SYNOPSIS: This live-action animated remake of Disney’s 2002 animated film, “Lilo & Stitch” tells the story of Lilo, a lonely girl who befriends a mischievous, koala-like alien named Stitch. Despite Stitch’s genetic disposition to causing chaos, Lilo’s belief in ohana, the Hawaiian concept of family, helps Stitch com e to believe in love.
CAST: Maia Kealoha, Chris Sanders, Sydney Elizebeth Agudong, Hannah Waddingham, Billy Magnussen, Zach Galifianakis, and Courtney B. Vance, Tia Carrere, Amy Hill, Jason Scott Lee. Directed by Dean Fleischer Camp.
REVIEW: The latest live-action remake from Disney is an entertaining family film that may give fans of the 2002 movie déjà vu, but there’s just enough new stuff here to please older, nostalgic fans and win over new converts.
The new version, directed by “Marcel the Shell with Shoes On” helmer Dean Fleischer Camp, follows the template set by the 2002 animated movie.
When we first meet Stitch he is known as Experiment 626. He’s the brilliant, but destructive creation of mad scientist Dr. Jumba Jookiba (Zach Galifianakis). Born in a lab to be an agent of chaos, he is deemed too dangerous to stay on his home planet. As he is about to be exiled, 626 makes a run for it, hijacking a space craft and ultimately crash landing in Hawaii, where he is adopted by a lonely six-year-old named Lilo (Maia Kealoha) who thinks he is a dog.
In reality, he’s more of a cross between Keith Moon and Wile E. Coyote.
Since the death of her parents Lilo has been taken care of by her older sister Nani (Sydney Elizebeth Agudong) who struggles to make ends meet and is now under the watchful eye of a social worker played by Tia Carrere.
With agents from his home planet and a determined CIA agent with the unlikely name of Cobra Bubbles (Courtney B. Vance) on the search for him, Stitch remains a troublemaker but soon learns the importance of feeling safe with Lilo and Nani, his new, adopted family.
The heightened family relationships give this otherwise run-of-the-mill alien tale a great deal of heart. It unapologetically slips into sentimentality, but the bond between Lilo and Nani, and later with Stitch, is the stuff of good kid’s cinema. The story doesn’t have the depth that Camp was able to infuse into every frame of “Marcel the Shell with Shoes On,” but he does a good job with the simple message of finding family in whatever form they appear.
Add to that Stitch’s hijinks, which are gently chaotic and likely to appeal to kids more than adults, and you get an entertaining kid’s flick that doesn’t improve on the 2002 film—it lacks the visual beauty of the original’s mix of hand drawn and watercolor animation and adds about twenty minutes of story that feels like padding—but reshapes the original with high-spirited humour and heart.