I join “CTV News Toronto at Five” with anchor Michelle Dube to talk about new movies in theatres including the new “Scary Movie,” the live-action cartoon “Masters of the Universe” and the tuneful “Power Ballad.”
Watch the whole thing HERE! (Starts at 13:05)
I join CTV Atlantic’s Todd Battis to talk about the new “Scary Movie,” the live-action cartoon “Masters of the Universe” and the tuneful “Power Ballad.”
Watch the whole thing HERE! (Starts at 29:53)
I join CTV NewsChannel anchor Akshay Tandon to talk about the new releases in theatres, including the new “Scary Movie,” the live-action cartoon “Masters of the Universe” and the tuneful “Power Ballad.”
Watch the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to brush your teeth. Have a look as I race against the clock to tell you wazzzzup with the new “Scary Movie,” the live-action cartoon “Masters of the Universe” and the tuneful “Power Ballad.”
Watch the whole thing HERE!
SYNOPSIS: In “Power Ballad,” a new feel-good dramedy starring Paul Rudd now playing on theatres, a pop star, desperate for a hit, steals a song from a washed-up wedding singer.
CAST: Paul Rudd, Nick Jonas, Havana Rose Liu, Jack Reynor. Directed by John Carney.
REVIEW: Filmmaker John Carney infuses “Power Ballad” with his trademark emotional authenticity. The director of “Once,” “Begin Again” and “Sing Street,” uses music as a vehicle to tell a story of ambition and personal transformation.
Paul Rudd is Rick Power, an American musician who fell in love with an Irish woman while on tour. He relocated to Dublin, married and raised a daughter, leaving his dream of playing Madison Square Garden on the back burner. He pays the bills in a wedding band called The Bride & Groove, playing covers songs that provide a paycheque but no artistic satisfaction.
At a gig at an old Irish castle Rick meets Danny Wilson (Nick Jonas) when the former boy-band star jumps up on stage to sing a spirited version of the Stevie Wonder standard “I Wish.” Later, over beers and a bottle of scotch, the two jam, building a tune around one of Rick’s old songs called “How to Write a Song (Without You).”
“I’ve been toying with this one for years,” Rick says. “You have to record that. That’s my song.”
Six months later, while walking through a mall, Rick hears the song again, this time as a fully finished track pouring out of a store speaker. “That’s my chorus and verse. I wrote that song.” As the tune rises on the charts, Rick fights for recognition.
Paul Rudd leaves the broad humor of “Anchorman” behind to blend humor and heart à la his work in “The 40-Year-Old Virgin” or “I Love You, Man.” The script, co-written by John Carney and Peter McDonald, is gently humorous, milking laughs out of the situations rather than from outright jokes. There are laughs but they are touched by anguish, allowing Rudd to exercise his dramatic chops.
The showdown between Rick and pop star Danny, nicely portrayed by real life musician Nick Jonas, is a little too slapticky to provide a real emotional crescendo to the story but what that scene lacks in authenticity, the movie makes up for in a crowd pleasing, more personal, final act.
Carney uses music as the basis of “Power Ballad,” but it works best when it puts down the guitar and focusses on Rick’s personal tale and not just his chase for recognition.
SYNOPSIS: In “Anaconda,” a new comedy starring Jack Black, Paul Rudd and Thandiwe Newton now playing in theatres, a group of lifelong friends get more than they bargained for when they act on their childhood dream of making a movie.
CAST: Paul Rudd, Jack Black, Steve Zahn, Thandiwe Newton, Daniela Melchior, and Selton Mello. Directed by Tom Gormican.
REVIEW: Is “Anaconda” a remake of the cheesy 1997 JLo action horror film, or is it an homage, a parody, or a “spiritual sequel” as Jack Black’s character calls the movie-within-the-movie? Truth is, it’s all those things.
