I appear on “CTV News at 6” with anchor Andria Case to talk about the alien thrills of “Disclosure Day” and the spoof “Stop! That! Train!”
Watch the whole thing HERE! (Starts at 34:37)
I sit with host Deb Hutton on NewsTalk 1010 to talk about to the recent Tony Award winner “Giant,” Rush’s triumphant return to the stage, Glenn Close’s honorary Oscar, and I review the alien thrills of “Disclosure Day,” the spoof “Stop! That! Train!” and the supernatural “The Voice Of Our Mother.”
Listen to the whole thing HERE!
I sit in on the CFRA Ottawa morning show with host Bill Carroll to talk about the new movies coming to theatres including the alien thrills of “Disclosure Day,” the spoof “Stop! That! Train!” and the supernatural “The Voice Of Our Mother.”
Listen to the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to brush your teeth. Have a look as I race against the clock to tell you about the alien thrills of “Disclosure Day,” the spoof “Stop! That! Train!” and the supernatural “The Voice Of Our Mother.”
Watch the whole thing HERE!
SYNOPSIS: In “Stop! That! Train!,” a new disaster comedy starring RuPaul and now playing in theatres, two train attendants get the jobs of a lifetime working for the luxurious Glamazonian Express just as a massive storm endangers the train, their jobs and may even their lives. “It’s a Stormaganza!”
CAST: Ginger Minj, Jujubee, Brooke Lynn Hytes, Latrice Royale, Monét X Change, Symone, RuPaul Charles, Sarah Michelle Gellar, Nicole Richie, Raven-Symoné, Michelle Visage, Chris Parnell, Jesse Tyler Ferguson, Charo, Natasha Leggero, Joel McHale, Missi Pyle, Jerry O’Connell, Lisa Rinna. Directed by Adam Shankman.
REVIEW: “Stop! That! Train!” is the shameless spiritual cousin to “Airplane” and other spoof movies that never met a joke it couldn’t or wouldn’t crack.
The cavalcade of jokes begins as BFFs Tess (Ginger Minj) and DeeDee (Jujubee) report for duty as attendants on the high-speed Glamazonian Express, a train so most glamorous it makes the Orient Express seem dowdy. “There ain’t no rules when you’re riding on a train,” sing the first-class train attendants in the Safety Instructions musical number. “We’re like if Amtrak was gay.”
Their first day on the job is thrown into chaos when a massive storm nicknamed a Stormaganza hits, threatening to crash the train into Los Angeles. The only route to survival is for Tess and DeeDee to team up with the condescending first-class attendants, who, with the help of President Judy Gagwell (RuPaul) just might be able to avert disaster.
One of the co-producers of “Stop! That! Train!” is the aptly named Unapologetic Projects. I say aptly named because this movie is unapologetic in its campy approach. No joke is too corny, no joke obvious, no joke is left unturned. Don’t like a joke? Hang on, there will be another one in the next five seconds.
Legendary crime writer Elmore Leronard once told me you should never use more than one “!” in every 100,000 words. The title alone of “Stop! That! Train!” uses three and director Adam Shankman pitches the performances as if there were an “!” at the end of every joke. It’s a lot, and a bit of a blunt instrument, but it’s all in good fun.
Like an episode of “Drag Race,” “Stop! That! Train!” is colorful, chaotic and escapist. It’s a whole lotta empty calories, but fans of “Drag Race” should lap up this train wreck’s the quotable moments and wild energy.
In Rock of Ages Tom Cruise plays superstar Stacee Jaxx. He’s Ozzy Osbourne with Axl Rose’s attitude and Prince’s trademarked revealing chaps, a spicy stew of rebellion, decadence and Jack Daniels.
The first time we see Jaxx in the film he’s on a round bed, buried under several scantily clad women. It’s a memorable first look at the character, but it’s not exactly an original one.
Director Adam Shankman admits that the idea came from a similar scene — featuring KISS singer Paul Stanley — in the heavy metal documentary The Decline of Western Civilization Part II: The Metal Years.
It’s not the first time a music movie has taken its cue from real rock life.
For a year before shooting playing Jim Morrison in The Doors Val Kilmer immersed himself in the singer’s life, wearing his clothes and spending time at the Lizard King’s favorite Sunset Strip bars.
Despite the film’s many factual errors — drummer John Densmore claims “A third of it is fiction” — the recording studio scene where Jim smashes a TV is true, and even Jim’s disgruntled ex-band mates said they couldn’t distinguish Kilmer’s voice from the real Morrison’s.
The Doors weren’t the only musicians fooled by an actor.
Joan Jett was annoyed that Kristen Stewart wore leather pants when playing her in The Runaways — it would have been more authentic if she had worn jeans she said — but she was impressed with Stewart’s voice. When she first heard a recording of the actress belting out one of her songs she thought it was actually a tape of her old band.
Sex Pistols’ singer Johnny Rotten dismissed Sid and Nancy — the story of Sid Vicious’s life and death — as “mere fantasy” but Gary Oldham bought at least one authentic bit of Sid to the film by wearing the bass player’s real chain necklace in several scenes. Sid’s mom gave the actor the necklace to wear during filming.
Just as Shankman and Cruise borrowed from The Decline of Western Civilization, the Bob Dylan doc Don’t Look Back has inspired scenes in movies such as Bob Roberts and I’m Not There.
The mockumentary Walk Hard: The Dewey Cox Story parodies the movie in a press conference scene when a reporter compares Dewey to Dylan. “Why doesn’t anyone ask Bob Dylan why he sounds so much like Dewey Cox?” Dewey replies, echoing Dylan’s response to a reporter who likened Dylan to singer-songwriter Donovan.
