Fast reviews for busy people! Watch as I review three movies in less time than it takes to make the bed! Have a look as I race against the clock to tell you about the misplaced heroics of “Sharp Corner,” the character study of “The Luckiest Man in America” and the wild action of “Fight or Flight.”
Watch the whole thing HERE!
I appear on “CTV News at 6” with anchor Andria Case to talk about the best movies and television to watch this weekend, including the game show drama “The Luckiest Man In America” and the psychological thriller “Sharp Corner.”
Watch the whole thing HERE! (Starts at 37:30)
I join “CTV News Toronto at Five” with anchor Zuraidah Alman to talk about new movies in theatres including the infamous Western “Rust,” the misplaced heroics of “Sharp Corner” and the character study of “The Luckiest Man in America.”
Watch the whole thing HERE! (Starts at 17:35)
I join CTV NewsChannel anchor Roger Peterson to talk about the infamous Western “Rust,” the misplaced heroics of “Sharp Corner” and the character study of “The Luckiest Man in America.”
Watch the whole thing HERE!
I sit in with CKTB morning show host Steph Vivier to have a look at movies in theatres including the misplaced heroics of “Sharp Corner,” the character study of “The Luckiest Man in America,” the wild action of “Fight or Flight” and the infamous Western “Rust.”
Listen to the whole thing HERE!
I sit in on the CFRA Ottawa morning show with host Bill Carroll to talk about the new movies coming to theatres including the misplaced heroics of “Sharp Corner,” the character study of “The Luckiest Man in America,” the wild action of “Fight or Flight” and the infamous Western “Rust.”
Listen to the whole thing HERE!
I join the Bell Media Radio Network national night time show “Shane Hewitt and the Night Shift” for “Booze & Reviews!” This week I review the game show drama “The Luckiest Man in America,” suggest some fun and games drinks to enjoy with the movie!
Listen as Shane and I talk about Gandalf and his giant eagle airport experience, William Shatner’s solution to the 51st state problem and why Bella Ramsey doesn’t think award shows should get rid of gendered categories HERE!
Click HERE to hear about the fun and games of “The Luckiest Man in America” and a drink to enjopy with the movie!
SYNOPSIS: Set in 1984, “The Luckiest Man in America,” a new drama now playing in theatres, stars Paul Walter Hauser as Michael Larson, an unemployed ice cream truck driver who was accused of cheating, to the tune of $110,237, by the producers of the game show “Press Your Luck.”
CAST: Paul Walter Hauser, Walton Goggins, Shamier Anderson, Brian Geraghty, Patti Harrison, Haley Bennett, Damian Young, Lilli Kay, James Wolk, Shaunette Renée Wilson, David Rysdahl, Ricky Russert, David Strathairn, Johnny Knoxville, and Maisie Williams. Directed and co-written by Samir Oliveros.
REVIEW: Loosely based on real life events, “The Luckiest Man in America” is a slight story with a kitschy 1980s sheen.
A thriller set against the backdrop of “Press Your Luck,” “the most Vegas game on television,” the action hinges on Paul Walter Hauser and his itchy performance as Michael Larson. “He’s got nerves of steel, this guy,” says showrunner Bill Carruthers (David Strathairn) as Larson’s jackpot grows. Thing is, he’s more desperate than confident. “All I want to do is have breakfast with my family,” he says, “but the only way I can do that is if I’m on the television set. Tune in on the right time, on the right day.”
Show host Peter Tomarken (Walton Goggins) calls Larson “an ordinary man from Ohio,” but there’s more to him than meets the eye. Estranged from his family, Larson figures out how to game the system by memorizing the so-called “random” patterns on the game board. As the prize money grows Larson sees a way out of his financial hole and a way back into his family’s embrace.
But, as the jackpot swells, so do suspicions about his “lucky” streak.
As we learn more about Larson, director Samir Oliveros structures the story as a thriller, carefully doling out info and clues. But Hauser’s character study is the film’s most interesting aspect. Although “The Luckiest Man in America” smooths down some of Larson’s real-life edges, he’s still not particularly likeable. Instead, he’s a delusional dreamer, a guy who has messed up his life and found a far-fetched way to fix things.
Hauser gives him layers. He’s cocky and confident, desperate and determined. Most of all, he’s in over his head. When Carruthers accuses him of memorizing the board, Larson sheepishly replies, “Is that cheating?” He is, as “Press Your Luck” host Tomarken says, “dumbly great,” a guy who stumbles into his fifteen minutes of fame. Hauser embraces Larson’s brokenness, his heartbreak and awkwardness, but adds in a dollop of optimism to add a layer of emotional complexity. He’s a cypher, but an interesting one.
“The Luckiest Man in America” succeeds because of Hauser and the strong supporting cast. Oliveros vividly fashions the flash and trash of the game show set, paying careful attention to the period details, to create a slightly surreal backdrop for this human story of dreams, hope and greed.
Set at an underfunded theater camp in New York State’s Adirondack Mountains, “Theater Camp,” now playing in cinemas, is a mockumentary about a place where “where every kid picked last in gym finally makes the team.”
Written by, and starring Ben Platt and Molly Gordon, two theater camp kids who made it to Broadway in real life, the film takes place at Camp AdirondACTS, a summer school for theatrical wannabes. When owner Joan Rubinsky (Amy Sedaris) suffers a seizure and falls into a coma during a production of “Bye Bye Birdie,” the future of the camp is thrown into question.
With Joan in the ICU, her dim-witted business vlogger son Troy (Jimmy Tatro) takes over. Faced with running the nearly bankrupt camp, he grapples with closing down his mother’s life project, or selling the land to their neighbor, the infinitely fancier Camp Lakeview.
There may be financial ruin on the horizon, but the show still must go on; there is a season to run and students to teach. With no idea how to do either, Troy turns to eccentric acting teachers Amos (Ben Platt), Rebecca-Diane (Gordon) and production manager Glenn (Noah Galvin) to run things and put together a show-stopping musical to end the camp’s season. “We’re theater people,” says Glenn. “We know how to turn cardboard into gold.”
“Theater Camp” will work best for audiences who have a love of the Three S’s: Sondheim, singing and stagecraft. It’s a celebration of those who bow at the altar of Patti LuPone and spontaneously burst into song.
An update on the Judy and Mickey “let’s put on a show” trope, the movie is a musical underdog story that nails the vibe of the camp, a place for misfits who don’t fit in anywhere else. When it concentrates on the campers and their teachers—Nathan Lee Graham has a memorable cameo as an instructor who says, “You need to know that only three percent of people make it. The rest end up in a mental facility or in a Go-Go box in Hell’s Kitchen.”—it finds a pleasing mix of humor and sweetness.
When it gets deeper into the production of the final show, “Joan, Still,” the movie’s one-joke premise starts to wear thin.
A combination of loving portrayal of the camaraderie of theatre and edgy, awkward humor, “Theater Camp” is a balance of satire and cloying sweetness that applauds theater kid culture, but feels a bit too inside for a wide audience.
