Posts Tagged ‘Saoirse Ronan’

RICHARD’S CTV NEWSCHANNEL WEEKEND MOVIE REVIEWS & MORE FOR NOVEMBER 10.

Richard sits in with CTV NewsChannel anchor Jennifer Burke to have a look at “Lady Bird,” “Daddy’s Home 2” and “Murder on the Orient Express.”

Watch the whole thing HERE!

LADY BIRD: 4 ½ STARS. “imbued with a refreshingly genuine point of view.”

On paper the teen angst of “Lady Bird”—teen heartbreak, mom issues and blossoming sexuality—sounds like something we’ve seen before. “Where’s Molly Ringwald?” you might ask. And yet, though this may be well-trod ground, writer-director Greta Gerwig’s semi-autobiographical look at her California upbringing hits the ground running. It feels fresh, simultaneously heartfelt and spirited.

(NOTE TO READER: This synopsis does not do the movie justice. Feel free to skip the next two paragraphs.)

Saoirse Ronan is Christine McPherson, a Catholic School teen who goes by the name Lady Bird. “Lady Bird. Is that your given name,” Father Leviatch (Stephen Henderson) asks. “It is,” she replies. “I gave it to myself.” She lives in Sacramento—“The Midwest of California.”—with mother Marion (Laurie Metcalf), unemployed father Larry (Tracy Letts) and two adopted siblings. She’s a theatre kid who, along with her best friend Julie (Beanie Feldstein), performs in plays, plan for their future college careers and develop crushes on cute classmates.

Lady Bird learns about life and love through dalliances with two boys; the sweet natured Danny (Lucas Hedges) and edgy rocker dude Kyle (Timothée Chalamet). The key relationship in her life, however, is her mother. The two are deeply connected yet cannot see eye-to-eye, especially when it comes to Lady Bird’s choice of university.

Gerwig’s skilful handling of the story of Lady Bird’s busy senior year works not just because it’s unvarnished and honest in its look at becoming an adult but also, in a large degree, to Ronan’s performance. I have long called her ‘Lil Meryl. She’s an actor of unusual depth, a young person (born in 1994) with an old soul. Lady Bird is almost crushed by the weight of uncertainty that greets her with every turn—will her parents divorce, will there be money for school, will Kyle be the boy of her dreams, will she ever make enough cash to repay her parents for her upbringing—but Ronan keeps her nimble, sidestepping teen ennui with a complicated mix of snappy one liners, hard earned wisdom and a well of emotion. It’s tremendous, Academy Award worthy work.

“Lady Bird” bangs familiar gongs but Gerwig and Ronan, with ample help from the supporting cast, help those notes resonate loudly and clearly. The material is tenderly observed on both sides of the camera, imbued with a refreshingly genuine point of view.

RICHARD’S HIGHLIGHTS FROM 2015: the best stuff I heard this year

Screen Shot 2015-12-29 at 1.43.12 PMAs the calendar moves ahead to 2016 I’m taking a moment to think back to the great people I met, wrote about or chatted with on television in 2015. I shared Tim Bits with Liev Schreiber—he liked the chocolate, I preferred the glazed—inhaled Johnny Depp’s vape fumes, had a “Sock Battle Supreme” with Anthony Daniels—Mr. C-3PO—and was embarrassed to order a Chai Tea Latte while standing next to Chris Cooper at a coffee bar. On stages, in hotel rooms, on phones and even in the back of taxis, they spoke and I listened. Here’s some of the best stuff I heard this year:

GEORGE MILLER: “I don’t think I’d be the filmmaker I am unless I had that medical education, in two very direct ways. Both of them have a lot of problem-solving in there. But the most important way is that as a doctor you are looking at people in extremis from many points of view. You look inside of people. You see people during birth and death and so on. Through microscopes — a lens. So you’re looking from many, many points of view. That’s exactly what you do in cin ema. Huge wide shots with massive crowds or you’re looking right down inside someone’s brain, someone’s head.”

