Posts Tagged ‘Hugh Jackman’


This week on the Richard Crouse Show Podcast we get to know Danis Goulet who wrote and directed “Night Raiders,” a timely sci fi apocalyptic film set in the near future. In her dystopian drama cities in North America are run by the military and all children are property of the state. This Taika Waititi-executive produced film sees a Cree woman team with a group of vigilantes to free her daughter from a “children’s academy.” Goulet, who is of Cree and Métis descent, says everything in the film’s imaginary future is based on true events and “has to do specifically with policies that were inflicted upon Indigenous People throughout history.”

Then we meet radio and podcasting legends Humble and Fred, that’s “Humble” Howard Glassman and Fred Patterson as they celebrate ten years of the “Humble and Fred Podcast.” These days everybody from Bruce Springsteen and Barack Obama to Kim Kardashian West have podcasts, but ten years ago they were uncharted territory. Humble and Fred, who, as their website says, “have been entertaining Canadians since 1989” as a team on radio jumped into podcasting when their time in radio dried up. It was a newish technology and they dove in, creating a show that built an audience and, more importantly, maintained that audience over ten years. Find out more at

Then we go to the vault to hear a vintage interview with Hugh Jackman. The actor gets personal, talking about the projects that worked, the ones that didn’t and what drives him.

Listen to the whole thing HERE!

Here’s some info on The Richard Crouse Show!

Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Ethan Hawke, director Brad Bird, comedian Gilbert Gottfried, Eric Roberts, Brian Henson, Jonathan Goldsmith a.k.a. “The most interesting man in the world,” and best selling author Linwood Barclay.

Listen to the show live here:

C-FAX 1070 in Victoria

SAT 5:00 PM to 6:00 PM

SUN 10:00 AM to 11:00 AM

CJAD in Montreal

SAT 8 PM to 9:00 PM

CFRA in Ottawa

SAT 8 PM to 9:00 PM

NEWSTALK 610 CKTB in St. Catharines

Sat 8:00 PM to 9:00 PM

NEWSTALK 1010 in Toronto

SAT 8 PM to 9:00 PM


SAT 8 PM to 9:00 PM

AM 1150 in Kelowna

SAT 11 PM to Midnight


SAT 8 PM to 9:00 PM

Click HERE to catch up on shows you might have missed!


A weekly feature from! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at “Hellboy” starring David Harbour as Big Red, the stop-motion animated “Missing Link,” the Ethan Hawke bank heist “Stockholm.”

Watch the whole thing HERE!


Richard has a look at the new movies coming to theatres, including the reboot of “Hellboy” starring David Harbour as Big Red, the stop-motion animated “Missing Link,” the Ethan Hawke bank heist “Stockholm” and the kid-friendly “Mia and the White Lion” with CFRA Morning Rush host Bill Carroll.

Listen to the whole thing HERE!

MISSING LINK: 3 STARS. “Galifianakis’s performance gives the movie heart.”

The new animated film from Laika, the folks behind beautiful stop motion movies like “Coraline,” “Paranorman” and “Kubo and the Two Strings,” is an odd couple, historical adventure that brings to mind “Raiders of the Lost Ark” and “Planes, Trains & Automobiles.”

Hugh Jackman voices Victorian-era explorer Sir Lionel Frost. Dressed head to toe in houndstooth, he’s an anthropologist of sorts, scouring the world in search of mythical beasts. He tries to lure the Loch Ness Monster with bagpipes. “They do say music soothes the savage beast.“

Despite his adventurous spirit his peers at London’s Optimates Club don’t take him seriously. Desperate to secure his legacy, he follows the lead of an anonymous letter about Bigfoot sightings in America. “He’s neither ape nor man,” he says, “but something in between.” If he can track down the elusive beast he hopes the snobby Lord Piggot-Dunceby (Stephen Fry) will be won over and offer membership into the exclusive club. Trouble is, Piggot-Dunceby is an old racist who doesn’t actually want progress in the form of new biological discoveries or anything else. “We have brought good table manners to savages of the world over,” he says proudly, “Now, they all tinker with changing the world and soon there will be no room left for me.” He’s so dead set against Frost’s mission he hires Stenk (Timothy Olyphant), an assassin to make sure the missing link goes unfound.

Meanwhile, it turns out the elusive Sasquatch (Zach Galifianakis) isn’t so elusive. The 8-foot-tall beast introduces himself almost as soon as Frost arrives in the Pacific Northwest. Mr. Link, as Frost calls him, can speak, has opposable thumbs and, most poignantly, is lonely. “Your world gets bigger every day as mine gets taken away.” He wrote the letter in hopes that Frost would “discover” him and escort him to his ancestral homeland, the Himalayan mountains, where he hopes to meet others like him, his long-long Yeti cousins. “I need someone who knows the wild places of the world,” he says. “Who won’t shoot me.” Together, along with Adelina Fortnight (Zoe Saldana), the widow of Frost’s ex-partner, they set off to Phileas Fogg-it around the world,

In search of adventure and Mr. Link’s long-lost relatives.

“Missing Link” is beautiful looking with the special animated feel that only comes with the stop motion technique. The visuals feel organic, handmade in a way that slicker, computer generated movies simply don’t. In fact, the visuals held my attention even when the story didn’t.

