Richard speaks to “CTV News at Six” anchor Andria Case about the best movies and television to watch this weekend. This week we have a look at the animated “The Ice Age Adventures of Buck Wild” on Disney+ and two on VOD, the shoot ’em up “One Shot” and the grim “Two Deaths of Henry Baker.”
Watch the whole thing HERE! (Starts at 24:33)
Richard joins hosts Jay Michaels and Jim Richards of the NewsTalk 1010 afternoon show The Rush for Booze and Reviews! Today we talk about the first drink Neil Armstrong drank when he came back from the moon and review “The Ice Age Adventures of Buck Wild” on Disney+ and two on VOD, the shoot ’em up “One Shot” and the grim “Two Deaths of Henry Baker.”
Listen to the whole thing HERE!
Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres including the animated “The Ice Age Adventures of Buck Wild” on Disney+ and two on VOD, the shoot ’em up “One Shot” and the grim “Two Deaths of Henry Baker.”
Watch the whole thing HERE!
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the animated “The Ice Age Adventures of Buck Wild” on Disney+ and two on VOD, the shoot ’em up “One Shot” and the grim “Two Deaths of Henry Baker.”
Listen to the whole thing HERE!
Richard joins NewsTalk 1010 host David Cooper on the coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse like these movies?” This week we talk about the animated The Ice Age Adventures of Buck Wild on Dinsey+, the shoot ’em up “One Shot” (VOD) and the western noir “Two Deaths of Henry Baker” (VOD).
Listen to the whole thing HERE!
For better and for worse the “Ice Age” franchise seems to have been around longer than the actual Ice Age. With the latest entry, “The Ice Age Adventures of Buck Wild,” starring the voice of Simon Pegg on Disney+, number six in the series, the movies are starting to show their age. The characters and the voice work are still fun, but the animation doesn’t have the same pop as the earlier movies.
The action begins in Snow Valley, home of unruly possum brothers Crash (Vincent Tong) and Eddie (Aaron Harris). The possums are restless, bored with life in the sleepy, icy dale. They want to experience the world, away from the over-protective eyes of their make-shift family, woolly mammoths Ellie and Manny. “It’s time for us to move out and make our mark on the world.” By fluke, they wind up in the Lost World—“We came here to live a life of adventure.”—a massive underground cave and land of danger that might be too extreme, even for them.
As Ellie and Manny fret—“If we don’t find them, I’m going to kill them,” says Manny.—an unlikely “superhero” comes to Crash and Eddie’s rescue, a one-eyed weasel named Buck Wild (Pegg). Together they form a team to defeat the dinosaurs who live in the Lost World. “It’s time to get buck wild.”
For better and for worse the Ice Age franchise seems to have been around longer than the actual Ice Age. With the latest entry, number six in the series, the movies are starting to show their age.
“The Ice Age Adventures of Buck Wild” has a distinctly direct-to-streaming feel about it. The above the title voice cast from the other films—Ray Romano, John Leguizamo, Denis Leary and Queen Latifah—are gone, replaced with soundalikes. Not that young kids will mind, or even notice. But older kids who grew up watching these movies—they’ve been around for twenty years—may feel this one isn’t a movie as much as it is an inexpensive, extended version of the television series that was spun off the films.
Like all the “Ice Age” movies, this one has good messages for kids about the importance of family—”The only thing that stays the same is the love we have for one another. That’s the thing about a herd, you’re a part of it, even when you are apart.”—and embracing change—“Change is scary but it is the way of the world. It can help us grow into the people we’re meant to be even if that takes us to new places.” Nothing ground breaking, just solid morals from a story that should appeal to kids who haven’t already heard those platitudes a hundred time over.
Richard and CTV NewsChannel anchor Andrea Bain talk about the latest movies coming to VOD and streaming services, including the Dakota Johnson-Tracee Ellis Ross musical drama “The High Note,” the Midnight Madness ready “Dreamland,” the rom com riff of “All About Who You Know” and the implausible twists and turns of “Inheritance.”
Watch the whole thing HERE!
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to VOD and streaming services including the Dakota Johnson-Tracee Ellis Ross musical drama “The High Note,” the Midnight Madness ready “Dreamland,” the rom com riff of “All About Who You Know” and the implausible twists and turns of “Inheritance.”
Listen to the whole thing HERE!
“Inheritance,” a new movie starring Lily Collins and Simon Pegg and now on VOD, is a thriller that treats logic like a Whac-A-Mole game. Every time things almost make sense logic is bashed on the head and quickly disappears back into its hole.
The long strange journey begins when richie rich Archer Monroe (Patrick Warburton) dies of a sudden heart attack. He leaves behind widow Catherine (Connie Nielsen), politician-wannabe son William (Chace Crawford) and lawyer daughter Lauren (Lily Collins). At the reading of the last will and testament Lauren is dealt a bad hand after papa’s money is doled out to her mother, brother and various charities. Lauren is left a small stipend of $1 million and a for-her-eyes-only video directing her to an underground bunker. There she finds, and becomes responsible for, daddy’s dirty little secret.
In the fortified cavern she finds Morgan Warner (Simon Pegg wearing what looks like a “Fraggle Rock” wig), restrained by shackles in a windowless pit where he has rotted away for thirty years after witnessing Monroe commit a serious crime. He tells her he’s been here “longer than you’ve been alive.”
Question is, what does an idealistic prosecutor do when confronted with a terrible situation that could affect everything she and her family have worked for?
The silly plot twists and turns aren’t the only things hard to understand in “Inheritance.” It boggles the mind that this could be billed as a thriller. According to Wikipedia, by definition a thriller can be “characterized and defined by the moods they elicit, giving viewers heightened feelings of suspense, excitement, surprise, anticipation and anxiety.” The only mood this leaden story elicited in me was boredom. Early on I was hopeful for a so-bad-it’s-good experience from “Inheritance.” Then the thudding realization hit that I was simply in store for an implausible, missed opportunity of a movie that instead of moving me to the edge of my seat made me want to lean back and take a nap.