AMY SCHUMER: “I never thought about being famous. That was never part of my thing, but once it was on the horizon as a possibility, it seemed like a real bummer. I could see there’s no upside. The upside is I sometimes get free appetizers and I can get a reservation at a restaurant. I only go to one place in New York, it’s a tea place, the Tea Cup, and they don’t take reservations but I can make a reservation there. I swear I don’t see another upside. It sucks.

PHYLLIS SMITH: “I worked for JC Penny in the warehouse tagging the merchandise,” she remembers. “I used to stand there and tag thousands of fishing lures or bowling balls or roller shades, which were heavy as heck to lift around. The people were great to work with but the merchandise was a little challenging.

“I used to stand there, thinking about life, wondering what it is we all have in common because we’re not all given the same opportunity. Some people’s health is impaired when they’re born while others are charmed with intelligence or looks. I thought, ‘There has to be something that we all have. A commonality.’ I figured out that it’s the ability to love. We all, in some form or another, want to love and be loved. That was my big revelation. My lightbulb moment. Also, if you’re standing on a concrete floor, make sure you’re wearing comfortable shoes or you’ll pay for it later.

CAROLL SPINNEY: Caroll is President Obama’s ninth cousin, but Big Bird isn’t political in the least. “Big Bird, I’m told by the owners of him, does not have political opinions. I thought of an idea that would get around that problem if someone (ever asked about it). ‘I don’t know who that is,’ he says in Big’s voice. ‘I thought we had a king.’ In most fairy tales, lands are run by kings or queens.

DEBORAH ANN WOLL: A quick Internet search turns up many adjectives used to describe Daredevil star Deborah Ann Woll; gorgeous, talented and cute to name just a few.

The redheaded actress uses other terms to describe herself.

“There’s nerd, geek, all those words,” she says. “I am settling closer and closer to dork. I am a very proud dork.

The former True Blood star — she played fierce teenage vampire Jessica Hamby for seven seasons on the hit show — embraces her inner dork — “I’m Dungeons and Dragons player, a Mystery Science Theatre buff. I like board games.”

She says the role playing games have benefits beyond entertainment value.

“Something like Dungeons and Dragons or a board game is a way for me to be social but it takes some of the responsibility off of me myself. If I don’t feel impressive as myself, I can feel impressive as Mistress Pyrona, the Genosi Sword Maiden. Like my acting, it gives me a little bit of support.”

Screen Shot 2015-12-29 at 1.35.01 PMJAKE GYLLENHAAL: “I think the people I admire as artists are the people who really listen to themselves even if it is to the detriment of what people might consider success. I’d rather be myself and do what I love than listen to someone else and follow that role and be unhappy.

CHRISTOPHER PLUMMER: My favourite line from any interview? Christopher Plummer talking about the dog in “Remember”: “We had two dogs on set. One to do the stunts and the other just making money.”

BRYAN CRANSTON: “I don’t want to portray this idea that I’m just about the art. I’ve been poor and I’ve been rich and rich is better.” Also: Bryan Cranston told me he likes to go up to people wearing the Heisenberg t-shirts they wore on the show Breaking Bad and talk like Walter White… “Nice t-shirt,” and I whisper if to them and their eyes go wide and I put my finger to my lips, like ‘Don’t tell anyone… if you tell people, they won’t believe you.’

SAOIRSE RONAN: Saoirse is an Irish or Scottish name meaning freedom roughly pronounced SEER-shə. “I get very confused about my name all the time,” she said in a recent sit-down. “Sometimes I look at it when I’m writing it down for people and I go, ‘This is actually a ridiculous spelling of a name.’”

ADAM MCKAY: “We wanted to be the first Wall Street movie that took you behind the curtain, that really said, All these confusing terms you hear, all the ways the banks make you feel stupid or bored … it’s actually not that hard. If the guy who did Step Brothers can understand it you can too.”

