Richard joins the NewsTalk 1010 afternoon show The Rush for Booze and Reviews! Today we talk about “Ambulance,” the video game flick “Sonic the Hedgehog 2” and Johnny Depp in “Minamata.” Then we take a sip of the Japanese favourite cocktail the Ginza Mary,.
Richard joins NewsTalk 1010 host David Cooper on the coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse Like This?” This week we talk about the frenetic Beyhem (look it up) of “Ambulance,” the video game flick “Sonic the Hedgehog 2” and Johnny Depp in “Minamata.”
Bright-blue extraterrestrial hedgehog Sonic comes bounding back into theatres with the imaginatively titled “Sonic the Hedgehog 2,” a Sega sequel to the highest-grossing video game movie of all-time.
At the beginning of the flick Sonic (voiced by Ben Schwartz), a hedgehog whose lightning-fast reflexes and ability to run faster than the speed of sound, have helped him save the world on numerous occasions, is living with his adopted “parents,” Montana police officer Tom (James Marsden) and his veterinarian wife Maddie (Tika Sumpter).
When Tom and Maddie go on a Hawaiian vacation, Sonic is left to his own devices. That opens the door for the hedgehog’s nemesis, baddie Dr. Robotnik (Jim Carrey) to return with anteater sidekick Knuckles (voice of Idris Elba). Robotnik is still sore from his exile on a remote planet, but has returned with a thirst to exact revenge on the spiny blue mammal who put him there and a plan to take over the world.
“Since I’ve been gone,” he says, “I’ve discovered the source of ultimate power.”
That power stems from a mystical emerald with the power to destroy civilizations. To save the world Sonic teams with Tails (voiced by Colleen O’Shaughnessey), a yellow fox with two tails who appears through a magic portal.
Sonic’s plan to make sure Robotnik doesn’t destroy the world? “Step one, light taunting,” he says. “Step two? I have no idea.”
Plan or no plan, Sonic’s tenacity could save the day.
Story wise “Sonic the Hedgehog 2” is about as imaginative as its title. A standard save-the-world video game story with an unusual amount of CGI, it doesn’t pave any new paths forward, but fun performances—both live and CGI—keep things buoyant for most of the slightly too long two-hour running time.
Sonic is the star, the heart and soul of the franchise, but it is Jim Carrey who steals the show with a performance that goes over-the-top in search of a new top. It’s big cartoony work that brings an organic touch to an overload of computer-generated animation.
More understated, but just by a hair, is Natasha Rothwell as Maddie’s sister Rachel. She brings the funny and brings some respite to the non-stop blur of action.
“Sonic the Hedgehog 2” is a family film for video game fans, comprised of a series of big, loud set pieces banged together to entertain the eye while sprouting messages of the importance of family and teamwork.
Richard joins CP24 anchor Nathan Downer to have a look at the weekend’s new movies including “Halloween,” the late Rob Stewart’s ecology documentary “Sharkwater Extinction,” the drug drama “Beautiful Boy” and the film Robert Redford says may be his swan song “The Old Man and the Gun.”
A weekly feature from from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at the drug drama “Beautiful Boy,” the wistful “The Old Man and the Gun” and the eco-doc “Sharkwater Extinction.”
Richard sits in with CTV NewsChannel anchor Marcia MacMillan to have a look at the weekend’s big releases, the tricks and treats of “Halloween,” Robert Redford and Sissy Spacek in “The Old Man and the Gun” and the drug drama “Beautiful Boy.”
Richard has a look at the 2018 reboot of “Halloween,” the ecology documentary from director Rob Stewart, “Sharkwater Extinction,” the film Robert Redford says may be his swan song “The Old Man and the Gun” and the political comedy “The Oath” with CFRA Morning Rush host Bill Carroll.
Low key and amiable, “The Old Man and the Gun” is a crime drama about the nicest bank robber ever. Robert Redford, age 82, plays a stick-up man whose victims gush about how polite and well-mannered he was as he relieved them of their cash.
Forest Tucker (Redford), career criminal and all round nice guy, is part of a gang the press would later name the Over-The-Hill-Gang. All north of seventy the thieves (Danny Glover and Tom Waits) rob rural banks, usually making off with hundreds, not thousands of dollars. Calm and collected, they get in and out quickly. “Don’t do anything stupid,” Tucker says to the tellers. “I wouldn’t want to have to hurt you ‘cuz I like you. Don’t break my heart.” For Tucker it’s not about the cash, it’s about the rush.
Driving the get-a-way car after one bank job Tucker stops to assist a stranded motorist. As the police whiz by he gives Jewel (Sissy Spacek) a line of chat that charms her enough to agree to go for a cup of coffee. The pair hit it off and begin a friendship that borders on the romantic.
Meanwhile Tucker and crew are robbing banks, sometimes more than one a day, a streak that draws the attention of detective John Hunt (Casey Affleck) and the FBI.
The mostly true story of Tucker and his life of crime and passion is a low-key affair anchored by the easy charms of Redford and Spacek.
Redford made a career playing rascally anti-heroes like the leads in “The Sting” and “Butch Cassidy and the Sundance Kid.” Here there is a wistfulness in the character that comes with age and the realization that the end of the road is just around the bend.
Spacek plays Jewel as a woman of strength; a person who has seen it all but is still open to finding something new. Together the pair bring life experiences that create a lived-in chemistry that is never less than watchable.
Add to that a scene-stealing performance from Tom Waits—every line of his dialogue sounds like a line from one of his songs—and you have a new take on an American staple, the charismatic scoundrel.
Richard sits in on the CJAD Montreal morning show with host Andrew Carter to talk about “Halloween,” the bloody love letter to the director who started it all, John Carpenter, the film Robert Redford says may be his swan song “The Old Man and the Gun” and the political comedy “The Oath.”