Fast reviews for busy people! Watch as I review three movies in less time than it takes to do a high five! Have a look as I race against the clock to tell you about the thrills of “Black Bag,” the speculative “Can I Get A Witness?” and the psychological satire of “Opus.”
Watch the whole thing HERE!
I joined CP24 Breakfast to have a look at new movies coming to theatres, including the spy drama “Black Bag” and the psychedelic psychodrama “Opus” and the Crave comedy “The Trades.”
Watch the whole thing HERE!
I sit in with CKTB morning show host Steph Vivier to have a look at movies in theatres including the thrills of “Black Bag,” the speculative “Can I Get A Witness?,” the psychological satire of “Opus,” the action of “Novocaine” and the aniimated antics of “The Day the Earth Blew Up: A Looney Tunes Movie.”
Listen to the whole thing HERE!
I join the Bell Media Radio Network national night time show “Shane Hewitt and the Night Shift” for “Booze & Reviews!” This week I review the espionage thriller “Black Bag” and suggest drinks that real spies–not movie spies–drink when they are on assignment.
Listen to Shane and I talk about why the TV show “Severance” is making dogs go wild HERE!
What would a real spy order at a cocktail bar? Listen to “Booze & Reviews” and find out!
SYNOPSIS: In “Black Bag,” a new thriller from director Steven Soderbergh, and now playing in theaters, Michael Fassbender plays a methodical spy who must choose between his country and his wife when a dangerous device is stolen, and she is a prime suspect.
CAST: Cate Blanchett, Michael Fassbender, Marisa Abela, Tom Burke, Naomie Harris, Regé-Jean Page, and Pierce Brosnan. Directed by Steven Soderbergh and written by David Koepp.
REVIEW: “What’s on the menu?” asks Kathryn Woodhouse (Cate Blanchett) asks her husband George (Fassbender) at the film’s start.
“Fun and games,” he replies, and he ain’t lying.
Like John le Carré meets “Mr. and Mrs. Smith,” “Black Bag” is a dialogue driven spy drama fueled by star power rather than fire power.
Steven Soderbergh, working from a script by his frequent collaborator David Koepp, creates a stylish, slick and suspenseful London-based thriller where people say cool spy things like, “This ends with someone in the boot of a car.”
At the helm is Fassbender. A master spy and happily married man, he’s a buttoned-down character in the John le Carré mode. He’s not a James Bond style bruiser. He’s reserved, a cold fish who once even put his own father under surveillance, concerned only with data and gathering cold hard facts. After one eventful dinner with all his suspects he says, “That was the rock, now I watch the ripples.”
Still, he generates heat in his scenes with Blanchett. They’re both spies, and as such, live in a world where there are secrets and not everything is what it seems to be. Their cat and mouse relationship is effervescent, providing sex appeal, domestic drama and intrigue as the limits of loyalty are tested. Their relationship just may give new meaning to the term, “I would die for you.”
A strong supporting cast—“Industry’s” Marisa Abela, “Mank’s” Tom Burke, “No Time to Die’s” Naomie Harris, “Bridgerton’s” Regé-Jean Page and Pierce Brosnan—add much but the real star here is Soderbergh and his crisp, fast paced and stylish filmmaking. Offset by a chic electrojazz score by David Holmes (who also scored “Out of Sight” and the “Ocean’s” trilogy), “Black Bag” slowly untangles its web of deception and keeps you guessing until the end.
I join the Bell Media Radio Network national night time show “Shane Hewitt and the Night Shift”for Booze & Reviews! This week we have a look at how the apocalyptic “Rumours,” starring Cate Blanchett and Alicia Vikander, poke fun at self-serving politicians and suggest some poli-cocktaiols to enjoy while watching the movie.
Listen to Booze & Reviews HERE! (Starts at 11:19)
Learn everything you need to know about the Live Aid musical “Just for One Day” HERE! (Starts at 21:09)
Fast reviews for busy people! Watch as I review three movies in less than a New York Minute! Have a look as I race against the clock to tell you about the horror flick “Smile 2,” the Michael Keaton drama “Goodrich” and the political satire “Rumours.”
Watch the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to do a handstand! Have a look as I race against the clock to tell you about the drama “We Live in Time,” the satire “Rumours” and the edgy family film “Bookworm.”
Watch the whole thing HERE!
SYNOPSIS: “Borderlands,” a new sci fi action comedy based on the video game series of the same name, prompted me to write words you don’t often see in the same sentence: Cate Blanchett, action star. The two-time Academy Award winner plays ruthless bounty hunter Lilith in a post-apocalyptic world, hired by the powerful president of a giant corporation (Edgar Ramírez) to track down his kidnapped daughter Tiny Tina (Ariana Greenblatt). The search leads her to the planet of Pandora, a wasteland at the edge of human civilization, home to monsters, “psychos” and a treasure trove of valuable alien technology.
CAST: Cate Blanchett, Kevin Hart, Jack Black, Edgar Ramírez, Ariana Greenblatt, Bobby Lee, Florian Munteanu, Gina Gershon, Jamie Lee Curtis. Directed by Eli Roth.
REVIEW: It’s hard to know exactly who “Borderlands” is aimed at. It shares the bright and bold aesthetic from the video games that inspired it, but the tone is radically different. The lewd and crude video game, rated M for mature audiences, features mature humor, strong language, gushes of blood and decapitation. The PG13 rated movie, directed by Eli Roth, maker of splatter movies like “Cabin Fever” and “Hostel,” smooths down the video game’s rough edges, leaving behind a movie that is neither fan service or something new.
Of course, Blanchett pulls off the action hero role. She’s Cate Blanchett and can do anything. She could play a doorknob and it would be the greatest doorknob in cinema history. It’s just too bad the script requires her to spout recycled action movie platitudes.
Kevin Hart inspires a sense of déjà vu in his portrayal of warrior Roland. He’s likable, and earns some of the film’s few laughs, but his performance here is interchangeable with almost every other character he’s ever played on screen.
Fan favorite CL4P-TP, better known as Claptrap, the chatty, uni-wheeled cycloptic robot featured in the video games, is part of the gang of characters. Voiced by Jack Black, he’s like an annoying little brother who never knows when to shut up, and, who poops bullets.
“Borderlands” aims to be a good time at the movies, but by trying to appeal to a wider audience it betrays the source material, and falls flat.
