On the Richard Crouse Show for August 9, 2020 we meet Jay Baruchel. He’s been acting since the age of twelve and has appeared in everything from “Knocked Up” and “Tropic Thunder” to “The Trotsky” and “She’s Out of My League” to the action-fantasy “The Sorcerer’s Apprentice” and “This Is the End.” He’s probably best known as the voice of Hiccup in the wildly successful “How to Train Your Dragon” franchise but he says, despite all the success in front of the camera, what he really wants to do is direct.
Two years ago he wrote and directed the sports comedy “Goon: Last of the Enforcers.” Now he appears both in front of and behind the camera in “Random Acts of Violence,” a genre film that asks serious questions about how we relate to violence in art.
Based on a 2008 Image Comic, “Random Acts of Violence” begins with comic book writer Todd (Jesse Williams) suffering a case of writer’s block. His series, a grisly and successful adaptation of a real-life serial killer dubbed Slasherman, is coming to an end and he doesn’t know how to wind it down.
On a press tour from Toronto to New York to promote the final issue, Jesse and friends, visit the scene of the Slasherman’s crimes. As the group fall victim to a series of heinous copycat crimes the film asks, “What are the real consequences when life (and death) begin to imitate art?”
I talk about that with Jay in this interview but we started by reminiscing about the “beforetime” when we could go to the movies. I asked him what movie memories stand out for him when he thinks back to the theatre experience.
Then, we meet Mike Scott, the founding member, lead singer, guitarist and songwriter of The Waterboys. He is a restless creative spirit, known for radical changes in music style throughout what he refers to as his “allegedly unorthodox” career. The music on his solo albums and with The Waterboys explores a number of different styles, including folk, Celtic and rock and roll, fusing them together to create a sound that is not only catchy but unique.
The press release for his newest record “Good Luck, Seeker,” says the songs are populated by unrepentant freaks, soul legends, outlaw film stars and 20th Century mystics, drawing inspiration from the Stones, Kate Bush, Sly and Kendrick as well as Mike Scott’s very own musical past.
It’s a genre busting effort with epic songs like the dramatic, spoken word tune “My Wanderings In The Weary Land” to the earworm of the extremely catchy single “The Soul Singer.”
In this interview we talk about the construct of time, the power of the Clash and why he liked a record by Dave Dee, Dozy, Beaky, Mick & Tich enough to spend 8 and sixpence, or about 50 cents on it…
I began the interview by asking Mike Scott why he’s never made the same record twice.
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Ethan Hawke, director Brad Bird, comedian Gilbert Gottfried, Eric Roberts, Brian Henson, Jonathan Goldsmith a.k.a. “The most interesting man in the world,” and best selling author Linwood Barclay.
Click HERE to catch up on shows you might have missed!
Check out episode twenty-six of Richard’s web series, “In Isolation With…” It’s the talk show where we make a connection without actually making contact! Today, broadcasting directly from Isolation Studios (a.k.a. my home office) we meet Jay Baruchel. He’s been acting since the age of twelve and has appeared in everything from “Knocked Up” and “Tropic Thunder” to “The Trotsky” and “She’s Out of My League” to the action-fantasy “The Sorcerer’s Apprentice” and “This Is the End.” He’s probably best known as the voice of Hiccup in the wildly successful “How to Train Your Dragon” franchise but he says, despite all the success in front of the camera, what he really wants to do is direct.
“I was really lucky in that my parents would give me a kind of film or music 101,” he says in the interview. “Whenever they would tell me something they would explain why it matters. Why they care about it. What the landscape that it came out in was like and then, of course ,then they would get into sort of inside jokes. They also showed me “Monty Python the Holy Grail” and pause after every punch line and be like, ‘Do you understand why that’s funny?’ This is called dry humor. Literally. Verbatim. This is called dry humour. Then dad bought me “Ferris Bueller’s Day Off” on VHS for my ninth birthday. And that started my collection that I’m still crippled by because I still buy physical media. But I’ve never stopped. Somewhere in there I realized that as much as I adore writing stories, I realized that movies were the thing.”
Two years ago he wrote and directed the sports comedy “Goon: Last of the Enforcers.” Now he appears both in front of and behind the camera in “Random Acts of Violence,” a genre film that asks serious questions about how we relate to violence in art.
Based on a 2008 Image Comic, “Random Acts of Violence” begins with comic book writer Todd (Jesse Williams) suffering a case of writer’s block. His series, a grisly and successful adaptation of a real-life serial killer dubbed Slasherman, is coming to an end and he doesn’t know how to wind it down.
On a press tour from Toronto to New York to promote the final issue, Jesse and friends, visit the scene of the Slasherman’s crimes. As the group fall victim to a series of heinous copycat crimes the film asks, “What are the real consequences when life (and death) begin to imitate art?”
I talk about that with Jay in this interview but we started by reminiscing about the “beforetime” when we could go to the movies. I asked him what movie memories stand out for him when he thinks back to the theatre experience…
NOTE: The language in this interview is NOT suitable for all age. NSFW!
Watch the whole thing HERE on YouTube or HERE on ctvnews.ca!