Ronald (Paul Rudd) and Doug (Jack Black) were inspired to make movies after watching the 1997 cult film “Anaconda” over thirty times in theatres. Their homemade flick, a Bigfoot inspired monster movie called “Squatch” didn’t lead to bigger things, and now Doug makes wedding videos in his hometown while Ronald struggles to make a go of it as an actor in Los Angeles.
Reunited at Doug’s birthday, Ronald announces that he has the rights to “Anaconda.”
“What are you going to do with them?” asks Doug.
“Not me,” Ronald says. “Us.”
He convinces Doug and pals Kenny (Steve Zahn) and Claire (Thandiwe Newton) to remake the Jlo actioner “indie style” on location in the Amazon.
Once on site their lo-fi shoot spirals out of control as they get involved with Illegal gold miners, an off-kilter snake wrangler and a real anaconda the size of a dinosaur. We came out here to make Anaconda,” says Doug, “and now we’re in it.”
“Anaconda” is a silly but amiable and enjoyable story of following your dreams. Doug and Ronald are lovable losers, in a shared mid-life crisis, whose optimism is infectious, even when they’re being chased by a giant snake.
Most of the humour is character driven, from Black’s high-energy routine and Rudd’s immaculate timing to Zahn’s scene stealing stoner act and Newton’s up-for-anything Claire. They’re a fun ensemble that keeps the laughs coming, even when the movie leans into the horror dynamic in the film’s second half, which is a good thing given that the horror isn’t scary and the action is shot mostly in close-ups which narrows the focus in the big set pieces. But no matter, you’ll likely be laughing too much to mind.
As a comedy based on the unintentionally funny original film, “Anaconda” lovingly pokes fun at the original 1997 movie, while simultaneously celebrating its cheeseball charm.
Fast reviews for busy people! Watch as I review three movies in less time than it takes to make the bed! Have a look as I race against the clock to tell you about the gameplay of “Marty Supreme,” the slithery charms of “Anaconda” and the tuneful “Song Sung Blue.”
Watch the whole thing HERE!
SYNOPSIS: In “Friendship,” a new cringe comedy now playing in theatres, Tim Robinson is Craig, an awkward guy who gets a taste of what it’s like to be included in a friend group when his cool neighbor invites him over for a beer. “I can see the future,” says Craig. “It’s full of pals helping pals and being a boss.” When that relationship sours, his entire life is turned upside down as he goes to extremes to recreate that warm, embracing feeling.
CAST: Tim Robinson, Paul Rudd, Kate Mara, Jack Dylan Grazer, Josh Segarra, Billy Bryk. Written and directed by Andrew DeYoung.
REVIEW: According to a recent study men have 50% fewer close friendships than women. In the case of Craig Waterman (Tim Robinson), an awkward suburban family man with a disinterested wife (Kate Mara) who still meets up with her ex for coffee, that percentage is far smaller.
Craig is an odd dude. Guaranteed to say the wrong thing at the wrong time, he’s content to sit at home, watching television. When a package meant for new neighbor Austin Carmichael (Paul Rudd) is delivered to Craig’s house by mistake, he drops it off to the right address. By way of saying thanks Austin invites him over for beers with the boys that night.
Craig has never met anyone quite like Austin. To Craig the weatherman at the local television station is almost impossibly cool. He plays in a punk rock band, has a collection of ancient weapons and is surrounded by good friends. He is, as the food critic Pascal, played by Ian Holm in “The Big Night,” might have labelled him, a “take a bite out of the ass of life” kind of guy.
Initially the pair hit it off. They go urban spelunking, and Craig is embraced by Austin’s very supportive circle of friends, who have a habit of sharing their feelings and singing away the blues. “I’m on the edge of life,” Craig says of his newfound, connected life,” and the view is gorgeous.”
But when their friendship sours, Craig is cut loose, desperate to feel the embrace of friendship once again.
“Friendship” is an awkward, but often funny comedy. A character study of a lonely guy, the success of the film is in its ability to mix the heartfelt reality of Craig’s desperation with Robinson’s heightened performance. He is, by times, needy, abrasive and unhinged, and while much of it is played for laughs, Robinson manages to inspire empathy.
