I co-hosted the NewsTalk 1010 afternoon show “The Rush” with Matt Gurney on Wednesday January 25, 2023. Listen to the Smart Speakers segment with Lindsay Broadhead and Mark Mendelson HERE!
The new rom com “You People,” starring Jonah Hill, Eddie Murphy and Lauren London and now streaming on Netflix, has the frank social commentary of “Guess Who’s Coming to Dinner” mixed with “Meet the Parents” family dynamics.
Directed and co-written (with Hill) by “Black-ish” creator Kenya Barris, “You People” begins as unhappy, socially awkward thirty-something Ezra (Hill) wonders if he’ll ever find a woman who understands him. “I don’t think I’ve ever heard of a man who ever wanted to be in a relationship so badly,” says Ezra’s best friend Mo (Sam Jay), “besides Drake.”
The part-time podcaster and full-time office worker’s pampering mother Shelley (Julia Louis-Dreyfus) wants him to settle down, but there are no prospects in sight until he mistakenly jumps into fashion stylist Amira’s (London) car, mistaking it for an Uber.
It isn’t exactly love-at-first sight—“You’re a Jew from West L.A.,” she says. “What do you know about culture?”—but over time love blossoms.
“You’re dating a Black girl?” asks Mo. “I have never felt so understood by somebody in my entire life,” he replies.
It’s all sunshine and roses with Ezra and Amira, but this is a romantic comedy, so there have to be obstacles to their happiness. That friction comes in the form of the couple’s parents.
Ezra’s folks, Shelley and Arnold (David Duchovny) are rich, progressive and cringey in their attempts to prove to Amira that there isn’t a hint of racism in the family.
Amira’s parents, the devoted Nation of Islam Muslim followers Akbar (Eddie Murphy) and Fatima (Nia Long), do not warm to Ezra, and make no secret of their feelings over lunch at Roscoe’s Chicken & Waffles.
“So,” asks Akbar, “do you hang out in the hood all the time, or do you just come here for our food and women?”
“You People” takes on hot button subjects, like cultural differences and racial divides, but this is, at its heart, a rom com, so at the end, hurdles will be overcome and happily-ever-afters will be had. That is a given, not a spoiler, just reality, but it is also the weakest part of the movie.
“You People” is at its best when it puts the seasoned cast on screen together. The scenes that gather the young couple and the two sets of parents are highlights, delivering laughs and plenty of situational humour. Subtlety is not on the menu, but Louis-Dreyfus and a deadpan Murphy milk every laugh out of the script, playing up the cultural and faith-based differences that open between the families like a yawning chasm.
“You People” grasps at cultural relevance, but does so with a heavy, although well-intentioned, hand. As the run time moves towards the closing credits, the misunderstandings and accentuation of differences becomes repetitive, miring down the story, despite the efforts of the cast.
The comedy pros keep it as fleet footed as it can be. Only Murphy could get a laugh with a line like, “You shat your slacks?” and I was happy to take the giggles where I could as the movie wound down to its Rom Com 101 ending.
“You People” doesn’t exactly waste its bold face name cast—there are some very funny moments within—but the film’s predictable finish blunts much of the edgy/awkward humour that came before.
“Infinity Pool,” the new horror film from director Brandon Cronenberg, now playing in theatres, takes place in the beach resort of your dreams… if you are prone to nightmares.
The action in “Infinity Pool” takes place against a sun-drenched all-inclusive beach resort in the fictional country of Li Tolqa. The exclusive, and very pricey, vacation spot offers a safe and secluded place for the wealthy to wine, dine and have fun. Imagine a kinkier “White Lotus.”
Just don’t go beyond the barbed wire gates.
That’s a lesson James (Alexander Skarsgård) and Em (Cleopatra Coleman) learn too late. He’s a writer, looking for inspiration; she is his wife, an heiress to a publishing fortune. Their lives take a turn when they meet Gabi (Mia Goth) and Al (Jalil Lespert), an adventurous couple who convince them to leave the compound for a beachside BBQ. “It’s one day,” James says. “Let’s mix things up a bit.”
Some grilled sausage and a graphic sex scene later, it’s night. Time to pile into the car and return to the resort. On the way James accidentally hits and kills a local man. Distraught, he wants to call the police.
“No police,” says Gabi. “Do you know anything about the police in Li Tolqa? This isn’t a civilized country. It’s brutal and it is filthy. We’re not getting picked up for this.”
They skedaddle, but soon enough the law catches up with them, questioning Em and arresting James for murder. After a night in jail, he is sentenced. “Here, the punishment for any crime committed is death.”
But even though Li Tolqa is an eye for an eye kind of place, the rules are different for wealthy tourists. By law someone must atone for the crime, but instead of putting James to death, they offer to make a clone of him. The replica will have his memories and will believe it is being killed for James’s crimes.
