

There are twists and turns aplenty in “The Accountant” but at its heart the movie is a character study. Affleck, never a particularly animated actor, excels in a role that requires him to stay an arm’s length from people—unless he’s engaged in up-close-and-personal face-to-face combat. He is the film’s core, the center from which everything else revolves.

Sadly everyone else is underused, including Kendrick, Simmons, Lithgow and Tambor. It’s a stellar and seasoned supporting cast but by the end credits it’s clear they exist simply to give Wolff a reason to go on his mission. Addai-Robinson, best known from TV work on shows like “Arrow” and “Chicago Med,” benefits from some extended screen time, although her big scene involves some third act exposition that goes on for much longer than necessary.

“The Accountant” doesn’t add anything to the conversation about autism or how people on the spectrum really lead their lives, but despite longwinded explanations, flashbacks and story swerves, it’s a tautly told story that satisfies as a thriller.