RYAN COOGLAR: “Whenever I had a big test at school or a football game (my father would) say, ‘Take 10 minutes and watch this scene from Rocky. That’ll get you fired up. That’ll give you the juice to score five touchdowns. Or get an A on that test.’ I’d look over and think, ‘Are we watching this for me or for you?’

ANTHONY DANIELS: Having one of the most recognizable voices in movie history can lead to some surreal moments. Just ask Anthony Daniels. He’s played C-3PO in all seven Star Wars films, including this weekend’s Star Wars: The Force Awakens and once rented a car with a very familiar voice on the GPS.

I felt uncomfortable with me —very clearly — giving me instruction for something I didn’t know. I found it quite bizarre. I was driving thinking, ‘This is unnatural.’”

TIFF: The Toronto International Film Festival is only ten days but it looms large on my schedule every year. This year, in addition to watching dozens of movies and doing interviews for Metro, “Canada AM,” “NewsTalk 1010” and others, I hosted a bunch of press conferences, including, “The Martian” – with Ridley Scott, Matt Damon, Jessica Chastain, Demolition with Jake Gyllenhaal (#JakeQuake), Our Brand is Crisis with George Clooney and Sandra Bullock and Black Mass with Johnny Depp. They were some of the highlights of the fest for me… and unfortunately provided one of the low points. Read on… and once again Sean Bean, I’m REALLY sorry.

METRO: An insider’s look at TIFF: Behind the scenes with Richard Crouse

Screen Shot 2015-12-29 at 7.44.53 AMEver wondered what it’s like to rub shoulders with celebs?

The backstage room at the TIFF Bell Lightbox’s press conference area is a beehive of activity.

“Is George here yet?”

“Is that Johnny vaping in the corner?”

It’s a place where no last names are necessary and the star wattage is blinding. Actors, directors, publicists and gofers mingle while air kisses, handshakes and Hollywood hugs are exchanged.

This year the Toronto International Film Festival is mounting 11 press conferences featuring everyone from Matt Damon and Sandra Bullock to George Clooney and Keith Richards.

I’m hosting four of them — Demolition, The Martian, Our Brand is Crisis and Black Mass — with, as MGM used to brag, “More stars than are in the heavens.”

Despite the buzzy nature of the events, backstage is a casually chaotic place where actors get caught up with one another before taking the stage.

Matt Damon made the rounds, glad-handing with his The Martian cast mates, many of whom he hadn’t met because he spent 90 per cent of his of screen time alone, stranded on Mars.

The business of the press conferences happens on stage. Moderating these things provides a fascinating glimpse into both sides of the publicity machine.

Ideally the press conferences are a reciprocal event: Reporters ask questions to actors and filmmakers they might not otherwise have access to, and in return the stars get publicity for their films. It’s a pretty simple but often unpredictable transaction.

Gone are the days of the legendary “journalist” who asked all her questions in rhyme, but for every sensible inquiry about the movie, there is inevitably another off-the-wall query that leaves panel lists either annoyed or scratching their heads.

Screen Shot 2015-12-29 at 7.42.45 AMAt the Our Brand is Crisis conference someone asked Bullock about her character’s grown-out roots. The Oscar winner replied as best she could and when she finished, Clooney chimed in, “Aren’t you glad you asked that question?”

Later she shut down a silly query regarding how she keeps her bum as toned as it is in the film. “It’s so sad that you just want to talk about the butt,” she said, before tersely adding that leg lifts are the secret to posterior pertness.

Not that the attendees are the only ones to pull a gaffe or two. During the Demolition conference, I asked Chris Cooper a long, rambling question about his character. He seemed genuinely perplexed, and you know what? I was, too. Sometimes you can overthink these things.

Later at The Martian presser, there were 13 people on the stage, everyone from Michael Pena to Damon, Scott, Chiwetel Ejiofor and Jessica Chastain, and in the shuffle I made the horrifying mistake of forgetting to ask the great Sean Bean a question and didn’t realize it until we were out of time.

