Posts Tagged ‘Brady Noon’

TEENAGE MUTANT NINJA TURTLES: MUTANT MAYHEM: 3 ½ STARS. “feels contemporary.”

When I first heard there was a new “Teenage Mutant Ninja Turtles” movie in the pipeline, I wondered, “Why?” From their beginnings as a superhero parody comic by Kevin Eastman and Peter Laird to becoming a surprise cultural phenomenon, the anthropomorphic turtle brothers have been rebooted as a television show, toys and a bunch of movies.

The difference this time around is that “Teenage Mutant Ninja Turtles: Mutant Mayhem,” a new animated adventure now playing in theatres, captures the irreverent, rambunctious spirit of the comics that inspired it, without losing any of the heart that made turtle brothers— Leonardo, Michelangelo, Donatello and Raphael—so beloved in the first place.

An origin story, the new movie is a coming of age for the resourceful Donatello (Micah Abbey), the charming Michelangelo (Shamon Brown Jr), the reliable Leonardo (Nicolas Cantu) and the brave Raphael (Brady Noon). Raised by a mutant rat named Splinter (Jackie Chan) in the sewers of New York, under the orders of their overprotective, adoptive father, they only visit the human world to gather supplies. Splinter does not trust humans, and fears for his son’s safety if they are exposed to the human world.

But the turtles are restless. They long to be accepted, to go to high school, to do the things they see human teenagers do on television and in movies. “If we weren’t monsters, shunned by society, what would we do?”

On one of their clandestine visits to the city, they meet April O’Neil (Ayo Edebiri), an aspiring journalist who wants to tell their story. “This is insane,” she says. “Turtles. Mutant. Karate. Teens. I want to know everything about you.”

Meanwhile, New York City is being terrorized by Superfly (Ice Cube), a mutant housefly with a plan to kill and capture all humans and turn all animals on Earth into mutants. “Humans will be executed, enslaved, turned into food. Could be pets,” he says. “Any crazy thing you can think of, pitch it.”

Teaming with April, the turtles plan to take on Superfly and become heroes. “We take out Superfly and then everyone will think we’re cool,” says Donatello. “They’ll accept us!”

“Teenage Mutant Ninja Turtles: Mutant Mayhem” has a loads of scrappy heroes-in-half-shell spirit. The gorgeous rough ‘n tumble animation is computer generated, but feels organic, like a mix of the hand-drawn aesthetic of Ed “Big Daddy” Roth and Gerald Scarfe. It’s vibrant, exciting and will give your eyes a workout.

The story isn’t quite as exciting. It won’t take you anywhere really new, superhero movie wise, but it does update the TMNT lore. The use of actual teenagers to voice the four turtle brothers brings youthful energy that also adds some oomph and even poignancy to their coming-of-age/outsiders storyline.

The real stars of the show are Edebiri, Chan and Ice Cube. No longer just a supporting character, Edebiri gives April three-dimensions, with foibles–sometimes her nerves get the best of her—and objectives that help guide the story. Chan is very funny, but also humanizes the rat with his overly protective fatherly concerns. Ice Cube brings a considerable amount of swagger to the megalomaniac Superfly, spitting out his lines with humor and some cartoony menace.

Seven feature films in “Teenage Mutant Ninja Turtles: Mutant Mayhem” does something kind of remarkable. It takes a decades-old franchise and makes it feels contemporary with humor and heart while still providing a nostalgic blast for long-time fans.

GOOD BOYS: 4 STARS. “a real sweetness to the proceedings.”

Raunchy yet innocent. Naïve but course. Whichever you want to say it “Good Boys” is a “Superbad” riff on one of life’s rites of passage. Starring Jacob Tremblay, Keith L. Williams and Brady Noon, none of whom are old enough to buy a ticket to see their own movie, it’s an R-rated but sweet film that has more going for it than the novelty of foul-mouthed preteens.

It all begins with a kiss. Or at last the promise of a kiss. Sixth-grader Max (Tremblay) has been invited to his first kissing party, where he has plan to plant one on his crush Brixlee (Millie Davis). “Tonight is our first middle school party. There’s going to be girls there. You know what that means?”

Trouble is, he’s never actually spoken to her or kissed a girl. His pals Lucas (Williams) and Thor (Noon), the Beanbag Boys, can’t offer any practical advice in that regard but are game to help their friend get some smooching experience. “We need to see real people kissing. That’s the only way we’ll learn what we’re doing!”

Googling porn doesn’t illuminate anything. “They didn’t even kiss!” “Not on the mouth, anyway!” They use Max’s dad’s (Will Forte) drone to try and spy on the girls next door (Midori Frances and Molly Gordon) but they catch on before the boys learn anything useful. Desperate for information the hormonal hombres hit the road—literally, dodging traffic on a bustling six lane highway—that sees them encounter a sex doll they assume is a CPR practice dummy, vitamins that are actually MDMD and a frat house filled with bros. “You let us run around with drugs, fight with frat guys, and lock a cop in a convenient store with what I now suspect is a d*ldo,” Lucas says to Max.

“Good Boys” is best summed up by its rough ‘n ready Red Band trailer. The kids swear, a lot—Art Linklater would be shocked by the potty mouths on these darned kids—and find themselves in adult situations that often veer over into slapstick, and yet, there’s a real sweetness to the proceedings. They are at that very specific time in life between childhood and adolescence, just on the cusp of not wanting to put away childish things but speeding toward a hormonal future they don’t quite yet understand. That leads to very funny misunderstandings and an escalating series of events.

At its raunchy little heart, however, “Good Boys” is about growing up and growing apart. The Beanbag Boys may think they’ll be friends forever, but as the girls next door explain, they’re probably really only friends because they live close together, have parents who are friends and are in the same class. It’s a bittersweet realization in a movie that succeeds because of the chemistry between the three leads.