Richard sits in on the CTV NewsChannel with host Jennifer Burke to have a look at the new movies coming to VOD, streaming services and theatres including the romantic drama “All My Life” (in theatres), the surreal “Black Bear” (in theatres and VOD) and the music documentary “Crock of Gold – A Few Rounds with Shane MacGowan” (iTunes and select cinemas in Ottawa and Kingston).
Watch the whole thing HERE!
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the romantic drama “All My Life” (in theatres), the surreal “Black Bear” (in theatres and VOD) and the music documentary “Crock of Gold – A Few Rounds with Shane MacGowan” (iTunes and select cinemas in Ottawa and Kingston).
Listen to the whole thing HERE!
“Black Bear,” now in select theatres and on VOD, is a psychological drama that draws you in with a false sense of familiarity before a mid-movie turn that turns expectations upside down.
Set in a remote B&B on a beautiful lake in Upstate New York run by semi-pro musician Gabe (Christopher Abbott) and his pregnant, former dancer wife Blair (Sarah Gadon), are the Bickersons by way of “Who’s Afraid of Virginia Woolf?” No comment from either of them goes unanswered by a barb or withering look. “It’s not that I can’t stand that you have thoughts about the world,” Blair says to Gabe in one heated exchange. “It’s that I can’t stand the thoughts about the world you have.”
Into this insular situation comes Allison (Aubrey Plaza), an actress-turned-filmmaker who booked a weekend away hoping to find inspiration in nature for her next movie. “I’m waiting for something meaningful to happen to me,” she says. Instead, she becomes entwined in the personal lives of her hosts. Secrets are shared, recriminations fly and hostilities arise.
The talky first half, with a long, drunken discussion about traditional gender roles, leads into Part Two: The Bear by the Boat House, a surreal jump to the filming of the movie-within-the-movie. Without giving anything of substance away, Gabe is now the film’s egomaniacal director while Blair is now Allison’s co-star in a tortured indie film that seems to be taking its cues from the real-life retreat. Themes of the creative process, temptation and the pain of toxic relationships introduced in the first half are further reflected in part two.
“Black Bear” is an audacious movie that defies categorization. It’s playing in select theatres, wherever theatres are open, but I suspect it will mostly be seen on VOD. That’s a shame because the layered story is not something you can digest casually while thumbing through Twitter or eating a sandwich. The personal dynamics on display are filled with conflict and every line is a trigger that sets the next into motion.
The performances bring the difficult material to life. Abbott and Gadon are very good, but it is Plaza whose work leaves a mark. She brings a furious intensity to Allison that will blow the hair back on anyone only familiar with her work as the darkly disinterested April Ludgate on the sitcom “Parks and Recreation.” It’s a complex and challenging performance that is bracingly and simultaneously real and surreal.
“Black Bear” will confound viewers looking for easy answers and a neatly tied up bow at the end. Like the creative process it portrays, it is unknowable in its entirety, a deliberate cypher meant to engage both your head and your heart.
Richard and CP24 anchor Cristina Tenaglia have a look at the new movies coming to theatres, VOD and streaming services including “The Secrets We Keep” (digital and on-demand), “Vampires vs. the Bronx” (Netflix), “I Am Greta” (in theatres) and “Totally Under Control” (Digital and on-demand).
Watch the whole thing HERE!
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including “The Secrets We Keep” (digital and on-demand), “Vampires vs. the Bronx” (Netflix), “I Am Greta” (in theatres) and “Totally Under Control” (Digital and on-demand).
Listen to the whole thing HERE!
“Vampires Vs. the Bronx,” a “Goonies” style coming-of-age Halloween flick now playing on Netflix, is a throwback to the good old days when horror for kids had fun and an edge. That it also has a timely message is simply the icing on the cake, or in this case, the blood on the stake.
The story centers around Miguel (Jaden Michael), Luis (Gregory Diaz IV), and Bobby (Gerald W. Jones III), three Bronx teens trying to arrange a block party to raise money to save their second home, a bodega operated by Tony (The Kid Mero), from being forced out by a rent hike.
Meanwhile, a new business is buying up all the local businesses, bringing with them gentrification and outsiders to the neighborhood. “White people with canvas bags. That’s always the first sign!” Among the newcomers are Frank (Shea Whigham), the tough guy whose throwing all the money around under the name Murnau Properties and Vivian (Sarah Gadon), a well-meaning newbie who always seems to be nearby whenever the kids are outside.
When people begin to disappear Miguel, the neighborhood’s beating heart and soul, realizes the obvious, that vampires have come north of 120th street. “Sleep with one eye open and don’t get got,” says live-streamer Gloria (Imani Lewis). When they discover that the bloodsuckers plan on taking over the kids watch a “Blade” DVD to pick up vampire hunting tricks and rally the neighborhood to fight back.
“Vampires Vs. the Bronx” is both a loving tribute to teen horror—the guys call the vampires “Suckhead!”—and a carefully constructed condemnation of gentrification. Director Oz Rodriguez brings much personality to the film, bringing the dying neighborhood to vivid life. He builds the world, infusing the story with subtle and not-so-subtle references to racism—“We’re going to wipe you out like the vermin you are,” sneers one vampire—and the timely real world issues regarding marginalized communities—“It’s easier to live somewhere where no one cares when people disappear,” says another bloodsucker—nimbly balancing social commentary and jokes.
The story isn’t just a vampire story, although there’s fangs and stakes and blood. It’s more about the trio of charismatic kids who become heroes to protect something they really believe in. They have heart and humour, and while the horror may not satisfy hardcore gorehounds, the movie’s ebullience will.
Richard speaks to “CTV News at Six” anchor Andria Case about television and movies to watch this weekend, including the screen adaptation of “Hamilton,” the semi-biographical “Shirley,” starring Elisabeth Moss and “American Woman,” a new take on the kidnapping of Patricia Hearst.
Watch the whole thing HERE!
Richard and CP24 anchor Leena Latafat have a look at the new movies coming to VOD and streaming services including the much anticipated small screen version of the big Broadway hit “Hamilton,” the semi-fictional psychological drama of “Shirley” and “American Woman,” loosely based on the kidnapping of Patricia Hearst.
Watch the whole thing HERE!
Richard sits in on the CTV NewsChannel with host Todd Van Der Heyden to have a look at the new movies coming to VOD and streaming services including the small screen version of the big Broadway hit “Hamilton,” the semi-fictional psychological drama of “Shirley” and “American Woman,” loosely based on the kidnapping of Patricia Hearst.
Watch the whole thing HERE!
