Posts Tagged ‘The Voices of Our Mother’

IHEARTRADIO: ACTOR/DIRECTOR MARK O’BRIEN + AUTHOR KEVIN HARDCASTLE

On the Saturday June 13, 2026 edition of The Richard Crouse Show we’ll meet award-winning actor, writer, and director Mark O’Brien. You know him as Des Courtney on Republic of Doyle and ambitious Deputy District Attorney Thomas Milligan on HBO’s Perry Mason. On the big screen he’s delivered standout performances in films like Arrival, Ready or Not, Marriage Story, and Goalie — for which he won a Canadian Screen Award. More recently, he’s been behind the camera with his acclaimed directorial debut The Righteous, and now his chilling new supernatural horror film The Voices of Our Mother, which he wrote, directed, and stars in.

Then, we’ll meet Kevin Hardcastle, an award-winning Canadian author whose debut short story collection Debris won the Trillium Book Award and ReLit Award, while his first novel In the Cage established him as a powerful voice in contemporary fiction.  In his highly anticipated new novel County Road Six, Hardcastle delivers a taut, propulsive family drama about four O’Hare sisters forced to confront their violent father’s legacy and a long-buried secret on a decaying farmstead in rural Ontario.

Listen to the whole thing HERE!

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Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!

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YOU TUBE: THREE MOVIES/THIRTY SECONDS! FAST REVIEWS FOR BUSY PEOPLE!

Fast reviews for busy people! Watch as I review three movies in less time than it takes to brush your teeth. Have a look as I race against the clock to tell you about the alien thrills of “Disclosure Day,” the spoof “Stop! That! Train!” and the supernatural “The Voice Of Our Mother.”

Watch the whole thing HERE!

THE VOICES OF OUR MOTHER: 3 ½ STARS. “McCarthy lets her freak flag fly.”

SYNOPSIS: In “The Voices of Our Mother,” a new gothic family drama now playing in theatres, a death in the family revives old animosities and secrets, leaving a group of estranged siblings to wonder if their situation is natural or supernatural.

CAST: Mark O’Brien, Sheila McCarthy, Georgina Reilly, Carolina Bartczak, Alex Ozerov-Meyer, and Anna Ferguson.

REVIEW: A mix of family drama and the supernatural, “The Voices of Our Mother” takes geriatric health issues and gives them a demonic spin.

When we first meet family matriarch Harriet Scaflen (Sheila McCarthy) her health has taken a turn after the death of his 95-year-old mother.

Her four children, William (Mark O’Brien, who also wrote and directs), Annika (Georgina Reilly), Therese (Carolina Bartczak) and Martin (Alex Ozerov-Meyer), are summoned to the family home to figure out next steps. Trouble is, they are estranged from her and each other.

Despite their mother’s presiding physician’s claims that she “appears to be healthy,” something must be wrong because mom has never behaved like this before.

A story of evil awoken from resentment, revenge, grief and intergenerational trauma, “The Voices of Our Mother” has a great ensemble, but it’s Sheila McCarthy’s wild performance that sticks.

The “I’ve Heard the Mermaids Singing” hands in an uninhibited performance that brings her inner demon to the fore. She’s no stranger to horror, having appeared in “Anything for Jackson,” a dark horror comedy about ancient spells and a “reverse-exorcism,” but her work here brings an intensity that is truly disturbing. It’s also interesting to see the usual trope of a child possessed by evil flipped to an elderly matriarch.

Writer, director and actor Mark O’Brien takes a relatable situation, a family brought together to care for a parent, and weaves in ideas of intergenerational trauma and family secrets as a catalyst for a slow-burn story of ancestral evil and possession.

Add to that atmospheric sound design and some wild practical effects and you get “The Family Stone” meets “The Exorcist” with a side of “Hereditary” for extra impact.

“The Voices of Our Mother’s” slow burn ignites when McCarthy lets her freak flag fly but it  also does a nice job of blending family dysfunction with the supernatural.