Posts Tagged ‘Matt Dillon’

CHECK IT OUT: RICHARD’S “HOUSE OF CROUSE” PODCAST EPISODE 95!

Welcome to the House of Crouse. In “Maudie” Ethan Hawke plays a gruff Nova Scotian man who learns how to love. How brusque is he? “You walk funny,” he says when he first meets her. “You a cripple? You sick?” Not exactly a charmer. We talk about the film and his love of Nova Scotia. Then we go long with Ann-Margret, talking about her life, career–including a twenty-two foot on-stage tumble that almost ended her career–and her new movie, Going in Style. It’s all good stuff so c’mon in and sit a spell!

CTVNEWS.CA: “THE CROUSE REVIEW FOR ‘SMURFS: THE LOST VILLAGE’ AND MORE!”

A new feature from from ctvnews.ca! The Crouse Review is a quick, hot take on the weekend’s biggest movies! This week Richard looks at “Smurfs: The Lost Village,” “Going in Style” and “Song top Song.”

Watch the whole thing HERE!

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY APR 07, 2017.

Richard and CP24 anchor Jamie Gutfreund have a look at the weekend’s new movies, “Smurfs: The Lost Village,” “Going in Style,” “Song to Song” and the documentary “Giants of Africa.”

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL WEEKEND MOVIE REVIEWS & MORE FOR APR 07.

Richard sits in with CTV NewsChannel anchor Marcia MacMillan to have a look at the big weekend movies, the “Smurfs: The Lost Village,” “Going in Style,” “Song to Song” and the documentary “Giants of Africa.”

Watch the whole thing HERE!

GOING IN STYLE: 3 STARS. “’The Italian Job’ with electric wheelchairs.”

“Going in Style” is a blistering social commentary disguised as an old coot caper comedy. Michael Caine, Morgan Freeman and Alan Arkin play factory workers who did all the right things only to have the system give them the middle finger in old age.

A remake from the 1979 George Burns, Art Carney, and Lee Strasberg adventure “Going in Style,” the movie begins with Joe (Caine) confronting his condescending bank manager (John Pais). The older man’s mortgage has tripled and he will soon be evicted from his home. As they argue, outside the manager’s office armed masked men invade the bank, scooping handfuls of cash from the tellers. Joe is unharmed in the heist—one of the thieves tells him, “It is a culture’s duty to take care of the elderly.”—and later excitedly tells his family and friends Willie (Freeman) and Al (Arkin) about the robbery.

The afternoon’s excitement aside, Joe’s financial situation is still dire. His old company, now in the midst of a takeover, has frozen all pension cheques. He needs to come up with a way to get his hands on some cash. Ditto for Willie, who needs a new kidney and Al who can barely afford to feed himself.

When their favourite waitress gives them a free piece of pie with the truism, “Everybody deserves pie,” it dawns on Joe that she’s right. “We should be having our pie and eating it too,” he says, hatching a plan to steal back their pensions. “These banks practically destroyed this country and nothing ever happened to them,” he says. “If we get caught we get a bed, three meals a day and free healthcare.”

“Going in Style” then drops the social commentary and becomes a heist flick. Think “The Italian Job” with electric wheelchairs and you’ll get the idea.

Much of the charm of “Going in Style” comes from watching Caine, Freeman and Arkin glide—OK, it’s more like shuffle—through this material. There’s nothing particularly new here, we’ve seen loads of elderly men take back their lives on film in recent years, but subtext and actor goodwill elevate this slight story.

Caine, Freeman and Arkin are formidable actors but expertly portray the invisibility that can come with old age. As eighty-somethings they are unseen—banks take advantage of them, the police ignore them—until they take their future into their own hands. The story is implausible but by the time the heist happens you want the best for these grandpas, no matter how silly the story gets.

“Going in Style” is part knockabout comedy, part rage against the machine. Director Zach Braff adds in just enough sentimentality and slapstick to frame the film’s message of “having a pie of pie whenever the hell I want to!”

GIRL MOST LIKELY: 2 ½ STARS

Girl-Most-Likely-Leadin-602x396“Girl Most Likely,” a dysfunctional family comedy starring Kristen Wiig, Annette Bening and Matt Dillon, proves that you can take the girl out of New Jersey, but you can’t take the New Jersey out of the girl.

Wiig stars as Imogene, a wannabe New York playwright. Years before she won a prestigious award but the promise of a distinguished career in the theatre evaporated, leaving her with a cheating boyfriend, some high society friends who sneer at her behind her back and an inferiority complex.

Hitting rock bottom she’s forced to move back home, to Ocean City, New Jersey with her eccentric mother (Bening), younger brother (Christopher Fitzgerald) and assorted boyfriends (Dillon) and roomers (Darren Criss).

Living with mom stirs up some old memories, reveals some new truths and makes her more determined than ever to get back to the bright lights of NYC… if she can find a way to break free of her roots.

“Girl Most Likely” is a frustrating movie because it comes so close to being a home run, but doesn’t quite make it to home base. Co-directors Shari Springer Berman and Robert Pulcini have assembled a great, charismatic cast but given them a script that relies on quirk rather than depth to make its point.

