Richard and CTV NewsChannel anchor Andrea Bain talk about the latest movies coming to VOD and streaming services, including the Dakota Johnson-Tracee Ellis Ross musical drama “The High Note,” the Midnight Madness ready “Dreamland,” the rom com riff of “All About Who You Know” and the implausible twists and turns of “Inheritance.”
Watch the whole thing HERE!
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to VOD and streaming services including the Dakota Johnson-Tracee Ellis Ross musical drama “The High Note,” the Midnight Madness ready “Dreamland,” the rom com riff of “All About Who You Know” and the implausible twists and turns of “Inheritance.”
Listen to the whole thing HERE!
“The High Note,” coming out this week digitally via video on demand, mixes ambition, romance and music in a movie that tries to hit a high C but actually works better when it plays the minor chords.
Set against a backdrop of the Los Angeles music industry, the new film from Nisha Ganatra, now on VOD, sees Dakota Johnson play Maggie, a music obsessed wannabe producer, currently working as a personal assistant to superstar singer Grace Davis (Tracee Ellis Ross). Between running errands and running Grace’s life, Maggie finds time to oversee production on a live album of her boss singing the old hits and discover a new talent, singer-songwriter David Cliff (Kelvin Harrison Jr.). Passing herself off as an experienced producer with loads of industry hook-ups, she inspires him to write great new songs that could launch him into the big leagues. When a plan to position David as the opening act for Grace’s upcoming tour backfires, it threatens to torpedo all of Maggie’s hopes and dreams.
Following up on Ganatra’s last film “Late Night,” which starred Emma Thompson a late-night talk show host whose career is revamped by the influence of a younger, ambitious woman (Mindy Kaling), comes a story that sounds like an echo of the first. There’s more flash here and fewer laughs, but the essential story of a showbiz icon given a new lease on popularity by a newcomer with fresh ideas has a sense of déjà vu to it.
Originally scheduled for a big screen release “The High Note” moved to a digital release in the wake of the pandemic, which may have been a good thing. Its movie-of-the-week plotting and familiar premise feels suited, in a good way, to the smaller screen.
It’s a story about ambition, empowerment and music geekery given charm by Johnson and Ross. Johnson brings her trademarked steely-yet-vulnerable charm to the role of Maggie, while Ross—the daughter of iconic superstar Diana Ross—is a diva with flamboyant clothes and a temperament to match.
Despite the charismatic performers, both characters feel like caricatures. Maggie is a “High Fidelity” reject, a music junkie who speaks as though she’s reciting the liner notes of her favorite album. Ross does some powerful singing but plays Grace in broad diva-esque notes.
“The High Note” is a pleasant enough diversion as a story of empowerment but doesn’t have enough range to make it memorable.
Richard and CP24 anchor Rena Heer talk about the weekend’s big releases, the revamped “The Jungle Book,” a third visit to Calvin’s in “Barbershop: The Next Cut,” the jazzy notes of “Miles Ahead” and the mind altering ‘Criminal.”
Watch the whole thing HERE!
Richard and “Canada AM” host Jeff Hutcheson kick around the weekend’s big releases. They find out if “The Jungle Book” is appropriate for all ages, if “Barbershop: the Next Cut” makes the cut and if “Criminal” should be put in movie jail.
Watch the whole thing HERE!
Fourteen years after the first “Barbershop” movie the recession has caught up to Calvin Palmer, Jr. (Ice Cube). Due to changing times the barbershop he took over from his father has been forced to amalgamate with a beauty salon run by his business partner, Angie (Regina Hall). “This was the original man cave,” complains one regular, “now it’s just a club with no drinks.”
The customers are divided by sex, men on one side, women on the other, but there’s plenty of back-and-forth, especially between flirty beautician Draya (Nicki Minaj) and the very married Rashad (Common).