Screen Shot 2015-12-29 at 7.51.43 AMWho doesn’t acknowledge Lord Eddard Stark?

Me, idiotically. Next year I promise to go to him first and frequently.

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY NOVEMBER 20, 2015.

Screen Shot 2015-11-20 at 2.31.25 PMRichard’s CP24 reviews for “The Hunger Games: Mockingjay – Part 2,” starring Jennifer Lawrence, Saoirse Ronan in “Brooklyn” and the Seth Rogen Christmas comedy “The Night Before.”

Watch the whole thing HERE!

RICHARD’S “CANADA AM” REVIEWS FOR NOVEMBER 20 WITH BEVERLY THOMSON.

Screen Shot 2015-11-20 at 10.29.03 AMRichard’s “Canada AM” reviews for “The Hunger Games: Mockingjay – Part 2,” starring Jennifer Lawrence, Saoirse Ronan in “Brooklyn,” the Seth Rogen Christmas comedy “The Night Before” and the Julia Roberts thriller “Secret in Their Eyes.”

Watch the whole thing HERE!

Everything you ever wanted to know about Saoirse Ronan but where afraid to ask

Screen Shot 2015-11-17 at 10.25.07 AMBy Richard Crouse – Metro Canada

The first time I interviewed Saoirse Ronan she was fifteen years old and the veteran of six movies.

I had seen her in Atonement, where she played a Scottish teenager who accuses her sister’s boyfriend of a crime he didn’t commit. Next I saw her as the English daughter of a psychic who tries to con Harry Houdini in Death Defying Acts. Then came roles in the sci-fi City of Ember and The Lovely Bones both featuring flawless American accents.

I had always admired her performances and as I walked into the interview suite I congratulated her on the film.

“T’anks pure much,” she said with an Irish lilt that could charm the label off a bottle of Jameson Whiskey.

It was the first time I had heard her natural accent and confirmed what I already knew, that she was a chameleon with a propensity for accents that could give Meryl Streep a run for her money.

Since then she’s played everything from the title character in Hanna, a blonde, blue-eyed killing machine (with a German accent) to a spirited Polish orphan in The Way Back and an American girl injected with a parasitic extra-terrestrial soul in The Host.

This weekend in Brooklyn she drops the drawls to play an Irish girl who immigrates to New York in the 1950s. She’s 21 now and as one of the great faces in movies she can speak volumes with a look. Here, as a girl whose body is in Brooklyn but heart lies in Ireland, her melancholy and homesickness is so real you can reach out and touch it. Call her Little Meryl if you like, but there is no denying the power of her work.

So if you’re not familiar with Ronan, here’s Everything You Ever Wanted to Know About Saoirse Ronan But Where Afraid to Ask.

How do you pronounce her name? Saoirse is an Irish or Scottish name meaning freedom roughly pronounced SEER-shə. “I get very confused about my name all the time,” she said in a recent sit-down. “Sometimes I look at it when I’m writing it down for people and I go, ‘This is actually a ridiculous spelling of a name.’”

In what part of Ireland was she born? Despite her Irish accent, she was actually born in The Bronx in 1994.  “(My parents) went to New York in the ’80s. There was a really bad recession in Ireland at the time. A lot of young people went to New York because that’s our trek, that’s our journey. The Irish always go to New York or somewhere on the East Coast.” Monica Ronan and Paul Ronan lived in NY for eleven years in total, moving back to County Carlow, Ireland when Saoirse was three years old. “This film is more than just a really lovely movie to be involved in with great writers and a great character and all that. It’s my heritage.”

Can she beat me up? Probably. To play teenage assassin Hanna she studied knife fighting, stick fighting, martial arts and learned how to shoot a gun. She performed most of her own stunts in the film and says if she was ever offered the action-star role of James Bond she would happily accept. “That tux? I could totally rock it.”

