I join CTV Atlantic anchor Todd Battis to talk about the animated action adventure of “Sonic the Hedgehog 3,” the photorealism of “Mufasa: The Lion King” and the thrills of #Carry-On.”
Watch the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to do a high five! Have a look as I race against the clock to tell you about the action adventure of “Sonic the Hedgehog 3,” the photorealism of “Mufasa: The Lion King” and the thrills of #Carry-On.”
Watch the whole thing HERE!
I sit in on the CFRA Ottawa morning show with host BIll Carroll to talk the new movies coming to theatres including the animated action adventure of “Sonic the Hedgehog 3,” the photorealism of “Mufasa: The Lion King” and the thrills of #Carry-On.”
Listen to the whole thing HERE!
SYNOPSIS: When a mysterious and powerful enemy threatens to destroy the planet, Sonic (Ben Schwartz), Knuckles (Idris Elba) and Tails (Colleen O’Shaughnessey) are recruited by the secretive Guardian Units of Nations (G.U.N.) to save the day.
CAST: Jim Carrey, Ben Schwartz, Colleen O’Shaughnessey, Natasha Rothwell, Shemar Moore, James Marsden, Tika Sumpter, Idris Elba Krysten Ritter, Keanu Reeves. Directed by Jeff Fowler.
REVIEW: A combination of live action and animation, “Sonic the Hedgehog 3” starring Jim Carrey and Keanu Reeves and now playing in theatres, sees the lead trio of heroes, Sonic, Tails and Knuckles face-off against “the Ultimate Lifeform.” He’s Shadow the Hedgehog, a powerful villain, recently unleashed after fifty years of captivity, who is determined to destroy Earth. To save the planet the trio teams with an old adversary, Ivo Robotnik. “Let’s do this,” the formerly evil doctor says. “If I can’t rule the world, I might as well save it!”
Usually by the time a franchise gets to the point where they have a “3” in the title the movies are bigger and louder but not better. Of course, there are exceptions to every rule, and “Sonic the Hedgehog 3” is one of them.
90s nostalgia takes the day. A generation who grew up with the Sonic videogames—the first one was released in 1991—are rewarded with a story that packs loads of lore into the fast moving movie.
Sometimes it feels like there’s too much lore.
The plot is all over the place and the film jumps to and fro through time and mythology at breakneck speed, but even though it’s convoluted, it’s a lot of fun for old fans and new.
The bonus for Generation Y’ers is the presence of Jim Carrey in the dual role of Dr. Robotnik and Gerald Robotnik, Ivo’s grandfather and Shadow’s creator. Carrey is in fine comedic form, recalling his up-for-anything performances in 90s favorites like “The Mask” and “Ace Ventura: Pet Detective.” It’s double the fun as Carrey delivers the film’s funniest lines and shows off his mastery of physical humour.
Another 90s superstar, Keanu Reeves, takes a role that could have been a standard issue villain and makes us understand the source of his malevolence. When he talks about the effect of the death of his best friend had on his psyche, it’ll make you feel something for an evil, animated hedgehog.
Not all of it works. James Marsden and Tika Sumpter aren’t given much to do as the adoptive father of Sonic, Tails, and Knuckles, simply adding another story shard to an already crowded movie.
“Sonic the Hedgehog 3” defies the rule of sequel diminishing returns. It builds on the strengths of the first two films in the franchise to deliver a fun family friendly movie just in time of the holidays.
“Renfield,” a new horror comedy starring Nicholas Hoult as the beleaguered familiar to the Prince of Darkness (Nicolas Cage), pays homage to the menace of Universal’s 1931 “Dracula,” while adding some fun with the addition of gory laughs.
Hoult is Robert Montagu Renfield, an assistant to the narcissistic Count Dracula, galvanized with just enough vampiric power to be able to subdue victims for his master’s pleasure.
“Renfield,” sneers Dracula, “your sole purpose is to serve me! Now let’s eat!”
