I join NewsTalk 1010 host Jim Richards on the coast-to-coast-to-coast late night “NewsTalk Tonight” to play the game “Did Richard Crouse Like This?” This week we talk about the wick-ed action of “John Wick: Chapter 4,” the dramedy “The Lost King” with Sally Hawkins and the romantic drama “You Can Live Forever.”
Listen to the whole thing HERE!
I join CTV NewsChannel anchor Marcia MacMillan to talk about the wick-ed action of “John Wick: Chapter 4,” the addiction drama “A Good Person” with Morgan Freeman and Florence Pugh, the dramedy “The Lost King” with Sally Hawkins and the romantic drama “You Can Live Forever.”
Watch the whole thing HERE!
I sit in with CKTB morning show guest host Stephanie Vivier to have a look at the wick-ed action of “John Wick: Chapter 4,” the addiction drama “A Good Person” with Morgan Freeman and Florence Pugh, the dramedy “The Lost King” with Sally Hawkins and the romantic drama “You Can Live Forever.”
Listen to the whole thing HERE!
I join “CP24 Breakfast” to talk about what to see in theatres and on streaming service this weekend, including “John Wick: Chapter 4” and “Swarm.”
Watch the whole thing HERE!
I sit in on the CFRA Ottawa morning show with guest host Andrew Pinsent to talk the new movies coming to theatres including the wick-ed action of “John Wick: Chapter 4,” the addiction drama “A Good Person” with Morgan Freeman and Florence Pugh, the dramedy “The Lost King” with Sally Hawkins and the romantic drama “You Can Live Forever.”
Listen to the whole thing HERE!
“The Lost King” is not the alternate title for Prince Harry’s recent tell-all book or a “Where’s Waldo” style game. It is the mostly true story of amateur historian Philippa Langley and her quest—some would call it an obsession—to find the remains of the last English king to die in battle, Richard “A horse! A horse! My kingdom for a horse!” the III.
A lowkey dramedy, now playing in theatres, “The Lost King” stars Sally Hawkins as Langley, a divorced sufferer of Chronic Fatigue Syndrome, who, becomes inspired to research the much-maligned monarch’s life and death after taking in a stage production of Shakespeare’s royal tragedy.
She reads everything there is on his life, joins a group of eccentric Ricardians, argues with historians and even converses with a vision of the King himself (Harry Lloyd). She feels he was judged unfairly in life, and is determined to find his remains and give him a proper burial.
In the course of tireless study, she determines that the King’s resting place is in a nondescript carpark in Leicester, once the home of a Franciscan Friary. Through sheer force of will (and considerable fund-raising ability) she manages to convince the naysayers, including the Deputy Registrar of the local university, to OK an excavation.
In September 2012 Langley’s theories were proved correct and the remains of the long-lost king were uncovered. “He was right where I said he’d be,” she says with amazement as the university experts scramble to take credit for her work.
“The Lost King” is a lowkey “National Treasure” style movie. Langley’s quest to rehabilitate King Richard’s dastardly reputation isn’t nearly as action packed as the Nic Cage movies, but her deep dive into history brings with it a determination that makes up for the lack of thrills.
Instead, it’s a personal story about an underdog, who, despite her intelligence, is passed over for promotions at work and treated like an outsider by academia. Langley’s journey to expose the truth about a misunderstood monarch is a lightweight human tale of empathy given heft by a compelling performance from Hawkins. Her work is grounded in reality, even during the magic realism scenes when she turns to King Richard for guidance.
“The Lost King” is the kind of Brit pic that is a little too black-and-white in its portrayal of the condescending bullies who tried to derail the plucky Langley, but as a portrait of a person who refused to be trampled on, who finds her voice, it is a warm and often funny feel-good flick.
Watch as I review three movies in less time than it takes to cast a spell! Have a look as I race against the clock to tell you about the wick-ed action of “John Wick: Chapter 4,” the dramedy “The Lost King” with Sally Hawkins and the romantic drama “You Can Live Forever.”
Watch the whole thing HERE!
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to VOD and streaming services including the psychological drama “The Lodge,” the poignant Brit com “Military Wives,” the Netflix comedy “The Lovebirds,” the family drama “The Roads Not Taken” and the Steve Coogan and Rob Brydon comedy “The Trip to Greece.”
Listen to the whole thing HERE!
It would be easy to think that the Steve Coogan and Rob Brydon movies are easy-breezy travelogues with pretty scenery and sumptuous looking food, but they are much more than that. The latest, “The Trip to Greece,” which comes to VOD this week, brings with it all the banter, impressions and eye-catching sights you expect from these movies, but beneath the veneer of laughs lies a story about mortality and legacy.
Ten years after took their first trip together Coogan and Brydon travel from Troy to Ithaca, following in the footsteps of the Odysseus. Under blue skies the pair sparkle, almost as much as the crystal-clear turquoise water that appears in virtually every shot of the movie. From quoting Aristotle’s Poetics and impersonating Dustin Hoffman, to loudly singing 70s Bee Gee tunes and visiting Epidaurus, one of the wonders of the ancient world, they present their patented brand of high-brow and pop cultural references, mixed together in a stew that is as appealing as much of the five star “Top Chef” style food we see them eat on their travels.
“The Trip to Greece” isn’t story-driven as much as it is a snapshot of two people at different places in their lives, brought together by friendship and, amusingly, one-upmanship. The movie works not because we’re waiting breathlessly for a twist or a turn, but because of the chemistry between the two. The stories are fictional—the pair play heightened versions of themselves—but the themes that lie just below their joking—jabs about aging, mortality, neediness and vanity—add depth to what could have been a travel show farce. A subplot about a death in Coogan’s family is unexpectedly touching and never overplayed.
They say “The Trip to Greece” will be the last of these excursions and that’s a shame. Director Michael Winterbottom expertly blends travel, food and heaps of personality into one package that celebrates their friendship while acknowledging that a quick get-a-way can’t solve all your problems at home.
