Check out episode twenty-six of Richard’s web series, “In Isolation With…” It’s the talk show where we make a connection without actually making contact! Today, broadcasting directly from Isolation Studios (a.k.a. my home office) we meet Jay Baruchel. He’s been acting since the age of twelve and has appeared in everything from “Knocked Up” and “Tropic Thunder” to “The Trotsky” and “She’s Out of My League” to the action-fantasy “The Sorcerer’s Apprentice” and “This Is the End.” He’s probably best known as the voice of Hiccup in the wildly successful “How to Train Your Dragon” franchise but he says, despite all the success in front of the camera, what he really wants to do is direct.
“I was really lucky in that my parents would give me a kind of film or music 101,” he says in the interview. “Whenever they would tell me something they would explain why it matters. Why they care about it. What the landscape that it came out in was like and then, of course ,then they would get into sort of inside jokes. They also showed me “Monty Python the Holy Grail” and pause after every punch line and be like, ‘Do you understand why that’s funny?’ This is called dry humor. Literally. Verbatim. This is called dry humour. Then dad bought me “Ferris Bueller’s Day Off” on VHS for my ninth birthday. And that started my collection that I’m still crippled by because I still buy physical media. But I’ve never stopped. Somewhere in there I realized that as much as I adore writing stories, I realized that movies were the thing.”
Two years ago he wrote and directed the sports comedy “Goon: Last of the Enforcers.” Now he appears both in front of and behind the camera in “Random Acts of Violence,” a genre film that asks serious questions about how we relate to violence in art.
Based on a 2008 Image Comic, “Random Acts of Violence” begins with comic book writer Todd (Jesse Williams) suffering a case of writer’s block. His series, a grisly and successful adaptation of a real-life serial killer dubbed Slasherman, is coming to an end and he doesn’t know how to wind it down.
On a press tour from Toronto to New York to promote the final issue, Jesse and friends, visit the scene of the Slasherman’s crimes. As the group fall victim to a series of heinous copycat crimes the film asks, “What are the real consequences when life (and death) begin to imitate art?”
I talk about that with Jay in this interview but we started by reminiscing about the “beforetime” when we could go to the movies. I asked him what movie memories stand out for him when he thinks back to the theatre experience…
NOTE: The language in this interview is NOT suitable for all age. NSFW!
Watch the whole thing HERE on YouTube or HERE on ctvnews.ca!
True crime stories, retold as police procedurals, are television and podcast staples. Millions of people make a date every Friday with “Dateline” for a breathless retelling of the crime de jour and more folks kill time with crime podcasts than almost every other genre. Perhaps it’s because we like the rush of trying to figure out whodunnit or perhaps it’s because those shows give us an opportunity to feel relief that we’re not the victim.
Whatever the reason, we like it, but a new movie, “Random Acts of Violence,” now on VOD, may get us think about true crime in a different way. The film, co-written and directed by Jay Baruchel, details the consequences of turning a real serial killer into a pop culture phenomenon.
Based on a 2008 Image Comic by Justin Gray and Jimmy Palmiotti, “Random Acts of Violence” begins with comic book writer Todd (Jesse Williams) suffering a case of writer’s block. His series, a grisly and successful adaptation of a real-life serial killer dubbed Slasherman, is coming to an end and he doesn’t know how to wind it down.
On a press tour from Toronto to New York to promote the final issue, Jesse and wife Kathy (Jordana Brewster), assistant Aurora (Niamh Wilson) and BFF, Hard Calibre Comics owner Ezra (Baruchel), visit the scene of the Slasherman’s crimes. As the group fall victim to a series of heinous copycat crimes the film asks, “What are the real consequences when life (and death) begin to imitate art?”
“One of our friends is dead,” Kathy yells, glaring at Todd, “because of what came out of your f***ed up head.”
First know that while “Random Acts of Violence” is a condemnation of elevating killers to iconic status, it is also a blood-fest complete with entrails on the wrong side of the stomach muscles and sound effects that will haunt your dreams. It’s the bloodiest morality tale since the Old Testament.
It rides a thin line between commenting on pop culture’s obsession with brutality while displaying much of the behavior it condemns. “You legitimize violence,” Kathy tells Todd. “You fetishize evil.”
What sets it apart is self-awareness. Baruchel confronts the audience with the kind of graphic murders that might even make Rob Zombie uncomfortable, just as the story confronts its own use of violence.
Meta, right?
Is it perfect in its exploration of the morality of glorifying violence? No. The social commentary is blunted by the carefully and stylishly staged violence that seems to play against the point Baruchel is trying to make. But the feeling of discomfort that comes with every stab of a knife asks us to examine why we view cruelty—particularly against women—as entertainment. “Random Acts of Violence” is confrontational, voyeuristic and difficult, and, if nothing else, a conversation starter.
