I join “CTV News Toronto at Five” with guest anchor Zuraidah Alman to talk about new movies in theatres including the thriller “Drop,” the gritty “Warfare,” the Rami Malek revenge drama “The Amateur” and Prime Video’s “G20.”
Watch the whole thing HERE! (Starts at 15:00)
I join CTV Atlantic anchor Todd Battis to talk about the thriller “Drop,” the gritty “Warfare” and the Rami Malek revenge drama “The Amateur.”
Watch the whole thing HERE!
I sit in with CKTB morning show guest host Karl Dockstader to have a look at movies in theatres including the thriller “Drop,” the gritty “Warfare,” the Rami Malek revenge drama “The Amateur” and Prime Video’s “G20.”
Listen to the whole thing HERE!
I sit in on the CFRA Ottawa morning show with host Bill Carroll to talk about the new movies coming to theatres including the thriller “Drop,” the gritty “Warfare,” the Rami Malek revenge drama “The Amateur” and Prime Video’s “G20.”
Listen to the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to do a high five! Have a look as I race against the clock to pickup what “Drop” is putting down, and tell you about the dramas “Warfare” and “The Amateur.”
Watch the whole thing HERE!
SYNOPSIS: In “The Amateur,” a new thriller now playing in theatres, Rami Malek plays a CIA cryptographer whose life is touched by tragedy when his wife is killed in a terror attack. When the agency refuses to investigate he takes matters into his own hands. Despite being “just a nerdy guy who works on computers,” he vows to use his unique set of skills to get vengeance. “I want to face my wife’s killers,” he says, “look them in the eyes, and balance the scales.”
CAST: Rami Malek, Rachel Brosnahan, Caitríona Balfe, Jon Bernthal, Michael Stuhlbarg, Holt McCallany, Julianne Nicholson, Adrian Martinez, Danny Sapani and Laurence Fishburne. Directed by James Hawes.
REVIEW: “The Amateur,” based on the 1981 novel of the same name by Robert Littell, is a workmanlike thriller, with loads of style but few actual thrills.
The story of vengeance, set into motion after CIA cryptographer Charles Heller’s (Rami Malek) wife is murdered in a terror attack, aspires to be a layered look at grief, anger, the integrity of institutional organizations and the ethics of revenge, is instead a slackly paced movie that is all surface and no depth.
It begins with promise. There’s a cast headlined by Oscar, Tony and Emmy winners, a premise that reflects government conspiracy theories and worldwide unrest, and who doesn’t love a revenge drama? But as the story unfolds it becomes a jumble of ideas that are never pulled together in a tight enough package to become truly engaging.
Malek is in virtually every scene and acquits himself well as the smartest-guy-in-the-room-with-a-grudge, but there’s never any real heat around the character. We are told over and over how brilliant he is, so while he plays a life-and-death game of “Survivor” with the baddies, it’s almost a certainty that he will Outwit, Outplay and Outlast everyone. The predictable nature of his near misses and close scrapes becomes less interesting with every minute of the film’s runtime.
And don’t get me started on the underuse of Rachel Brosnahan, who is barely given any screen time, and when she is, is relegated to playing an idealized version of Charles’ wife. Laurence Fishburne fares better but is still a stock character. He plays a no-nonsense tough guy, ripe with gravitas. It feels like the original script called for a “Laurence Fishburn type” and then they were lucky enough to get Laurence Fishburn. It’s a shame they don’t give him more to do.
As a thriller “The Amateur” rarely raises the pulse rate, but it is as a vehicle for its supporting actors that it really disappoints.
Steeped in tragedy and trauma, “The Iron Claw,” a movie about the Von Erich wrestling family starring Zac Efron and Jeremy Allen White, and now playing in theatres, isn’t a sports movie. Set against the backdrop of professional wrestling, the movie is study of toxic masculinity and how the sins of the father can be visited on their sons.
The film begins with Fritz Von Erich (Holt McCallany) patriarch of the championship Von Erich wrestling dynasty. Early in his career, in an attempt to create a villainous heel persona, he changed his name from Jack Adkisson to the German sounding Fritz Von Erich. The switch purposely stoked post-war animosity and made him a wrestler audiences loved to hate.
In the ring he was a relentless competitor, the purveyor of the deadly Iron Claw, his much-feared finishing move that squeezed his opponent’s face into mush. Outside the ring his drive to win saw him push his sons Kevin (Efron), Kerry (White), David (Harris Dickinson) and Mike (Stanley Simons), into the family business.