Together for almost 100 years, Renfield spent most of that time eating bugs and risking life and limb to provide for Dracula’s voracious appetite. He’s at his wit’s end, but it’s not until his latest job, looking for potential victims at a counselling group for people trapped in toxic relationships, turns from a hunting ground to a self-actualization session, that he has a moment of clarity.
“I will no longer tolerate abuse,” he says, after listening to the stories shared by the group. “I deserve happiness.”
His journey to a normal life begins with Rebecca Quincy (Awkwafina), a New Orleans traffic cop still stinging from the loss of her father at the hands of the violent Lobo crime family run by Ella (Shohreh Aghdashloo). When Renfield uses his Dracula-given powers to save Rebecca and others from mob enforcer Teddy Lobo (Ben Schwartz), he is seen as a hero for the first time in his life. Empowered, he now faces his greatest enemy, his employer Dracula.
“I will unleash an army of death,” Dracula threatens. “Everyone you care about will suffer because you betrayed me.”
Perhaps an alternate title for “Renfield” might have been “Dracula: I’m OK, You’re OK.” A mix of Bram Stoker and group therapy pioneer Joseph H. Pratt, it is a modern interpretation of the Dracula legend and therapeutic treatment that doesn’t take itself too seriously. The blend of self-help and horror is absurd, but director Chris McKay keeps his foot on the pedal, barreling through the story and recreating vampire lore–in this version, for instance, eating bugs isn’t a sign of madness, it gives Renfield superhero ability—with the efficiency of Van Helsing’s stake carver.
In on the fun are the dueling Nics, Hoult and Cage. This is the hapless Renfield’s story, so his search for freedom and redemption takes a chomp out of the film’s economical 90-minute running time, allowing Hoult to go from sniveling supernatural servant to empowered paladin at a quick pace. It’s a fun, lightweight performance, that works whether he’s opposite Awkwafina, who plays it broad, or Cage who is equal parts creepy, campy and dangerous.
With a mouthful of needle-like teeth, super strength and an uncanny resemblance to Bela Lugosi, Cage sinks his teeth into Dracula in a performance that benefits from the actor’s gonzo approach. He is supernatural, but his narcissistic “I’m the real victim here!” attitude is deeply human, often hilarious and is the lifeblood of the film.
“Renfield” is based on an original pitch by Robert Kirkman, co-creator of “The Walking Dead,” so you know it will deliver the old-school splatter, but it is the way it updates and pays homage to the Dracula legend, filtered through some very dark comedy, that gives it its bite.
We all know that Jor-El and Lara, sent their infant son Kal-El to Earth minutes before their planet Krypton self-destructed. Less known is the story of Kal-El’s Kryptonian Labrador Retriever, the boy’s faithful best friend, who leapt into the Earth-bound spaceship to start a new life on the little blue planet third from the sun. “Look after our son,” Jor-El says as the ship careens out of sight in “DC League of Super Pets,” a new animated movie now playing in theatres.
When we meet them on Earth they are now settled in Metropolis and are known as Clark Kent a.k.a. Superman (John Krasinski) and Bark Kent a.k.a. Krypto (Dwayne Johnson). “I’m his ride or die,” Krypto brags. They live the lives of best friends, sharing an apartment, watching their favorite cooking shows on the Food Network and fighting crime. “My only friend is Superman,” Krypto sings to John Williams’ “Superman” theme. They are inseparable, except for the time Superman spends with his girlfriend, and Daily Planet reporter, Lois Lane (Olivia Wilde).
Sensing that Krypto needs a friend, Superman visits the local animal rescue, just as Ace (Kevin Hart), is making a run for it. In the cage above him is Lulu (Kate McKinnon), a hairless guinea pig who was once a test subject for Superman’s archenemy Lex Luthor (Marc Maron). The supervillain is experimenting with orange kryptonite, a variation of the green kryptonite that saps Superman’s powers.