That’s all the info we have space for today, but really the only thing you need to know about Ronan is that she is one of the best actors of her generation.

BROOKLYN: 4 ½ STARS. “there is no denying the power of Ronan’s work.”

Screen Shot 2015-11-17 at 10.28.24 AM“Brooklyn,” a new film starring Saoirse Ronan as an Irish girl who immigrates to New York in the 1950s, asks a simple question: Is home where the heart is or where the marriage licence is?

Ronan is Eilis Lacey a young woman from Enniscorthy, County Wexford in southeast Ireland. Her sister Rose (Fiona Glascott) realizes there isn’t much in the small villager for her and arranges, through the church, passage to New York with a job and a room in a boarding house on the other end. “I can’t buy you a future,” she says. “I can’t buy you the life you deserve.”

The shy young woman takes a while to warm up to her new surroundings, but a lively bunch at her rooming house—overseen by the irrepressible Mrs. Keough (Julie Walters)—and a love interest in the form of Tony (Emory Cohen), a sweet Brooklyn plumber, bring a smile to her face for the first time since leaving home.

When tragedy strikes the couple secretly wed, promising to stay faithful while she travels to Ireland to be with family during a tough time. Once there she discovers her newly acquired confidence and ability—plus the attention of a handsome young man (Domhnall Gleeson)—make it difficult to leave Ireland and return to the States and her husband.

Written by Nick Hornby (from a novel by Colm Tóibín) “Brooklyn” is a heartfelt coming-of-age journey that skilfully avoids any trace of mawkishness or sentimentality. A sharp script and John Crowley’s no nonsense direction are in part responsible for the movie’s tone, but the film’s beating heart is Saoirse Ronan’s remarkable performance.

As one of the great faces in movies she can speak volumes with a look, and here, as a girl whose body is in New York but heart lies in Ireland, her melancholy and homesickness is so real you can reach out and touch it. Call her Little Meryl if you like, but there is no denying the power of her work.

She’s accompanied by a strong cast including Walters—who manages to make lines like, “A giddy girl is every bit as evil as a slothful man,” sound like Henny Youngman one liners—and Cohen, who as Tony a character as sweet and romantic as he is shy and polite.

“Brooklyn” is a movie about decisions that makes all the right decisions. Some situations may be familiar but Ronan’s exemplarily work helps us ignore the familiar tropes as she milks every bit of emotion from a profoundly touching story.

GRAND BUDAPEST HOTEL: 4 ½ STARS. “like a nesting doll, a story within a story.”

grandbudapestOver the course of eight films Wes Anderson has developed a style that is absolutely singular. He spins worlds out of the smallest details with an idiosyncratic style that some call twee and overly theatrical, but whatever you call it, one thing is clear: No one makes movies like Wes Anderson.

In his latest project, “The Grand Budapest Hotel,” he has once again created a movie that future film scholars will coin terms like Wesesque or Andersonian to describe.

Told in flashback, the movie is like a nesting doll, a story within a story, with in a story. Beginning in present day Tom Wilkinson plays The Author, an older man reflecting on one of his greatest books, the story of M. Gustave H (Ralph Fiennes), the legendary concierge at the Grand Budapest

Cut to the late 1960s. The Grand Budapest is no longer so grand, the home to a handful of tenants left over from the place’s glory days. One visitor is the Author, now a young writer played by Jude Law. One day in the steam bath he meets the hotel’s enigmatic owner Mr. Moustafa (F. Murray Abraham). Moustafa agrees to tell the writer the story of the hotel and the legendary Gustave H over dinner.

Flashback to 1932, the heyday of the glamorous hotel. Gustave H rules the place with an iron hand when he isn’t sleeping with the older female guests. A flamboyant gigolo he has a special connection with Madame D (Tilda Swinton), an insecure but impossibly wealthy woman who has fallen for his unctuous charms.

