“Flora & Ulysses,” the new Disney+ comedy-adventure based on the Newbery Award-winning book of the same name by Kate DiCamillo, is about what happens when a ten-year-old rescues Ulysses, a squirrel with a lot of personality who also just might have superpowers.
When self-described cynic and comic book fan Flora (Matilda Lawler), a lonely girl who lives with her romance writer mother (Alyson Hannigan), rescues a squirrel from a neighbor’s robotic vacuum, both their lives are transformed.
Flora, who pines for the days when her parents were together, finds a friend in her new pet. The rodent, who announces his powers by typing, “Squirrel. I am Ulysses. Born anew,” on mom’s old-school Smith Corona, chips away at Flora’s hardened exterior. “Maybe the best part of having a superhero around,” she says, “is how you start to feel like one too.” The unlikely duo, along with Flora’s father (Ben Schwartz), a failed-comic-book-writer who makes ends meet working retail, and temporarily blind neighbor William (Benjamin Evan Ainsworth) go on adventures despite mom’s disdain for having a squirrel in the house, even one who can write poetry.
“Flora & Ulysses” may be the only kid’s flick to quote intense German poet Rainer Maria Rilke. The film’s central message—Flare up like a flame and find your purpose—is paraphrased from Rilke’s abstract “Go to the Limits of Your Longing.” But don’t worry, there’s nothing terribly abstract or heady about the super squirrel story. Director Lena Khan has made a family friendly film that balances comedy, action and even some melancholy.
The superhero in this movie isn’t here to save the world or battle villains from other planets, but the stakes are just as high. Ulysses doesn’t wear spandex or have x-ray eyes, instead he’s a symbol of hope and the power of love in friendship and family. Those are nice messages, well delivered by a game cast, particularly Lawler, who nails her character’s droll humour.
“Flora & Ulysses” is a story about the small, heroic things we can do in day-to-day life. Uplifting and charming, it avoids easy sentiment and there’s even a good “Titanic” joke.
“I Used to Go Here,” a new film on VOD starring Gillian Jacobs, challenges the wisdom of the famous Thomas Wolfe title, “You Can’t Go Home Again.”
With her upcoming book promo tour cancelled due to poor sales and still feeling the sting of a recent break up, Kate Conklin (Jacobs) is at a low ebb in her life. Her spirits are lifted when her favorite creative writing professor David (Jemaine Clement) reaches out with an invite to do a reading at her alma mater. She hasn’t been to Carbondale, Illinois in fifteen years but she hopes a trip down memory lane might be the tonic she needs.
In town memories come flooding back. The only change at her old frat house, nicknamed the Writer’s Retreat, are the faces on the students. It is otherwise frozen in time. Even the glow-in-the-dark stars she glued to her bedroom ceiling are still in place. David, her one-time mentor, is still an encouraging voice and an old friend with the unlikely name of Bradley Cooper (Jorma Taccone) still works at the campus bookstore.
But it’s not all déjà vu. Hanging out with some of the new students Kate has a rebirth. Given the time to reflect on the recent downturns in her life she is transported back to her school years, a time when risks were taken and the future seemed ripe with possibilities.
“I Used to Go Here” avoids the clichés of many other college comedies. A professor-student subplot isn’t played for its salacious value but as a comment on #MeToo’s power structure, and there is a bittersweet quality to much of the humour.
Jacobs is the above-the-title star here. She’s very good, providing the movie’s heart while painting Kate as someone who has lost her way on the path to recovery, but this is an ensemble piece filled with nice supporting performances.
Clement brings a rumpled charm as a professor who chose the security of academia over the real world of writing for a living. As Kate’s student guide Elliot, Rammel Chan is a welcome comedic presence and the group of college kids Kate befriends, played by Forrest Goodluck, Brandon Daley and Khloe Janel, are affable, compassionate and real. Of the younger actors it’s Josh Wiggins as Hugo, the empathetic wannabe writer who makes the biggest impression. His observation that, “Just because a connection with a person doesn’t last forever doesn’t mean it’s not real,” could have sounded ripped from the pages of a Nicholas Sparks novel but is delivered with a sincerity that transforms it into an insightful comment on the weight that is keeping Kate down.
Writer/director Kris Rey clearly relishes spending time with “I Used to Go Here’s” characters and gives each of them a clear-cut role in moving the story, and Kate’s life, forward. It makes for an engaging set piece, specific to its setting but universal in its outlook.
