I join CTV Atlantic anchor Todd Battis to talk about the stop-motion animated “Wallace & Gromit: Vengeance Most Fowl,” the sports drama “The Fire Inside” and the rerelease of “Seven.”
Watch the whole thing HERE!
I join the CTV NewsChannel to talk about the animated “Wallace & Gromit: Vengeance Most Fowl,” the spy thriller “Harbin” and the rerelease of “Seven.”
Watch the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to do a high five! Have a look as I race against the clock to tell you about the animated “Wallace & Gromit: Vengeance Most Fowl,” the spy thriller “Harbin” and the rerelease of “Seven.”
Watch the whole thing HERE!
LOGLINE: In “Thelma,” a new comedy thriller now playing in theatres, June Squibb plays a 93-year-old grandmother who falls prey to a grandma phone scam. Conned out of $10,000, with the help of a friend (Richard Roundtree) and his motorized scooter, she sets out to find the scammers and get her money back by any means necessary. “What about my money?” she says. “Am I supposed to just let them have it?”
CAST: June Squibb, Fred Hechinger, Richard Roundtree, Parker Posey, Clark Gregg, Malcolm McDowell. Written and directed by Josh Margolin.
REVIEW: “Thelma” is something you don’t see very often, a thriller starring a 93-year-old action hero. From a low-speed scooter chase and a show down with the bad guys, to the acquisition of a weapon and a high-octane heist musical score, the movie has all the elements of an edge of your seat suspense film.
But its biggest asset is Squib, who brings steely determination, vulnerability and humor to the title character. She may not exactly be Ethan Hunt, but she’s more endearing and delightful than Jack Ryan and Jason Bourne combined. She’s easy to root for, even if her high stakes mission seems impossible.
At her side is Ben, Richard Roundtree, a.k.a. Shaft, in his final role. His presence is a cool callback to action movies of years gone by, but here he’s a charismatic sidekick, allowing Squibb to mostly take matters into her own hands.
There are also subplots involving Thelma’s grandson Daniel (Fred Hechinger) daughter Gail (Parker Posey) and son-in-law Alan (Clark Gregg), but at the film’s core is an exploration of old age, and how, as Ben says, “People these days don’t care about old things.” “Thelma” confronts that idea, dismissing it with panache, humor and some genuine excitement.
First, the history. One of the great nautical mysteries dates back to 1872 when a British brig called Dei Gratia came across a ship adrift in choppy seas. They were 400 miles east of the Azores in rough water when they changed course to offer aide to the Mary Celeste, a Genoa, Italy bound ship, now in distress.
What the Dei Gratia boarding party found on board the ship Mary Celeste unnerved them. The cargo load was intact, as was a six-month supply of food and water. What was missing was the crew. Ten souls, lost without a trace.
The fate of the Celeste crew has confounded historians for years. A new thriller, “The Haunting of the Mary Celeste,” now on demand and on digital, offers up a supernatural solution for the crew’s disappearance.
Researcher Rachel (Emily Swallow) has an idea that borders the scientific and the supernatural. It is her hypothesis that there are places on this planet where every now and again there is a rift when the tectonic plates shift. There is a physical change during the event and, like the blowback on a gun that sucks matter into the barrel, the crew members of the Mary Celeste were drawn into the rift, never to be seen again.
Rachel has determined the date of the next rift and is determined to prove her theory. With a small crew on a rented ship owned and operated by Tulls (Richard “Shaft” Roundtree) she sets off, only to have her theory proved in increasingly scary and weird ways.
“The Haunting of the Mary Celeste” is the kind of straightforward thriller where people optimistically say things like, “Hey Rachel, something’s going to happen tonight. I can feel it,” before everything falls to pieces. With characters straight out of Central Casting, the gruff old sea captain, the hot headed assistant etc, it offers up a soggy sea-bound adventure with very few actual thrills.