“The Sorcerer’s Apprentice” is a remake of the famous segment in Disney’s “Fantasia” in name only. Sure there are a few lively mops and other cleaning supplies that come to life, echoing Mickey Mouse’s symphonic cartoon, but in the new version there is also wild special effects, Nic Cage’s crazy hair and best of all, Jay Baruchel as the title character.
The story begins in 740 AD, when Merlin is betrayed by one of his three apprentices. A battle between loyal Merlinians Balthazar (Nicolas Cage) and Veronica (Monica Bellucci) and the turncoat Maxim Horvath (Alfred Molina) ends when Veronica is trapped in a magic nesting doll called a Grimhold with Horvath and evil sorceress Morgana (Alice Krige). Cut to the 21st century. Balthazar has searched for one thousand years to find “the Prime Merlinian,” the only person powerful enough to kill Morgana and free Veronica from the Grimhold. The centuries long search ends up at the door of Dave Stutler (Jay Baruchel) a nerdy New York City physics student who sounds a lot like the guy from “How to Train Your Dragon.” In the coming days Dave not only learns about sorcery, but also a thing or two about self confidence, his love interest (played by ScarJo look-a-like Teresa Palmer) and how to defeat the forces of evil.
“The Sorcerer’s Apprentice” is the second Jerry Bruckheimer movie of the summer season, following “The Prince of Persia.” Like “The Prince of Persia” this movie takes a thin premise and stretches it to feature length, but unlike the ill fated “Prince” “Apprentice” dishes up fun characters to go along with the trademark Bruckheimer action.
Baruchel, Cage and Molina ground the movie with, if not exactly believable characters—I believe Cage as a thousand year old sorcerer, but I don’t believe that hair is actually his!—then characters that can hold their own against the film’s frenetic pace and wild action. Director Jon “National Treasure” Turteltaub keeps the pedal to the metal, plunking in an action sequence about every ten minutes. The action is typical Bruckheimer CGI overdrive but is inventive and mostly family friendly. There are a couple of images that may disturb very young kids, but anyone over the age of ten shouldn’t find anything here they haven’t already seen in videogames.
Cage and Molina bring a larger-than-life feel to their characters. Cage isn’t exactly in his extreme “Bad Lieutenant” form here, but he is clearly having fun; ditto Molina who clearly relishes playing the bad guy.
Those guys eat up the scenery but it is Baruchel who provides the heart of the film. He brings the same charm and way with physical comedy to this mega-budget film as he does to the smaller character based movies he makes like “The Trotsky.” He’s appealing and even when the romance aspect of the story starts to drag Baruchel keeps us on side.
“The Sorcerer’s Apprentice” is a great air conditioner movie for these thermometer-busting summer days.
We can all conjure up an image of what Merlin the Magician looks like. He appears in dozens of movies, everything from the Disney cartoon Sword and the Sorcerer to Monty Python and the Holy Grail.
While we may not be able to nail the specifics — eye colour or height — the basics are easy — kindly old man with a long white beard, pointy hat, flowing robe. That’s the likeness of the magician that has graced movies for decades — including this weekend’s The Sorcerer’s Apprentice, starring Nicolas Cage as a magician and Jay Baruchel as his nerdy protege — but over the years there have been a number of interpretations of the character. Here’s a look back:
Knightriders
George A. Romero brought the Arthurian legend forward to present day, and, of course, along with that comes a modern take on Merlin. Played by Brother Blue, an Ivy League-trained actor and pastor, in his only onscreen credit, the wizard is a harmonica-playing hippie with butterflies painted on his face and forehead who spouts Woodstock-inspired dialogue like, “Magic got to do with the soul, man. Only the soul’s got destiny. It got wings. It can fly. That’s magic. The body’s just got a few minutes down here in the dirt with the rest of us.” Far out, man.
Son of Dracula
A rock ‘n’ roll Merlin! A blend of horror, comedy, and music, Son of Dracula stars Ringo Starr as the wizard in a story that could only have emerged from the drug addled 1970s. The story scarcely makes sense, but it is fun to see Ringo and co-star Harry Nilsson (along with cameos by 70s rock legends John Bonham and Keith Moon). Luckily the movie does have a great gothic soundtrack (featuring Ringo, Peter Frampton and George Harrison) making it one of the rare movies which is actually more fun to listen to than to watch.
Cabinet of Curiosities, Miscellaneous
In The Spaceman and King Arthur (also known as Unidentified Flying Oddball), a loose adaptation of adaptation of Mark Twain’s A Connecticut Yankee in King Arthur’s Court, Merlin is presented against type as an evil character intent on dethroning Arthur. Also out of character is Merlin’s Shop of Mystical Wonders, a horror film about a grandfather spinning tales for his grandson about Merlin’s modern-day store. The wizard sells magical spells and curiosities meant to help people but usually turn out to have the opposite effect. In this movie “abracadabra” usually means “abracadaver.”
On the Richard Crouse Show for August 9, 2020 we meet Jay Baruchel. He’s been acting since the age of twelve and has appeared in everything from “Knocked Up” and “Tropic Thunder” to “The Trotsky” and “She’s Out of My League” to the action-fantasy “The Sorcerer’s Apprentice” and “This Is the End.” He’s probably best known as the voice of Hiccup in the wildly successful “How to Train Your Dragon” franchise but he says, despite all the success in front of the camera, what he really wants to do is direct.