Outside the atmosphere isn’t as playful. Out of necessity they have a No Guns Allowed sign in the shop. “Can’t even get a haircut without some knucklehead carrying a gun,” says Eddie (Cedric the Entertainer). “Barbershop used to be a place of peace.” Gang violence is at an all time high, putting Calvin’s teenage son Jalen (Michael Rainey Jr.) at risk. With the neighbourhood in tatters and his son in danger Calvin contemplates moving his shop and family out of the only home they’ve ever known, South Side Chicago. “What are we supposed to do,” Calvin asks his wife, “wait here until something happens?” Before taking that dramatic step the staff stages an intervention, calling for a forty-eight hour ceasefire. Setting up the shop as a safe, neutral space for everyone from all over the city to come and hash out their differences and get a free haircut, they hope to “Increase the Peace.”
“Barbershop: The Next Cut” breathes the same air as “Chi-Raq,” Spike Lee’s recent satirical look at gang violence in Chicago. Director Malcolm D. Lee does away with the stylish flourishes that made his cousin Spike’s movie so memorable, but doesn’t skimp on the social commentary. Wedged between sometimes sharp, sometimes silly one-liners are keenly observed remarks on everything from racism and street violence to monogamy and the importance of community building. The presentations are different—call this “Chi-Raq Lite” if you like—but the pleas for peace are the same.
Working from a thoughtful although occasionally unsubtle script, the large ensemble cast has the chance to provide laughs and heart. Cedric, former Conan O’Brien writer Deon Cole and JB Smooth are in charge of the chuckles, while Cube and Common’s family storylines provide the sentiment. Other standouts include rappers-turned-actors Minaj and Eve.
The humour in “Barbershop: The Next Cut” is the spoonful of sugar that helps the medicine go down. What could have been a heavy-handed treatise on urban violence is instead an enjoyable romp that shines a light on a very important topic.
Richard and CP24 anchor Nneka Elliott talk about Michael Bay’s latest, the action film “13 Hours: The Secret Soldiers of Benghazi,” a buddy cop flick called “Ride Along 2” starring Ice Cube and Kevin Hart and the Edsel of the animation world, “Norm of the North.”
Watch the whole thing HERE!
Richard and “Canada AM” host Marci Ien talk about the Michael Bay action film “13 Hours: The Secret Soldiers of Benghazi,” the buddy cop flick “Ride Along 2” with Ice Cube and Kevin Hart and a contender for worst film of the year, “Norm of the North.”
Watch the whole thing HERE!
Your enjoyment of “Ride Along 2” will be directly linked to your enjoyment of Kevin Hart. The follow up to the wildly successful 2014 buddy cop comedy once again pairs Hart and Ice Cube but it is the comedian who dominates.
Ben Barber (Hart) is a beat cop one month out of the academy. He seems to have learned more about being a cop from playing video games than from the Academy, but nonetheless, he is determined to shadow his soon-to-be-brother-in-law James Payton (Ice Cube) when the Atlanta vice cop travels to Miami to track down a hacker (Ken Jeong). Ben thinks the Miami run will prove to everyone he should be a detective and while James doesn’t want the young cop tagging along, he agrees in the hope that the trip will prove Ben isn’t ready to move up the chain. In Miami they team up with a homicide cop (Olivia Munn) as the case takes a new and dangerous turn.
At the “Ride Along 2” screening I was at I sat across the aisle from a man who must be the world’s biggest Kevin Hart fan. He giggled and guffawed throughout. I’m glad he enjoyed the movie and hope Hart continues to delight him for years to come. Me, I didn’t find his antics quite as funny. He’s a whirling dervish, a nonstop bundle of energy who will do anything to get a laugh. He’s like a Jack Russell puppy that is always happy to see you and jumps in your lap all the time. At first its cute but as time goes by it gets annoying.
I admire his commitment but think he’s caught a bad case of Will Ferrellitus, a disease that affects famous comedians who have no self-control in the urge to get a giggle. The only cure is a director who understands that often less is more. Tim Story is not that director.
Ice Cube, on the other hand, is used well, displaying his trademark scowl with menace and humour. It’s a shame that Maya, film’s primary female character played by Olivia Munn, isn’t given more to do. Her presence here adds marquee value but little else.
“Ride Along 2” is a simple movie that relies on the A.B.C.’s of buddy cop movies: A.) Action. B.) Broad comedy. C.) Cleavage. All three are on display, although the action is by-the-book except for one sequence that blends video game action with real life. If more of the movie had this same kind of inventive spirit it might have been more fun.
