We all know Batman has the Batmobile but what about the superheroes who don’t have regular drives? Richard asked five superhero fans to weigh in.
“To the Batmobile!” is one of the most famous lines from the “Batman” TV show. It was a clarion call that meant the Caped Crusader was off to fight crime. He doesn’t tool around Gotham doing errands or taking leisurely drives in the country in his armoured car. His Batmobile is all business. But what about when superheroes are not battling their supervillain foes? What vehicles would they use to get from Point A to Point B or to drop off their kids at daycare? We asked some comic book fans to give their opinion…” Read the whole thing HERE!
Richard speaks to “CTV News at Six” anchor Andria Case about the best movies and television to watch this weekend including box-office superhero “Spider-Man: no way Home,” the Riz Ahmed Amazon Prime sci fi thriller “Encounter” and the non rom com “Together Together” starring Ed Helms and Patti Harrison on Crave.
Can Richard Crouse review three movies in just thirty seconds? Have a look as he races against the clock to tell you about the much anticipated “Spider-Man: No Way Home,” the Guillermo Del Toro noir thriller “Nightmare Alley” and the rough and ready drama “Red Rocket” in less time than it takes to fry an egg.
Richard joins Jim Richards and Jay Michaels of the NewsTalk 1010 afternoon show The Rush for Booze and Reviews! Today they play a round of Did Richard Crouse Like These Movies? We have a look at George Washington’s lethal recipe for Eggnog and review the the latest from your friendly neighbourhood crimefighter in“Spider-Man: No Way Home,” the dark carnival of “Nightmare Alley” and the ex-porn star drama “Red Rocket.”
Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres including “Spider-Man: No Way Home,” the dark carnival of “Nightmare Alley, the ex-porn star drama “Red Rocket” and the animated documentary “Flee.”
Richard joins CTV NewsChannel and anchor Angie Seth to have a look at new movies coming to VOD, streaming services and theatres including the latest from your friendly neighbourhood crimefighter in “Spider-Man: No Way Home,” the dark carnival of “Nightmare Alley” and the ex-porn star drama “Red Rocket.”
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the latest from your friendly neighbourhood crimefighter in“Spider-Man: No Way Home,” the dark carnival of “Nightmare Alley” and the ex-porn star drama “Red Rocket.”
Richard joins NewsTalk 1010 guest host David Cooper on the coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse like these movies?” This week we talk about the web slinging action of “Spider-Man: No Way Home,” the noir pleasures of “Nightmare Alley” and the ex-porn star drama “Rede Rocket.”
At the beginning of “Spider-Man: No Way Home,” the new two-and-a-half-hour-long superhero movie now playing in theatres, Peter Parker (Tom Holland) learns it’s hard to be a masked crime fighter when everybody knows who you are under your red and black suit.
Exposed by supervillain Mysterio at the end of “Spider-Man: Far from Home,” Parker’s life has been turned upside down. And not in a fun way as in 2002’s “Spider-Man” when Tobey Maguire and Kirsten Dunst shared an upside-down smooch in the rain.
That was harmless good fun.
These days, the friendly neighborhood web-slinger’s newfound notoriety makes it impossible for him to balance his personal life and relationships with girlfriend MJ (Zendaya), best pal Ned (Jacob Batalon) and Aunt May (Marisa Tomei) with his role as a world saving crime fighter.
“People looked up to this boy and called him a hero,” squawks J. Jonah Jameson (J. K. Simmons), the conspiratorial host of TheDailyBugle.net. “Well, I’ll tell you what I call him, Public Enemy Number One!”
Some think he’s a hero, others regard him as a vigilante. As his identities become blurred, Parker turns to becaped neurosurgeon and Master of the Mystic Arts, Dr. Stephen Strange (Benedict Cumberbatch), for help.
“When Mysterio revealed my identity, my entire life got screwed up,” Parker says to Strange. “I was wondering if you could make it so it never did.”
Parker wants Dr. Strange to conjure up a spell to brainwash the world and make people forget he is Spider-Man.
It’s a big ask. “Be careful what you wish for,” Strange says, warning Parker that casting such a spell will tamper with the stability of space and time.
Sure enough, the spell blows a hole in the multiverse, the collection of parallel universes with alternate realities, and unleashes “universal trespassers,” the most terrifying foes Spider-Man has ever faced in this or any other realm.
There’s more. Lots more. Big emotional moments, lotsa jokes, nostalgia and fan service, an orgy of CGI and Villains! Villains! Villains! The multiverse offers up a multitude of surprises but there will be no spoilers here. Your eyeballs will dance and, depending on your level of fandom, maybe even well up from time to time.
The trippiness of the story’s inter dimensional leaps, while entertaining, are secondary to the movie’s strongest feature, Spider-Man’s empathy. “Spider-Man: No Way Home” is a movie about second chances. Peter Parker doesn’t want to simply vanquish his enemies, he wants to understand them, to know why they behave as they do. By the time the end credits roll, the baddies may not be able to wreak havoc anymore, but not for the reasons you might imagine.
In real life the world is divided by ideology and opinion. “Spider-Man: No Way Home” asks us to examine those differences, look for their roots and try and heal them. It does so with plenty of trademarked Marvel action and overstuffed bombast, but the core message of empathy and understanding for others is the engine that keeps the movie chugging forward.
“Spider-Man: No Way Home” is a mix of exhilaration and exhaustion. It is inconsistent in its storytelling, overblown at times and the finale is a drawn-out CGI fest but when it focusses on the characters, empathy and the chemistry between the actors, it soars, like Spider-Man slinging webs and effortlessly zooming between skyscrapers.