“Now, we all know Kerry’s my favourite, then Kev, then David, then Mike,” said Fritz. “But the rankings can always change.”
Under Fritz’s hardnosed guidance, the Von Erich’s became one of the first wrestling families to become popular, winning championship belts and fans for their high-flying, acrobatic style but their accomplishments are tempered by tragedy, which son Kevin blames on a curse brought on by the family’s adopted name.
“Ever since I was a child, people said my family was cursed,” Kevin said. “Mom tried to protect us with God. Dad tried to protect us with wrestling. He said if we were the toughest, the strongest, nothing could ever hurt us. I believed him. We all did.”
“The Iron Claw” is about sports, and clearly stars Efron and White spent time in the gym to prepare for their shirtless bouts in the ring, but like all good sports movies it isn’t about the sport. It’s about the universal subjects of tragedy, brotherhood, brawn and bullies. The backdrop may be unusual, but anyone who has ever been browbeaten by a bully will find notes that resonate in the Von Erich story.
At the heart of the film are Efron and White as sons Kevin and Kerry. Both hand in performances etched by their physicality but deepened by the emotional turmoil that envelopes each character.
Efron digs deep in a career best performance. As Kevin watches his family fall apart, he slips into a depression, afraid that the curse is real and may affect his own wife (Lily James) and kids. For such a physical film, it’s internal work that reveals a well of emotion and sublimated anger underneath the character’s bulky frame.
White has a showier role, but as Kerry, the son who pays a huge personal price for wanting to please his overbearing father at any cost, he is more outward in his reactions to the story’s twists, but the sadness he carries with him is palpable.
Maura Tierney does a lot with little as mother Doris Von Erich. A stoic figure, when her buried feelings threaten to overflow, the look on her face has such quiet intensity it speaks louder than words.
McCallany has a much larger role. He is the catalyst, the bully who pushed his sons toward the ring by any means necessary. He’s the movie’s obvious boogeyman. Trouble is, the family can’t see it until it is too late.
“The Iron Claw” is a slow moving, somber movie that looks beyond the ring to focus on the price this family paid for success.
In recent years we’ve seen Liam Neeson morph from dramatic actor to action star. He’s battled everything from human traffickers and Mexican cartels to hijackers and murderous drug dealers. His latest, “The Ice Road” sees him up against his most daunting adversary yet—a long stretch of frozen ocean.
Neeson is Mike, a grizzled big rig driver who cares for his Iraq war veteran brother Gurty (Marcus Thomas). Gurty is a master mechanic but his PTSD has made it difficult for the brothers to stay employment. When a diamond mine in Northern Canada collapses, they accept a job offer from Goldenrod (Laurence Fishburne) to be part of a convoy delivering lifesaving equipment to the remote mine location.
The brothers team with Goldenrod and Tantoo (Amber Midthunder), a fearless young woman whose brother is trapped in the mine, to navigate three 65,000 pound vehicles over “ice roads,” frozen lakes, rivers and oceans to deliver life-saving equipment.
There’s more but I can’t describe the plot’s main thrust without a major spoiler. Suffice to say, there is a villain so dastardly all that’s missing is a giant moustache to twirl.
The drama in “The Ice Road” quickly melts away like ice before a fire, leaving behind a residue of clichés, long, drawn out action and fight scenes and dialogue borrowed from a hundred other, better action movies.
Director Jonathan Hensleigh, writer of the screenplays for “Jumanji,” “Armageddon” and “Die Hard with a Vengeance,” struggles to bring the popcorn thrills of his best-known work to this movie.
Even the death of one of the major players (NO SPOILERS HERE) is so abrupt and undramatic, it’s as if the actor had a doctor’s appointment and had to leave the set suddenly.
It’s too bad because there’s lots to work with. Start with Man-against-nature. Move along to a pantomime villain and throw in some of Neeson’s trademarked grimaces and growls and you could have an enjoyable b-movie but the hackneyed relationships and threadbare special effects sink the whole thing.
“The Ice Road” is a long (why did this have to be 103 minutes long?) winding road to nowhere; all build up and no pay off.
Richard joins Ryan Doyle and Jay Michaels of the NewsTalk 1010 afternoon show to talk the murky origins of the Mai Tai, a drink that became so popular in the 1960s it caused a worldwide rum shortage! We also talk about what to watch on the weekend!
Listen to the whole thing HERE!