It is agreed the son of the dead man will even the score by killing the clone. Justice and vengeance will have been served. But there is a caveat. James and Em must watch the execution. After that, they’re free to go, with the clone’s ashes in hand. “Consider it a souvenir.”
Trouble is, James doesn’t want to leave.
“Infinity Pool” is a deep dive into depravity. Sensuality, violence and horror merge, as death becomes a spectator sport, sex becomes hallucinogenic as James becomes seduced by the hedonism of Li Tolqa and his new friends.
Fittingly, there is an unhinged quality to the filmmaking. In a story where anything could happen, and often does, director Brandon Cronenberg ups the debauchery with slick filmmaking, gorgeous cinematography from Karim Hussain and the kind of nihilism not seen since the days of Michael Haneke’s “Funny Games.”
By design it is an unpleasant movie, a Grand-Guignol commentary on the privilege of wealth and the evil men do. Blood—and other bodily fluids—spurt, cruelty is celebrated and the moral compass is left spinning. It is, in its reflection of the foulness of society, also kind of a singular cinematic experience.
We will see better performances this year, but I doubt that we will see two more committed performances than the ones handed in by Skarsgård and Goth. As James, Skarsgård has few boundaries, pushing the character to disturbing places. Goth is the personification of bored debauchery; a person who treats heartlessness as recreation.
“Infinity Pool’s” mix of sadism and satire will not be for everyone. The gratuitous grotesqueries on display will put many viewers off, but adventurous moviegoers may find something new and compelling in Cronenberg’s nightmarish vision.
Jennifer Lopez walks a similar path to Marie Osmond in “Jenny from the Block’s” new Amazon Prime action comedy. Marie is a little bit country, and a little bit rock ‘n roll, while “Shotgun Wedding” showcases Jennifer’s duality, a little bit of amore, and a little bit of adrenaline.
When we first meet Darcy (Lopez) and Tom (Josh Duhamel) it is the night before their elaborate Philippine destination wedding. Family and friends, played by funny people like Jennifer Coolidge, Cheech Marin, D’Arcy Carden and Sônia Braga, and Darcy’s hunky ex-boyfriend (Lenny Kravitz), come from far and wide to celebrate the big day.
“I’ve been looking forward to this moment,” says Carol (Coolidge), “since Tommy was cut out of my belly.”
Trouble is, Tom is too focused on the details. In his effort to make everything seamless, he overlooks the most important element of the day, his bride-to-be. “What if the wedding isn’t perfect? What if your parents never like me?”
As friction develops between the couple, on another part of the island the entire wedding party is taken hostage by pirates who want the fortune held by the bride’s father.
Separated from the group, the couple must play a dangerous game of till death do us part to save their loved ones and their relationship.
“This weekend hasn’t exactly gone to plan,” Tom says. “Pirates chasing you wasn’t on your vision board” replies Darcy.
“Shotgun Wedding” is a bit of a rollercoaster, and not in a good way. A jumbled mix of slapstick and action, of comedy and relationship drama, it careens through the story so quickly, with no tether to any kind of reality, that it becomes positively whiplash inducing.
Despite the likability of the topline cast, it feels as though it mixes the worst elements from the various genres that make up the story. A combination of the predictability of a rom com and some lame, light action (although a surprisingly high body count for a wedding movie), it has a bit of everything except suspense or deep laughs.
On this week’s Richard Crouse Show we tell you about “Elvis,” the new film about the King of Rock and Roll from Moulin Rouge director Baz Lurhmann. The movie covers the twenty-ish years in the lives of Elvis and his manager Colonel Tim Parker. Through the birth of rock ‘n roll of the late 1950s and the cheesy Hollywood years to the legendary 1968 Comeback Special and the Las Vegas rise and fall, Elvis and the Colonel shimmied and shook their way to the top of the charts and into the history books.
I caught up with director Baz Lurhmann and his stars Austin Butler, who hands in a terrific performance as Elvis and Olivia DeJonge who plays Elvis’ wife, Priscilla. We talked about what the story of Elvis’s life can tell us about America, Priscilla’s role in the singer’s life and mushc more.
Then, Nyla Innuksuk, director of “Slash/Back,” a cool new coming of age story with an Indigenous and sci fiction twist, and a message about friendship and what it means to fight for community, stops by to tell us about the challenges of taking a crew of 50 people to Baffin Island in the summer of 2019, to make this film.
Finally meet writer Cian Cruise. He has a degree in film studies and philosophy and is a new dad. He combines all those avenues from his life in his new book, “Dad Bod: Portraits of Pop Culture Papas.”