“All About Who You Know” takes a rom com premise and uses it to tell a story of ambition, cynicism and romance. But it’s not a rom com. It’s too meta for that. It’s a movie that follows the rom com rules but twists them to become a tribute to the kind of movies that inspired it.
Cole (Dylan Everett) is a film grad who sees life through a lens of movie references. His life is a series of imagined scenarios, ripped from the movies he is obsessed with. His dreams are that of many a film student. He wants to live and work in Los Angeles, writing screenplays that don’t follow the “same six storylines,” but he needs an in. When he meets Haley (Niamh Wilson), daughter of an Oscar winning screenwriter (David Hewlett) he contrives a rom com style hook up to get to her and her father. “It was all planned like some horses**t heist movie,” he says later. His scheme works but he soon realizes that real life and the movies are two very different things.
“All About Who You Know” takes a genre we’ve all seen and recontextualizes it with clever dialogue and characters who don’t behave as though they have just swigged from a bottle of love potion. They bare themselves in ways that no real rom com would allow. When he questions why she didn’t give him her phone number when they first met she says, “Because I wanted you to find me. I wanted you to prove that you wanted me. I am sick and tired of being obsessed with people who aren’t obsessed with me back.”
It is, as the tagline on the poster reads, “romantic-ish,” a movie that finds satisfaction in allowing the characters to behave true to form and not by allowing the form to dictate how the characters will behave. It’s a nervy take on the rom com genre and it works.
“All About Who You Know” is a clever movie that sometimes feels a little too self-aware and occasionally allows the pacing to go slack but a trio of lead performances from Everett, Wilson and Stephen Joffe as Cole’s BFF bring the film’s premise to shimmering life.
Add to that a sparkling indie soundtrack and you have something that isn’t a rom com—maybe we should call it a rom can’t—but a reinvention from Canadian writer-director Jake Horowitz.
“All About Who You Know,” which lost its festival run to the pandemic, can be now be found on Crave.
“The Young and Prodigious T.S. Spivot” should come with a whimsy overload warning. The off kilter tale of a boy genius, suicide and a road trip across the United States is so twee it makes Wes Anderson look stodgy.
10-year-old Tecumseh Sparrow Spivet lives on a Montana ranch with his cowboy father (Callum Keith Rennie), entomologist mother (Helena Bonham-Carter) and bored sister (Niamh Wilson) who has dreams of becoming Miss America dancing in her head. A year before his twin brother Layton (Jakob Davies) had a tragic incident with a rifle and passed away.
T.S. has invented a perpetual motion machine that wins him the prestigious Baird Prize by the Smithsonian Institution in Washington. They don’t realize the perpetual motion genius is a preteen and invite him to accept the award in person and deliver a speech. Leaving behind a note to his folks, T.S. packs a bag and hops a freight train headed to DC. On arrival he becomes a sensation due to his age, but a live television interview reveals more about the prodigy’s psyche than the Smithsonian bargained for.
Filtered through the fevered imagination of “Amelie” director Jean-Pierre Jeunet, Reif Larsen’s book “The Selected Works of T.S. Spivet” becomes a dark children’s tale that is not exactly for kids. Packed with iconic American scenery, inventive 3D and enough quirk for two movies, the story is about isolation and dealing with loss. Near the end there are some heightened emotional moments but the overall tone is left-of-center, often pushing the Whimsy Meter needle into the red. Glimpses of the inner-workings of Gracie’s mind and on-screen graphics dazzle the eye, but begin to wear on the nerves by film’s end.
As flashy as the film is, the bittersweet tale of loss in “The Young and Prodigious T.S. Spivot” is often overwhelmed by the visuals. Like the diagrams that decorate the screen throughout, the movie is more concerned with showing you the nuts and bolts of the story than allowing you to feel the underlying emotion of the piece.
Check out episode twenty-six of Richard’s web series, “In Isolation With…” It’s the talk show where we make a connection without actually making contact! Today, broadcasting directly from Isolation Studios (a.k.a. my home office) we meet Jay Baruchel. He’s been acting since the age of twelve and has appeared in everything from “Knocked Up” and “Tropic Thunder” to “The Trotsky” and “She’s Out of My League” to the action-fantasy “The Sorcerer’s Apprentice” and “This Is the End.” He’s probably best known as the voice of Hiccup in the wildly successful “How to Train Your Dragon” franchise but he says, despite all the success in front of the camera, what he really wants to do is direct.
