I joined CTV NewsChannel to have a look at new movies coming to theatres including the eye-candy of “TRON: Ares,” the crime drama “Roofman” and the touching documentary “John Candy: I Like Me.”
Fast reviews for busy people! Watch as I review three movies in less time than it takes to make the bed! Have a look as I race against the clock to tell you about the eye-candy of “TRON: Ares,” the crime drama “Roofman” and the touching documentary “John Candy: I Like Me.”
SYNOPSIS: Based on a true story, “Roofman,” now playing in theatres, stars Channing Tatum as an escaped convict who avoided detection for months by living in a Toys “R” Us store.
CAST: Channing Tatum, Kirsten Dunst, Ben Mendelsohn, LaKeith Stanfield, Juno Temple, Melonie Diaz, Uzo Aduba, Lily Collias, Jimmy O. Yang, and Peter Dinklage. Directed by Derek Cianfrance.
REVIEW: A showcase for its star’s charm, “Roofman” stretches credulity until it is paper thin. If not for Channing Tatum’s innate likeability this story of a vet who turns to a life of crime so he can afford a normal life with his kids would be a stone-cold clunker.
Set in 2004, when Blockbusters still dotted the landscape, “Roofman” is the true story of former United States Army Reserve non-commissioned officer Jeffrey Manchester. His years of service gave him the unique talent of being able to analyze situations and expertly determine operational weaknesses. “I see things other people don’t see,” he says.
The skill comes in handy on his return Stateside.
Unable to get meaningful employment or hold his marriage together, he scopes out McDonald’s locations, learning their routines, particularly when and how they make bank deposits after a brisk weekend business. Discovering all the chain restaurants operate in essentially the same way, he begins a crime spree that sees him enter a restaurant through the roof and hide inside until the first shift arrives. He then gets them to open the safe, grab the “weekend corporate burger money,” lock the workers in a walk-in cooler and flee.
Forty-five or fifty robberies into his crime wave ends with a sentence of forty-five years in prison. Inside, he once again uses his power of observation to make a daring escape. On the run, he settles in Charlotte, North Carolina, finding shelter in a Toys “R” Us store.
It’s here the movie really begins, as we learn about Manchester’s survival skills—he lives, undetected in the store for 8 or 9 months—and his relationship with Leigh Wainscott (Kirsten Dunst), a single mom and Toys “R” Us employee.
Tatum plays Manchester as a nice guy driven to extremes by circumstance. Sure, he locks burger joint employees in room-sized coolers, but he always makes sure they wear jackets to stay warm. He’s a sensitive soul who, on the phone from prison, tells his daughter, “We don’t say goodbye, because goodbye means going away and going away means forgetting.”
It’s an effective performance that brings warmth, humour, some pulse racing sequences and even a wild, nude chase scene to the film’s overlong two-hour running time. But despite Tatum’s presence and Dunst’s kindly work, “Roofman” has a hard time finding its tone. A multi-hyphenate—it’s a romantic-true crime story with farce, light humor and loads of family drama. Tatum runs the gamut and hands in one of the most emotive performances of his career, but the film’s various elements feel like puzzle pieces that don’t quite fit together.
The opening minutes of “Lightyear,” the new, Pixar origin story now playing in theatres, inform us that what we are about to see is the film that inspired “Toy Story’s” Buzz Lightyear character. In other words, it’s the movie that inspired the merch that inspired a movie that inspired even more merch.
Chris Evans voices the square-jawed, heroic and slightly goofy Space Ranger Buzz Lightyear. After a disastrous crash landing on a strange planet, his attempt to rescue the crew, including Alisha Hawthorne (Uzo Aduba), his best friend and commanding officer, goes wrong, leaving everyone stranded on a hostile planet 4.2 million light-years from Earth. His famous Space Rangers helmet weighs heavy on his head. “Everyone is stuck here because of me,” he says.
Determined to return home Buzz embarks on a series of experimental flights using various configurations of jet fuel, trying to find the right formula to achieve the hyper speed needed to cut through space and time.
But something strange happens. For every minute he’s in space, a year passes back on the planet. As Buzz tries trip after trip, his BFF Alisha ages, gets married has a child, and later a grandchild Izzy (Keke Palmer), while Buzz remains, more or less, unchanged.
On the planet, sixty years has passed before Buzz, and his smart and adorable computer companion cat Sox (Peter Sohn) try one last test trip, one that will unite him with Izzy, her “volunteer team of motivated cadets” and Zurg, a menacing force with an army of robots.
At first blush, “Lightyear” may seem like the origin story we don’t really need. Twenty-seven years, three sequels, one direct to video flick and a television series later, you wouldn’t think there would be much left to say about the character, but Pixar has found a way.
“Lightyear” is a Pixar film through and through. You expect the top-notch animation, some cool looking robots, cutesy side characters and the occasional laugh for parents and kids. Less expected is how fun the action-adventure is and how effective the patented poignant Pixar moments are.
It’s a hero’s journey, one that actually humanizes the little hunk of talking plastic (or coded series of bits and bytes) and imbues a catchphrase like “To infinity and beyond” with a new, heartfelt meaning.
“Lightyear” may well inspire a renaissance in the character and spawn more toys, but this movie is much more than merch.