When she is found dead at her home, Gustave H and his most trusted employee, Lobby Boy Zero Moustafa (Tony Revolori), visit to pay respects. At the reading of the will Gustave H is endowed with a priceless painting much to the displeasure of the deceased woman’s family. Angered, her son Dmitri (Adrien Brody) frames Gustave H for murder.

Amid a whirlwind of hired henchmen (Willem Dafoe), helpful concierges (Bill Murray and Bob Balaban), talented chocolatier (Saoirse Ronan), tattooed criminals (Harvey Keitel) and mounting war on the continent, Gustave H is captured and jailed. With the help of his trusted Lobby Boy, must escape and clear his name.

In keeping with Anderson’s style, the story of Gustave H and the hotel is rich with nuance and detail but never feels overwhelming or tiresome. It’s a wittily whimsical story that feels transported in from a bygone era. It’s funny and elegant, feeling like a throwback to the Ealing Comedies complete with social commentary, farce and laugh-out-loud situational comedy.

At its twee little heart is Ralph Fiennes in a strangely mannered performance that not only provides many of the film’s best moments—his Benny Hill style escape from the police is hysterical—but also it’s heart.

Like the movie itself, the performance is original, unexpected and oddly affecting.

With “The Grand Budapest Hotel” Wes Anderson has found a balance between his highly stylized artistic vision, story and heart.

HOW I LIVE NOW: 2 ½ STARS. ” beautiful to look at, but low on any real substance.”

how-i-live-now-uk-posterSaoirse Ronan is just movie away from being a superstar. I’m convinced that with the right choices this talented young Irish actor could be a Kristen Stewart level a-lister.

Trouble is, of late she’s been the best thing in a series of movies that people didn’t see. “Violet and Daisy,” “Byzantium” and “The Host”—which was positioned as the start of a “Twilight” style franchise before audiences ran the other way—all underperformed, adding little luster to her star.

In “How I Live Today” she hands in another great performance, made all the more impressive as she wrings it out of a movie that is beautiful to look at, but low on any real substance.

In “How I Live Now” she plays Daisy, an anxiety-ridden New York teen sent to live with her aunt and cousin in the English countryside by her disinterested dad and his new wife. She wears her lack of self esteem like a badge. “I’m a curse,” she says, “everywhere I go bad [things] happen.”

Just as she starts to bond with her young cousins Piper (Harley Bird) and Isaac (Tom Holland) and REALLY bond (nudge, nudge, wink, wink) with hunky Eddie   (George MacKay), something bad does happen. Their bucolic life is torn apart after terrorists ignite a nuclear bomb in London, killing tens of thousands, possibly hundreds of thousands.

The country falls under military law and soon the cousins are separated by gender and sent to work camps. As they are being torn apart Eddie and daisy make a deal to meet back at the country house, no mater what it takes to get there.

Surrounded by terror and uncertainty Daisy digs deep into “Dr. Phil” style pop psychology—“Take the bad,” she says, “put it in a box and focus on the good.”—to morph from angst ridden teen to Survivorwoman to find her way back “home” and reunite her new family.

When she is not pouting or in Eddie’s capable arms, Ronan spends most of her onscreen time on a dangerous trek with preteen Piper. It’s here her character gets interesting thanks to Ronan’s subtle but intriguing performance, but director Kevin “The Last King of Scotland” Macdonald’s reliance on musical montages to move the action forward, while beautiful, get in the way of the actors creating really memorable moments.

The actors are all good looking, as is the movie, but the visuals aren’t of the show-me-don’t-tell-me type, they’re more like cinematic wallpaper. It’s a treat for the eyes, but rings hollow in the story and character department.

For example, Daisy is a classic teen over thinker. We know this because McDonald adds in the ghostly voice of her inner mind on the soundtrack, and yet, (SPOILER ALERT) after she shoots two men dead there’s barely a second thought given to the murders.

Ronan is gifted, and will one day find the role to make her a star, unfortunately for all it’s visual panache, “How I Live Now” isn’t it.