A clever collection of essays about father figures in popular culture, he has a look at everyone from Gandalf to Homer Simpson, to unpack the qualities that inform our collective image of fatherhood. Stick around and find out what he says Rambo, as seen in First Blood, can teach us about the behaviour of toddlers.
Listen to the whole thing HERE!
Here’s some info on The Richard Crouse Show!
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
Listen to the show live here:
C-FAX 1070 in Victoria
SAT 5:00 PM to 6:00 PM
SUN 10:00 AM to 11:00 AM
CJAD in Montreal
SAT 8 PM to 9:00 PM
CFRA in Ottawa
SAT 8 PM to 9:00 PM
NEWSTALK 610 CKTB in St. Catharines
Sat 8:00 PM to 9:00 PM
NEWSTALK 1010 in Toronto
SAT 8 PM to 9:00 PM
NEWSTALK 1290 CJBK
SAT 8 PM to 9:00 PM
AM 1150 in Kelowna
SAT 11 PM to Midnight
BNN BLOOMBERG RADIO 1410
SAT 8 PM to 9:00 PM
Click HERE to catch up on shows you might have missed!
I sit with Brendan Fraser, whose performance as a 600 pound man in “The Whale” earned him a six minute standing ovation at the Venice Film Festival, and the film’s screenwriter Sam Hunter, to talk about what Fraser learned from playing the character, how Hunter changed the script from the original stage play and more.
Watch the whole thing HERE!
I sit with “Triangle of Sadness” director Ruben Östlund to discuss the movies that inspired him, the film’s social satire, how he defines the film and why all his films are about people trying to avoid losing face.
Watch the whole thing HERE!
This week on the Richard Crouse Show we meet director Brett Morgen and producer Debra Eisenstadt of the film “Moonage Daydream,” an impressionistic look at the life and work of iconic artist David Bowie, now playing in theatres.
Bowie led one of the most eclectic show business careers of the last sixty years. He was a seeker, an artist whose work flirted with everything from mime and music to acting and art. He was never less than a free thinker who valued artistic joy over fame.
Morgen’s film emphasizes the restless spirit that defined David Bowie, but don’t buy a ticket expecting a cradle-to-grave “Behind the Music” style expose. This is an experience, a collage of sound and vision, that over the two-and-a-quarter-hour running time creates a portrait that doesn’t attempt to define the artist as much as it does to illuminate his ever-changing philosophical mindset. To achieve this Morgen mixes never-before-seen footage and performances, forty remastered songs spanning the singer’s entire career and, as narration, excerpts from fifty years of Bowie interviews.
There are no talking heads or re-enactments, and neither is this one long music video. It’s an ephemeral collection of ideas and images with a solid intellectual underpinning, a philosophical edge and an emotional component for diehard Bowie fans. It also has a good beat and you can dance to it… most of it anyway.
We also get to know Ke Huy Quan, the star of the most aptly titled movie of the year, “Everything Everywhere All at Once.” You can say a lot of things about “Everything Everywhere All At Once” but you can’t say you’ve ever seen anything quite like it before. An eye-popping reflection on the power of kindness and love to heal the world’s problems, it is exhilarating that mixes and matches everything from family drama and tax problems to martial-arts and metaphysics into a whimsical story that moves at the speed of light. The result is a singular film that milks intentionality out of its madness.
What does all that mean? Stick around as I chat with one of the film’s stars Ke Huy Quan. You know him as Short Round, the plucky kid companion to Indiana Jones in The Temple Of Doom and from a role in cult classic comedy-adventure The Goonies. We’ll talk about why he chose to return to acting in “Everything Everywhere All at Once” after a twenty-year break from Hollywood.
Listen to the whole thing HERE!
Here’s some info on The Richard Crouse Show!
Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
Listen to the show live here:
C-FAX 1070 in Victoria
SAT 5:00 PM to 6:00 PM
SUN 10:00 AM to 11:00 AM
CJAD in Montreal
SAT 8 PM to 9:00 PM
CFRA in Ottawa
SAT 8 PM to 9:00 PM
NEWSTALK 610 CKTB in St. Catharines
Sat 8:00 PM to 9:00 PM
NEWSTALK 1010 in Toronto
SAT 8 PM to 9:00 PM
NEWSTALK 1290 CJBK
SAT 8 PM to 9:00 PM
AM 1150 in Kelowna
SAT 11 PM to Midnight
BNN BLOOMBERG RADIO 1410
SAT 8 PM to 9:00 PM
Click HERE to catch up on shows you might have missed!
I joined CP24 to have a look at new movies coming to VOD, streaming services and theatres. Today we talk about the family drama “The Son,” the technological thriller “Missing” and Bill Nighy in the heartbreaking “Living.”
Watch the whole thing HERE!