In a battle of the superheroes and supervillains, Superman and Krypto are hobbled by green kryptonite while the orange kryptonite empowers Ace, Lulu and the other rescue animals. “I figured out something Lex didn’t know,” Lulu gloats. “Orange doesn’t work on people. It only works on pets!”
It is revealed that Lulu is an evil genius who, with the help of her newly recruited injustice squad, plans on reuniting with Luthor and putting an end to the work of the Justice Squad, Wonder Woman (Jameela Jamil), Aquaman (Jemaine Clement), The Flash (John Early), Cyborg (Daveed Diggs), Batman (Keanu Reeves) and Green Lantern (Dascha Polanco).
Now, it’s up to Krypto, with the help of Ace and the other super pets, to rescue Superman and the world savers.
“DC League of Super Pets” tries hard to mold the superhero movie formula into a kid-friendly shape. For much of the movie director Jared Stern succeeds. Supes and Krypto have a good ‘n goofy relationship, punctuated by funny banter and antics. Everyday chores, like dog walking are given a superhero spin as Superman and Krypto’s daily constitutional becomes a supersonic flight around the world, powered by their extranormal abilities.
Kids should also get a kick out of fun characters like McKinnon’s sarcastically sinister Lulu, the Natasha Lyonne-voiced Merton McSnurtle, the turtle with superspeed, and a cat who coughs up hand grenade furballs. Parents should appreciate the good life lessons about team work, sharing, learning by listening and being true to yourself to unlock your true powers, while getting a laugh out of the film’s more self-aware moments. “Every superhero struggles to learn their powers, “ says PB (Vanessa Bayer), a potbellied pig who can change size at will, “until they have their training montage.”
But, and there is a but, the movie eventually goes the way of all superhero movies and devolves into a loud, messy climax that feels as though it doesn’t line up with the kid friendly action that came before it.
“DC League of Super Pets” doesn’t have the same sense of fun as “The Lego Batman Movie,” and sticks too closely to the adult style of storytelling we’ve come to expect from superhero movies—there are even two after credit scenes—but it does deliver some cute characters and a handful of superlaughs.
Bright-blue extraterrestrial hedgehog Sonic comes bounding back into theatres with the imaginatively titled “Sonic the Hedgehog 2,” a Sega sequel to the highest-grossing video game movie of all-time.
At the beginning of the flick Sonic (voiced by Ben Schwartz), a hedgehog whose lightning-fast reflexes and ability to run faster than the speed of sound, have helped him save the world on numerous occasions, is living with his adopted “parents,” Montana police officer Tom (James Marsden) and his veterinarian wife Maddie (Tika Sumpter).
When Tom and Maddie go on a Hawaiian vacation, Sonic is left to his own devices. That opens the door for the hedgehog’s nemesis, baddie Dr. Robotnik (Jim Carrey) to return with anteater sidekick Knuckles (voice of Idris Elba). Robotnik is still sore from his exile on a remote planet, but has returned with a thirst to exact revenge on the spiny blue mammal who put him there and a plan to take over the world.
“Since I’ve been gone,” he says, “I’ve discovered the source of ultimate power.”
That power stems from a mystical emerald with the power to destroy civilizations. To save the world Sonic teams with Tails (voiced by Colleen O’Shaughnessey), a yellow fox with two tails who appears through a magic portal.
Sonic’s plan to make sure Robotnik doesn’t destroy the world? “Step one, light taunting,” he says. “Step two? I have no idea.”
Plan or no plan, Sonic’s tenacity could save the day.
“You’re unskilled, untrained, unworthy,” says Knuckles. “You forgot one,” Sonic replies. “Unstoppable.”
Story wise “Sonic the Hedgehog 2” is about as imaginative as its title. A standard save-the-world video game story with an unusual amount of CGI, it doesn’t pave any new paths forward, but fun performances—both live and CGI—keep things buoyant for most of the slightly too long two-hour running time.
Sonic is the star, the heart and soul of the franchise, but it is Jim Carrey who steals the show with a performance that goes over-the-top in search of a new top. It’s big cartoony work that brings an organic touch to an overload of computer-generated animation.
