Posts Tagged ‘Toronto INternational Film Festival’

TIFF 2021: FAVOURITE MOMENTS AT THE TORONTO INTERNATIONAL FILM FESTIVAL 2021

Reminders of real life were all around us at this year’s Toronto International Film Festival. From the digital screenings we watched at home to half empty, socially distanced screenings at venues like The Princess of Wales Theatre. But when my mind wanders back to September 2021, I won’t be thinking of having to show my proof of vaccination or the social distancing in theatres.

What will linger?

The images of Anya Taylor-Joy in “Last Night in Soho,” crooning an a cappella version of the Swingin’ Sixties anthem “Downtown,” and “Dune’s” Stellan Skarsgård doing his best impression of Marlon Brando in “Apocalypse Now,” come to mind immediately.

Those moments and others like them are the reason the movies exist. They transcend the vagaries of real life, transporting us away from a place where masks, vaccine passports are the reality.

And boy, did we need that this year.

Here a look back at some of the moments that made memories at this year’s TIFF:

“Night Raiders,” a drama from Cree-Métis filmmaker Danis Goulet, draws on the historical horrors of the Sixties Scoop and Residential Schools to create an unforgettable, dystopian scenario set in the new future. It effectively paints a somber portrait of totalitarian future, packed with foreboding and danger. The story is fictional but resonates with echoes of the ugly truths of colonization and forced assimilation. Goulet allows the viewer to make the comparisons between the real-life atrocities and the fictional elements of the story. There are no pages of exposition, just evocative images. Show me don’t tell me. The basis in truth of the underlying themes brings the story a weight often missing in the dystopian genre.

I asked Danis Goulet about having many of her characters in Night Raiders speak Cree: “It is everything to me,” she said. “My dad is a Cree language speaker. He grew up speaking Cree. He learned to speak English in school. His parents were Cree speakers. And coming down to my generation, I’m no longer a Cree speaker and there are entire universes, philosophies and poetry and beauty contained in the language. When we think of where our heritage lies, maybe some people think of museums. For me I think it is in the language. I think that richness doesn’t just offer Indigenous people something. I think if others looked closer at what the language tells us about the history of this land, they would be incredibly amazed. My dad has looked at references in the language that talk about the movement of the glaciers, so, foe me to have the Cree language on screen is everything. I’m in my own process. I go to Cree language camp to try and learn back the language and the language gives back in a way that is so healing and incredible. It is one of the greatest gifts in my life. So, the opportunity to put my dad’s first language on the screen, and the language of the Northern Communities where I come from, and my language that I lost, is the best. It’s incredible.”

From Twitter: @RichardCrouse Was just sent this: “Wanted to check and see if you’d be able to either send proof of vaccine OR a negative covid test prior to your interviews with the talent.” I sent my proof in, but added, “Will the talent be providing me with proof of vaccination?” #TIFF21 #fairquestion 4:48 PM · Sep 9, 2021· 8 Retweets 3 Quote Tweets 206 Likes

 

 

 

There is no mention of COVID-19 in the Jake Gyllenhaal thriller “The Guilty.” But make no mistake, this is a pandemic movie, A remake of 2018 Danish film “Den skyldige,” it is essentially a one hander, shot on a just a handful of set with strict safety protocols in place. Gyllenhaal, as 911 operator Joe Baylor, may be socially distanced from his castmates, but his performance is anything but distant. Played out in real time, “The Guilty” builds tension as Baylor races against a ticking clock to bring the situation to a safe resolution for Emily. Director Antoine Fuqua amps up the sense of urgency, keeping his camera focused on Gyllenhaal’s feverish performance. The close-ups create a sense of claustrophobia, visually telegraphing Baylor’s feeling of helplessness and his crumbling mental state.

The sound of an audience laughing, applauding, crying, or whatever. Just being an audience. The big venues were socially distanced, and often looked empty to the eye, but when the lights went down and folks reacted to the opening speeches or the films, it didn’t matter. Roy Thomson Hall, with its 2600-person capacity, may have only had 1000 or so people in the seats, but for ninety minutes or two hours they formed a community, kindred souls brought together after a long break, and it was uplifting to hear their reactions.

 

 

“Flee” is a rarity, an animated documentary. A mix of personal and modern world history, it is a heartfelt look at the true, hidden story of the harrowing life journey of a gay refugee from Afghanistan. Except for a few minutes here and there of archival news footage, “Flee” uses animation to tell the story but this ain’t the “Looney Tunes.” Rasmussen used the animation to protect Amin’s identity, but like other serious-minded animated films like “Persepolis” and “Waltz with Bashir,” the impressionistic presentation enhances the telling of the tale. The styles of Rasmussen’s animation change to reflect and effectively bring the various stages of Amin’s journey to vivid life. It is suspenseful, heartbreaking and often poetic.

