Richard joins CP24 anchor Nathan Downer to have a look at the weekend’s new movies including the speculative “Clara,” the dark comedy “Dead in a Week” and the delightful “Nothing Like Dame” starring Dame Eileen Atkins, Dame Judi Dench, Dame Joan Plowright and Dame Maggie Smith.
A weekly feature from from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at the metaphysical drama “Clara,” the dark comedy “Dead in a Week” and the delightful “Nothing like a Dame” featuring Dame Eileen Atkins, Dame Judi Dench, Dame Joan Plowright and Dame Maggie Smith.
“Congratulations! You just signed your own death warrant. If you’re not dead within a week you get your money back.” So begins the business deal between unpublished writer William Morrison (Aneurin Barnard) and Leslie O’Neill (Tom Wilkinson), the man he has just hired to kill him. “You seem like a decent man. I’m very happy to kill you.” That exchange sets the tone for what is to come in this dark comedy from writer-director Tom Edmunds.
The story of the benevolent hitman who only kills those who want to die is quite simple but there’s a twist. We learn more about the characters.
Leslie is an aging contract killer afraid he’ll be terminated from by the British Guild of Assassins if he doesn’t keep his quota up.
William is obsessed by death and plagued by questions—What’s the point? Why am I here? What am I contributing?—but starts to see some light at the end of the tunnel when he meets Ellie (Freya Mavor), a book editor with an interest in his book.
Will William go through with the planned assassination or will he try and get out of the ironclad contract?
“Dead in a Week” has a low-key but pitch black tone. The farcical, occasionally over-the-top treatment Edmunds applies to death and dying is tempered somewhat by Wilkinson’s performance as the genial but deadly Leslie. Ultimately the movie isn’t about the suicidal writer but the broader story of a man forced into retirement before he wants to go. “Retirement,” he moans. “It’s the start of the end of our lives.” He’s the most compelling character and as the movie finds itself drawn to cliché it is Wilkinson that keeps us interested.
Richard sits in with Beverly Thomson to have a look at the weekend’s new movies, the boozy thriller “The Girl on the Train,” the courtroom drama “Denial,” the rebellious “The Birth of a Nation” and “Two Lovers and a Bear,” starring Tatiana Maslany.
Richard and CP24 anchor Jamie Gutfreund have a look at the weekend’s new movies, the Emily Blunt thriller “The Girl on the Train,” the Nate Parker historical drama “The Birth of a Nation,” Rachel Weisz in a slice of legal history called “Denial” and “Two Lovers and a Bear,” starring Tatiana Maslany.
“I can’t understand why people don’t always say what they are thinking,” says Emory University professor Deborah E. Lipstadt. “I’m missing a certain filter. I say what I think.”
Lipstadt, a specialist in modern Jewish history, emerged into public life from academia as the subject of a 1996 lawsuit brought against her by self-taught British historian and Holocaust denier David Irving. Irving, upset she singled him out in a book as a less-than-reputable historian, launched a libel lawsuit claiming Lipstadt and her publisher were part of a worldwide conspiracy to rob him of his livelihood.
Donations from benefactors like Steven Spielberg paid for the gruelling eight-week, £3,000,000 trial which boiled down to one main question: Is Irving a liar and a falsifier of history or simply a historian who sees things from Hitler’s point of view? The stakes were high; if Irving won, his account of history would be given credence.
The sensational court case is chronicled in Denial, a new film starring Rachel Weisz as the outspoken academic.
“In the story of this trial and this case, a lot of very good people said to me, ‘Don’t do it,’” Lipstadt says. “A lot of people didn’t want me to do it because they thought I’d be giving him publicity. How do you fight bad people without building them up and giving them a billion dollars of free publicity?”
But the publicity helped expose Irving and other deniers, says Weisz.
“I think the more people who know that the better. Most people don’t know who David Irving is. He has his core group of followers and they’re going to be very happy about this publicity. Or not. I don’t know how they’re going to feel about this, but it is more important that people should know about it. And nobody does. It doesn’t really bother me that he’s getting publicity. It’s not good publicity.”