More understated, but just by a hair, is Natasha Rothwell as Maddie’s sister Rachel. She brings the funny and brings some respite to the non-stop blur of action.
“Sonic the Hedgehog 2” is a family film for video game fans, comprised of a series of big, loud set pieces banged together to entertain the eye while sprouting messages of the importance of family and teamwork.
“Flora & Ulysses,” the new Disney+ comedy-adventure based on the Newbery Award-winning book of the same name by Kate DiCamillo, is about what happens when a ten-year-old rescues Ulysses, a squirrel with a lot of personality who also just might have superpowers.
When self-described cynic and comic book fan Flora (Matilda Lawler), a lonely girl who lives with her romance writer mother (Alyson Hannigan), rescues a squirrel from a neighbor’s robotic vacuum, both their lives are transformed.
Flora, who pines for the days when her parents were together, finds a friend in her new pet. The rodent, who announces his powers by typing, “Squirrel. I am Ulysses. Born anew,” on mom’s old-school Smith Corona, chips away at Flora’s hardened exterior. “Maybe the best part of having a superhero around,” she says, “is how you start to feel like one too.” The unlikely duo, along with Flora’s father (Ben Schwartz), a failed-comic-book-writer who makes ends meet working retail, and temporarily blind neighbor William (Benjamin Evan Ainsworth) go on adventures despite mom’s disdain for having a squirrel in the house, even one who can write poetry.
“Flora & Ulysses” may be the only kid’s flick to quote intense German poet Rainer Maria Rilke. The film’s central message—Flare up like a flame and find your purpose—is paraphrased from Rilke’s abstract “Go to the Limits of Your Longing.” But don’t worry, there’s nothing terribly abstract or heady about the super squirrel story. Director Lena Khan has made a family friendly film that balances comedy, action and even some melancholy.
The superhero in this movie isn’t here to save the world or battle villains from other planets, but the stakes are just as high. Ulysses doesn’t wear spandex or have x-ray eyes, instead he’s a symbol of hope and the power of love in friendship and family. Those are nice messages, well delivered by a game cast, particularly Lawler, who nails her character’s droll humour.
“Flora & Ulysses” is a story about the small, heroic things we can do in day-to-day life. Uplifting and charming, it avoids easy sentiment and there’s even a good “Titanic” joke.
Google “homecoming movies” and page after page of films, most of which are called something like “The Homecoming” or “Homecoming: Insert Name Here,” about a prodigal son or daughter returning home after a stay away. The newest entry to the genre, “Standing Up, Falling Down,” follows all the familiar “you can never go home again” genre formulas but is elevated by charming performances.
“Parks & Recreation’s” Ben Schwartz is Scott Rollins, a 34-year old failed stand-up comedian. Four years in Los Angeles chasing his dream have left him broke and dispirited. Returning home with his tail between his legs, he moves back into his parent’s place in Long Island. “The comedy world’s slowest rising star comes back home!” they joke.
Without much a plan on how to move forward, Scott looks to the past, most notably to his ex-girlfriend Becky Brookes (Eloise Mumford). He unceremoniously dumped her before leaving for L.A. and while he didn’t move on, she did, getting married and becoming a successful photographer.
His life begins to change when he meets Marty (Billy Crystal), an alcoholic dermatologist who seems to be the only person in town Scott can relate to.
“Standing Up, Falling Down” doesn’t add much to the homecoming genre as a whole but it doesn’t need to. Schwartz and Crystal are an appealing odd couple, trading quips with the ease of two seasoned comedians. More than that, though, they are believable and compelling when they aren’t being funny, when they are displaying the flawed sides of their personalities. Both have made mistakes that have hurt other people but both are working, in their own ways, to make amends. “Regret is the only thing that’s real,” Marty says as they work up the courage to face their failures.
“Standing Up, Falling Down” falls prey to some of the inherent clichés of the genre but, like its main characters, it works through its flaws with panache.