Woven into the script are timely messages about British colonialism, sometimes earnest—“The world,” says The Elder (Emma Thompson) to Frost, “is something to be claimed as a symbol of their worth.”—sometimes funny—they find Shangri-La or in the Yeti language, “Keep out, we hate you.”—that are timely and make a good argument for personal evolution. “Do we shape the world,” asks Frost, “or does the world shape us?”

It’s good stuff and Galifianakis’s Mr. Links is also a treat. An innocent with an imposing physical presence is a classic cartoon trope and with equal amounts of slapstick and poignancy, he livens up the proceedings. Galifianakis does great, understated voice work from the heartbroken—”I don’t want to have to spend the rest of my life alone. Won’t you take me there?”—to the hilarious—”Your utopia sucks!” It’s a wonderful performance that provides the movie with a great deal of heart.

Galifianakis aside, “Missing Link’s” over-all story misses the mark. Fight scenes make up much of the running time but (BIGTIME SPOILER ALERT) it’s Mr. Link’s assimilation into the human world that seems to run counter to the story’s overall anti-colonialist subtext. It puts a pretty bow on the tale and even sets it up for a sequel but makes absolutely no sense given the spirit of the film. Add to that a supporting role for a woman that isn’t quite as evolved as I‘m sure the filmmakers assumed and you have a film that will engage the eyes—it’s beautiful looking—but not the brain.


Richard sits in on the CJAD Montreal morning show with host Andrew Carter to talk the new movies coming to theatres including the reboot of “Hellboy” starring David Harbour as Big Red, the stop-motion animated “Missing Link,” the Ethan Hawke bank heist “Stockholm” and the kid-friendly animal flick “Mia and the White Lion.”

Watch the whole thing HERE!


Richard joins CP24 anchor Nathan Downer to have a look at the weekend’s new movies including the return of Newt Scamander in “Fantastic Beasts: The Crimes Of Grindelwald,” the political doings of “The Front Runner” and the arthouse heist of “Widows.”

Watch the whole thing HERE!



Richard sits in with CTV NewsChannel anchor Marcia MacMillan to have a look at the weekend’s big releases, the continuing saga of magizoologist Newt Scamander in “Fantastic Beasts: The Crimes Of Grindelwald,” the political intrigue of “The Front Runner” and the arthouse heist of “Widows.”

Watch the whole thing HERE!


A weekly feature from from! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at the heartfelt dramedy “Instant Family,” the heist flick “Widows” and the political scandal of “The Front Runner.”

Watch the whole thing HERE!

THE FRONT RUNNER: 2 ½ STARS. “most interesting element is its atmosphere.”

“The Front Runner” is a story of scandal that destroyed a man’s public life in 1988 that seems almost genteel given the tone of today’s politics. Four years after Gary Hart (Hugh Jackman) lost the Democratic leadership convention to Walter Mondale he entered the presidential race with a giant lead. He was the front-runner. Three weeks later it was over.

By 1988 Gary Hart had served in the United States Senate for thirteen years. A intellectual, he sought to reignite the Democratic party, a group experiencing a slump in popularity and in ideology. His was a campaign of ideas with one of his managers marvelling at the candidate’s gift of untangling the bull**** of politics.” Unlike his opponents, however, he didn’t like to smile for photos like “some sort of game show host.” “If I pose for photos what’s next,” he wonders, “a swimsuit competition?” Discussing his personal life, says one of his aides, is not in his comfort zone and yet it was his personal life that torpedoed his chance at the White House.

His undoing came in the form of Donna Rice (Sara Paxton), a woman who wanted to work on the campaign and ended up in an extra marital affair with Hart, who was then married to Lee (Vera Farmiga). “I wanted to work for Senator Hart,” she says. “I liked his positions.” The press picked up on the story, partially in response to Hart’s dare, “Follow me around. Put a tail on me. You’ll be very bored,” and partially because it dented his family values image.

Despite the media circus that followed Hart refuses to be contrite. “The public won’t care,” he says and “the press will not earn the dignity of my response.” By the time Johnny Carson cracked jokes about it on the Tonight Show the campaign was over.

“The Front Runner” is a straightforward retelling of the twenty-one days leading up to Hart’s withdrawal from the presidential race. What it does best is create the environment surrounding Hart. From the fast-and-furious pace of a campaign in full gallop and the dark humour of a newsroom to the inner-workings of a smear campaign and the anxiety-inducing clickety-click of the still cameras at Hart’s final press conference, the film’s most interesting element is it’s atmosphere. There are some fun performances, particularly from J. K. Simmons as Hart’s blunt talking campaign manager Bill Dixon, but the problem lies with Hart himself. He’s a bit of a cypher, highbrow yet bland; the film never gives us a reason to care about him or the mess he gets himself into.

In its final moments, however, “The Front Runner” finally indulges in some subtext, courtesy of direct quotes from Hart’s withdrawal speech.

“Politics in this country,” he says, “take it from me – is on the verge of becoming another form of athletic competition or sporting match. We all better do something to make this system work or we’re all going to be soon rephrasing Jefferson to say: I tremble for my country when I think we may, in fact, get the kind of leaders we deserve.”

The words are thirty years old and yet sound as though they were written yesterday. Perhaps if director Jason Reitman had followed Hart’s lead and focussed more on the ideas and less on the scandal “The Front Runner” might have had more impact.