Richard speaks to “CTV News at Six” anchor Andria Bain about television and movies to watch during the pandemic, including a show about collecting movie props, new movies on VOD–“Emma” and “Disappearance at Clifton Hill”–and why we’re going back and rewatching some old favourites.
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to VOD and streaming services including Shia LeBeouf’s semi-autobiographical story “Honey Boy,” the eco-doc “Spaceship Earth,” the period dramedy “Emma,” the ripped-from-the-headlines “The Assistant,” the family drama “Ordinary Love,” the horror comedy “Extra ordinary,” the ugly divorce proceedings of “Hope Gap” and the neo-realist look at the gig economy “Sorry We Missed You.”
In climate change circles the term “hope gap” refers to people who worry about global warming but feel powerless to do anything about it. The new film “Hope Gap,” now on VOD, has nothing to do with the climate, but is all about change and a person who feels powerless to prevent it.
Bill Nighy and Annette Bening play mild-mannered Edward and firecracker Grace, a married couple of twenty-nine-years. Their cluttered home displays the earmarks of a life well-lived. Shelves overflow with books and knick knacks, photographs decorate the fridge. They have a seemingly comfortable relationship; they know how one another takes their tea and pad about the house working on their pet projects, his academic updating of Wikipedia history sites, her poetry projects.
When their son Jamie (Josh O’Connor) comes to their Sussex coast home to visit there is tension in the air. Grace, in an attempt to shock Edward out of what she thinks is his silent complacency, picks a brutal fight, overturning a table and slapping her husband in the face. “He should fight back,” she says to Jamie. “I want a reaction.”
The relative calm of the seaside home shattered, Edward announces that he has long felt inadequate in the marriage and that he’s leaving, immediately. Devastated, Grace wants to try and work things out as Edward begins his new life.
“Hope Gap” has moments of humour but make no mistake, this is downbeat story about two people who were living separate lives under one roof. The overall tone is one of melancholy but not melodramatic. Nighy and Bening give naturalistic performances, each feeling the pain of the other’s actions in a battle of wills. Bening is heartbroken, angry and yet hopeful for reconciliation. Nighy plays Edward like a wounded animal, skittish and afraid, a damaged man who has retreated from the relationship.
The beauty of the screenplay by Oscar-nominated writer-director William Nicholson, is that it doesn’t take sides. Complex characters are thrown into a complicated, almost unbearable situation with no real winners. It paints a vivid picture of Grace and Edward but doesn’t judge them.
“Hope Gap” is a portrait of middle-age angst. It may not make for a good date night movie but the nuance of the relationships on display is worth the price of admission.
A weekly feature from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest and most interesting movies! This week Richard looks at the kid’s action movie “My Spy,” the divorce drama “Hope Gap” and the political polarization of “The Hunt.”
Richard sits in on the CJAD Montreal morning show with host Andrew Carter to talk about the weekend’s biggest releases including “My Spy,” the odd couple flick for kids, the controversial “The Hunt,” the adult drama “Hope Gap” and the wild supernatural comedy “Extra Ordinary.”