The film’s final shot (NO SPOILERS HERE) follows some unforgivable, over-the-top behavior on Craig’s part, and yet, as we see him for the last time, there is a vulnerability and strange (OK, very strange) sweetness to the image.
“Friendship” is not your average awkward comedy. Adam Sandler and others have played angry, desperate characters, but Robinson takes a different approach. His take on Craig is merciless and he never sucks up to the audience. He’s an open wound, and while the circumstances surrounding him are often amusing, he plays it straight, which, brings a sense of absurdity that amps up the funny.
“Friendship” is an intense take on the loneliness epidemic that feels a bit scattershot in its execution but has enough heart to cut through the hysterics.
After a quick detour to Summerville, Oklahoma, the fifth movie in the Ghostbusters Universe sees the Spengler family back where the story began. “Ghostbusters: Frozen Empire,” now playing in theatres, grafts a proton blast of nostalgia to a new supernatural story of tiny Stay Puft Marshmallow Men, Spenglers and an iconic New York City firehouse.
In 2021’s “Ghostbusters: Afterlife” OG (Original Ghostbuster) Egon Spengler’s daughter Callie (Carrie Coon), her two teenage kids, Trevor (Finn Wolfhard) and Phoebe (Mckenna Grace), move to Egon’s abandoned Oklahoma farmhouse. When apocalyptic entity Gozer the Gozerian enters the scene, the family, along with mentor Mr. Grooberson (Paul Rudd) and some familiar faces—Ray Stantz (Dan Aykroyd), Peter Venkman (Bill Murray) and Winston Zeddemore (Ernie Hudson)—team to keep the world safe.
The new film sees Callie, the kids and Grooberson, now Callie’s boyfriend, bustin’ ghosts in New York City. Using Egon’s tools, they zoom through the streets in the classic Ectomobile, and operate out of the firehouse made famous in the first film. Zeddemore now owns the building, which has become dangerously overstuffed with trapped ghosts.
On top of that, when the fast-talking Nadeem (Kumail Nanjiani) sells Stantz an ancient orb, it releases Garraka, an ice demon with the power to harness an army of escaped ghosts and trigger a new Ice Age. “The Death Chill,” says Stanz. “Your veins turn onto rivers of ice. Your bones crack. And the last thing you see is your own tear ducts freezing up.”
To stop this “unimaginable evil” the Ghostbusters, old and new, must once again band together.
Another face from the past also resurfaces. Forty years after their first run in, former EPA inspector Walter Peck (William Atherton), is now NYC’s mayor, and still holds a grudge. “The Ghostbusters are finished,” he says.
“Ghostbusters: Frozen Empire” is busting at the seams, and not just with ghosts. A jumble of old and new characters, mythology and fan service, it’s overstuffed and yet feels lacking.
Aside from Mckenna, Aykroyd and Emily Alyn Lind as Melody, a lonely ghost who befriends Phoebe, none of the other characters make much of an impression, other than looking cool while posing with proton packs. It’s fun to see Hudson in an expanded role, but Murray doesn’t really appear, it’s more like he arrives, leaving a trail of Venkmanesque one-liners in his wake.
Rudd, Potts and most of the new proton pack slingers, however, all take a backseat to the busy story.
Fans will get a kick out of Slimer’s return, a haunted pizza is funny and the new Ice Demon, for the brief time they occupy the screen, is a creepy and cool addition to the Ghostbusters menagerie of meanies, but the script, penned by director Gil Kenan and Jason Reitman, doesn’t deliver the laughs. There are amusing moments, but the broadly comedic tone established by the classic “Ghostbusters” movies has been replaced by an earnest, nostalgic flavor.
“Ghostbusters: Frozen Empire” isn’t exactly a bust, but there isn’t as much life left in the franchise as die-hard fans may have hoped.