“I think Rachel is right,” says Lipstadt. “It’s a balance. I knew fighting him would give him publicity but it would serve a purpose.”
The British actress says capturing Lipstadt’s essence — from the heavy Queens accent to her personal boldness — was “a beautiful, delicious challenge.”
“Deborah came and hung out with me in New York,” says Weisz, “sat in my kitchen for two days straight. I filmed her on my iPhone so I would be able to look back at it. Deborah told me stories about her childhood, her parents and about the trial. It was just being able to be near her and soak up her spirit and attitude and find the places were we intersect as people. There are some (people) when you find that you think, ‘I could be this person if my life had gone differently.’ It became imaginable to me then that I could be Deborah had my life gone that way.”
Lipstadt describes watching Weisz’s performance as “an out-of-body experience,” adding that her friend, legal eagle Alan Dershowitz wrote her a note, saying, “She catches your accent but even more she captured your attitude.”
“It’s fun being you,” says Weisz. “I enjoyed it. You get to say what you think. I like it, it’s very healthy. Get it out.”
Based on the book by Professor of Modern Jewish History and Holocaust Studies at Emory University Deborah E. Lipstadt, the new film “Denial” chronicles a real-life court case that could have made it acceptable to deny the Holocaust.
The action in “Denial” begins with Lipstadt (Rachel Weisz) giving a lecture in support of her latest book. In the audience is David Irving (Timothy Spall), a self-taught British historian and Holocaust denier. Because Lipstadt steadfastly refuses to debate deniers, Irving, upset she singled him out in her book as a less than reputable historian, brings the argument to her. He theatrically offers a $1000 reward for any printed link between Hitler and the Final Solution.
Rebuffed, he launches a libel lawsuit claiming Lipstadt and her publisher are part of a worldwide conspiracy to rob him of his livelihood as a historian. The case, filed in England, left the burden of proof on the accused, Lipstadt. Baffled by the foreign legal system the American is led through the complicated case by Richard Rampton (Tom Wilkinson) and Anthony Julius (Andrew Scott), the solicitor who handled Lady Diana’s divorce. “We have no strategy,” says Julius, “we’re trying to box him in with the truth.”
Donations from benefactors like Steven Spielberg paid for the gruelling eight-week, £3,000,000 trial which boiled down to one main question: Is Irving a liar and a falsifier of history or simply a historian who sees things from Hitler’s point of view? The stakes are high, if Irving wins his account of history will be given credence. “The man is a liar and someone needs to say so,” Lipstadt says.
For much of its running time “Denial” is a taut court procedural—kind of like the last half of a great “Law and Order” episode—with colourful characters. Weisz, a feisty force of nature amid the more reserved Brits, holds the center of the film with a combination of grit and concern. Scott is the epitome of the stiff-upper-lipped lawyer but it is Wilkinson who shines, hiding a sharp legal mind behind a grandfatherly façade. As the villain Irving, Spall brings desperation, indignation and condescension to a man who wants respect for his opinions.
“Denial” moves along at a zippy pace, exploring the pertinent details but taking the time to add an emotional wallop with a research trip to Auschwitz. A drawn out ending slows things down a bit in an attempt to add drama to a verdict that is historical record but satisfies both as a precedent setting slice of legal history and a big screen entertainment.
Welcome to the House of Crouse. Today Tatiana Maslany, Dane DeHaan, Rachel Weisz, Tom Wilkinson and more stop by to talk about their new movies, “Two Lovers and a Bear” and “Denial.” Find out why Maslany was afraid of one of her “co-stars” and why Wilkinson doesn’t love doing interviews. C’mon in, sit a spell and hang out at the good old HoC!
Welcome to the House of Crouse. At it’s very core Snowden, the story of Ed Snowden, an American computer wiz who leaked classified information from the National Security Agency to The Guardian, is about privacy, and how much of it you can expect to enjoy every time you turn on your computer or pick up your mobile phone. Learn more in the HoC conversations with director Oliver Stone and the film’s stars Joseph Gordon-Levitt and Shailene Woodley. C’mon in and sit a spell… but leave your cell phone in the microwave.