Richard Crouse

SYNOPSIS: In “Gail Daughtry and the Celebrity Sex Pass,” Zoey Deutch plays a Midwestern hairdresser who travels to Hollywood in search of her “celebrity sex pass” after her fiancée hooks up with an a-lister.

CAST: Zoey Deutch, John Slattery, Ken Marino, Miles Gutierrez-Riley, Ben Wang, Sabrina Impacciatore, Jon Hamm, Weird Al” Yankovic, Henry Winkler, Elizabeth Perkins.  Directed by David Wain.

REVIEW: A Hollywood farce that mistakes sincerity and commitment-to-the-bit for humor, “Gail Daughtry and the Celebrity Sex Pass” stretches its “Wizard of Oz” parody to the breaking point.

The idea of a celebrity hall pass is simple. An agreement between couples, it allows both partners to get a one-time “pass” to sleep with a specific celebrity without it counting as cheating.

It’s a simple and fun hypothetical unless it actually happens.

That’s the case in “Gail Daughtry and the Celebrity Sex Pass.” Small town Kansas woman Gail (Zoey Deutch) and her fiancé, Tom’s (Michael Cassidy) relationship is put into doubt when the unlikely happens, and Tom meets and has relations with his celebrity pass, Jennifer Aniston, who plays herself.

Gail decides she must “even the scales.”

“I had a celebrity free pass thing with my fiancé,” she says, “but he took it literally. So now I need to have sex with Jon Hamm to even up the score and save my relationship.”

On her quest for some “Hammertime,” Gail and BFF Otto (Miles Gutierrez-Riley) travel to Los Angeles in what becomes a loose riff on “The Wizard of Oz,” complete with stand-ins for Toto, The Tin Man, The Cowardly Lion and the Scarecrow and, of course, Jon Hamm as The Wizard.

Along the way they’re joined aspiring talent agent Caleb (Ben Wang), a paparazzo (Ken Marino) whose lifelong dream is to get a candid snap of Jon Hamm, Hamm’s former “Mad Man” co-star John Slattery who plays a comedic version of himself as an out-of-work, down-on-his-luck actor whose texts to Hamm always go unanswered, and a group of assassins (Sabrina Impacciatore, Joe Lo Truglio, Mather Zickel).

“Gail Daughtry and the Celebrity Sex Pass” travels its own Yellow Brick Road in search of whimsy. It’s light and frothy, a nonsensical collection of scenes performed in a heightened, upbeat way, by a cast who energetically commits to the general ludicrous tone of the piece.

The consistent tone, however, when amplified, doesn’t have enough variance from scene to scene to hold interest.

That the cast are stymied by a script that leans into its absurdist style more than presenting genuinely funny moments blunts the film’s effectiveness.

The satire of celebrity culture and the chasm between Hollywood and the small-town Gail, representing Anytown USA, should have provided fertile ground but, time after time, the script, written by director David Wain and co-star Ken Marino, goes for silly over sentiment or any kind of satire with real bite. The result is a film that wastes a hall pass.