 

I asked “The Survivor” star Vicky Krieps about working opposite Ben Foster: “The first day I came [on set] I was very intimidated,” she said. “I wouldn’t say scared, but it felt like a wall to me. It began like this. There was no small talk. There was no, ‘How are you?’ He was already in character and it was very clear. I thought, ‘OK, I have to play his wife.’ And then, something really interesting happened. I like having a challenge and this felt like a challenge. So, I needed to find a way [to relate to him] because I knew I was going to be his wife. How do I do that?    Imagine it as a wall, but then in the wall there are eyes. I used those eyes and I felt like I could open a window, and inside of those eyes was a horizon where I could go. I liked to say to Ben, ‘And then we would dance.’ Sometimes I wrote to him and said, ‘It was nice dancing today.’”

“Last Night in Soho,” from director Edgar Wright, is a love letter to London’s Swingin’ Sixties by way of Italian Giallo. Surreal and vibrant, and more than a little bit silly, its enjoyable for those with a taste for both Petula Clarke and murder. It begins with verve, painting a picture of a time and place that is irresistible. A mosaic of music, fashion and evocative set decoration, the first hour brings inventive world building and stunning imagery. Wright pulls out all the stops, making visual connections between his film and the movies of the era he’s portraying and even including sixties British icons Rigg, Tushingham and Stamp in the cast. 

 

 

I asked “Dune” star Rebecca Ferguson why she said reading Frank Herbert’s novel was like doing a crossword puzzle: “Sometimes I wonder what comes out of my mouth,” she said. “My mother and many of my friends sit and do crosswords, but I have never been in that world. There is a way of thinking around it. It’s logical, mathematical. You need to be able to see rhythms. Whatever it is. Reading “Dune” was quite dense and I think for people who are immersed into the world of science fiction, they understand worlds and Catharism and this planet and that planet. It is just another picture, which, not to stupefy myself, I am intelligent enough to understand it, but there is a rhythm. I think it is me highlighting the fact that people who live and breathe science fiction, they get it at another level.”

“Dune,” the latest cinematic take on the Frank Herbert 1965 classic, now playing in theatres, is part one of the planned two-part series. “Dune” is big and beautiful, with plentiful action and a really charismatic performance from Jason Momoa as swordmaster Duncan Idaho. It is unquestionably well made, with thought provoking themes of exploitation of Indigenous peoples, environmentalism and colonialism.

CTV NEWS AT SIX: NEW MOVIES AND TV SHOWS TO CHECK OUT THIS WEEKEND!

Richard his Toronto International Film Festival highlights with “CTV News at Six” anchor Andria Case, including his prediction for the People’s Choice Award.

Watch the whole thing HERE! (Starts at 34:16)

CP24 BREAKFAST: RICHARD ON THE BEST MOVIES FROM THIS YEAR’S TIFF!

Richard joins ‘CP24 Breakfast” host George Lagogianes host to talk about movies on day two of the Toronto International Film Festival including the potential People’s Choice winner “Belfast,” two music docs, “Jagged” about Alanis Morissette’s rise to fame after “Jagged Little Pill,” and “Dionne Warwick: Don’t Make Me Over” and the new Melissa McCarthy dramedy “The Starling.”

Watch the whole thing HERE!

NEWSTALK 1010: BOOZE AND REVIEWS WITH RICHARD CROUSE ON THE RUSH!

Richard joins Ryan Doyle of the NewsTalk 1010 afternoon show The Rush for Booze and Reviews! Today he talks about how the Moscow Mule was born out of necessity… the necessity to get rid of a few cases of vodka, “The Card Counter” in theatres and TIFF.

Listen to the whole thing HERE!

NEWSTALK 1010: I PROVIDED PROOF THAT I AM VACCINATED. WILL THE TALENT DO THE SAME?

I join NewsTalk 1010’s Jerry Agar to talk about being asked to provide proof of vaccinations during TIFF. I sent in the necessary info, but I also asked, “Will the talent be providing me with proof of vaccination?”

Listen to the whole thing HERE!

CP24 BREAKFAST: RICHARD ON THE BEST MOVIES FROM THIS YEAR’S TIFF!

Richard joins ‘CP24 Breakfast” host George Lagogianes host to talk about movies on day two of the Toronto International Film Festival including, the dystopian “Night Raiders,” the eerie Edgar Wright film “Last Night in Soho,” “Scarborough’s” story of resilience and Benedict Cumberbatch in “The Power of the Dog.”

Watch the whole thing HERE!

CFRA’S OTTAWA NOW: RICHARD ON TIFF AND THE TRAILER FOR ‘MATRIX Resurrections’!

Richard and CFRA Ottawa afternoon host Kristy Cameron talk TIFF highlights, the return to cinemas and the new trailer for “The Matrix Resurrections.”

Listen to the whole thing HERE!

CTV NEWSCHANNEL: RICHARD ON THE BEST OF THE TORONTO INTERNATIONAL FILM FEST!

Richard and CTV NewsChannel anchor Marcia MacMillan talk about the big, buzzy films at this year’s Toronto International Film Festival, including “Dear Evan Hansen,” “Spencer,” “The Eyes of Tammy Faye” and “Dune.”

Watch the whole thing HERE!