Narcissistic characters can be fascinating on screen—think “American Psycho’s” Patrick Bateman or Gregory Anton from “Gaslight” or even “The Princess Bride’s” Vizzini—but the psychological issues that drive them have to resonate, or at least be apparent and that’s where “Girl Most Likely” fails.

It’s a narcissistic cesspool played for laughs without ever really giving us the dark background that feeds the self-absorbed behavior on display. There are hints along the way but they are over shadowed by a plot that relies on idiosyncratic twists, like a brother who specializes in mollusk protection methods and a mysterious stranger who may, or may not, be an international spy.

Paring down the eccentricity and upping the realistic elements of the story would have allowed the performances to shine brighter and made “Girl Most Likely” a more satisfying movie.

THE ART OF THE STEAL: 3 ½ STARS

the-art-of-the-steal03Occasionally there is one thing that makes it worth a trip to the movies.

For me “The Art of the Steal” has a few things to recommend it but the thing that would make me reach into my wallet and pay for a second viewing is something that has nothing to do with the twisty-turny plot or the presence of Terence Stamp, one of my favorite actors.

It’s a blink and you’ll miss it moment, but I’d sprung for a ticket just to see Kurt Russell reprise his impersonation of Elvis Presley. Wearing a Vegas era jumpsuit, he mimics one of the King’s famous dance / karate movies he perfected for the 1979 television movie Elvis. It ups the general cool level of the movie and reaffirms my belief that everything is 10% better with Elvis in it.

In this heist flick Crunch and Nicky Calhoun (Russell and Matt Dillon) are brothers and art thieves, who haven’t worked together since Nicky snitched on Crunch and sent him to prison.

Years later they team up to steal The Gospel According to James, one of the world’s oldest and rarest books, but will the job lead to more double-crossing? Or a taste of revenge?

Along for the ride is Crunch’s apprentice (Jay Baruchel) and a variety of law-and-order types, including a former-art-thief-turned-FBI-informant (Terence Stamp) and an FBI fumbler played by “The Daily Show’s” Jason Jones.

The mechanics of the heist aspect don’t entirely add up—what border crossing storage unit doesn’t have closed circuit cameras?—and the twists threaten to overshadow the whole thing but the chemistry of the cast goes a long way toward smoothing over any plot rough spots.

It simply works better as a comedy than a heist film. Dillon and Stamp are in good form, Russell can cut through this material like a hot knife through butter, but it is Baruchel who shines in a supporting role. He provides the film’s funniest moment although it’s one that may make it harder for him to cross the border in future.

“The Art of the Steal” is an entertaining movie that mixes laughs with intrigue, crime with revenge in an offbeat heist flick.

HERBIE: FULLY LOADED

1944Anyone over the age of thirty will remember the Herbie: The Love Bug movies—there were five of them, plus a 1997 TV movie—about a spunky little car with a mind of its own. Fully Loaded is an attempt to rev up the engine of this franchise and run it around the track at least one more time.

This Lindsay Lohan vehicle—pardon the pun, but there are more to come—sees her playing Maggie Peyton, the only girl in a family of NASCAR drivers. As a graduation gift her father (Michael Keaton) buys her an emotive Volkswagen Beetle named Herbie from a local junkshop. Luckily Herbie is a positive influence in Maggie’s life—this is the opposite of that other car-come-to-life movie John Carpenter’s Christine—and Lohan and Herbie bond—is it an auto-erotic relationship?—while she rekindles her love of racing after a near-fatal accident forced her father to ban her from the track. Before you can say Dude, Where’s My Car? she finds herself going wheel to wheel with NASCAR champ Trip Murphy (Matt Dillon).

Herbie: Fully Loaded is a simple, but likeable underdog story of two unlikely racers—there aren’t many female NASCAR racers and a Volkswagen on the track is the kind of thing that could only happen in the movies—that, while predictable, is a long way from the junkyard.

Matt Dillon deserves better In Focus by Richard Crouse METRO CANADA Published: August 27, 2010

tumblr_l4hxkuIT8j1qb2ssvo1_r1_500He is an Oscar nominee, a multiple Independent Spirit Award winner and the star of more than 40 movies.

He can leapfrog comfortably from comedy to drama — in this weekend’s Takers he plays a cop hot on the trail of some bank robbers, next he’ll be seen yukking it up in Rio Sex Comedy. He can do it all, and on top of that he has at least one IMDB message board titled “Hottest Man Alive.”

So why is Matt Dillon the forgotten movie star?

With credits like his he should be on the A-list, hobnobbing with the Toms — Hanks and Cruise — and Will Smith, and yet his brother Kevin, who plays a wannabe celebrity on Entourage, probably has a higher Q score. Here’s a look back at why Matt Dillon should be on Hollywood’s hot list.

Troubled Youth
Dillon first got noticed playing troubled teens in Over the Edge, My Bodyguard, Little Darlings and Liar’s Moon, but it was the screen adaptations of three S.E. Hinton novels that made him a star. Tex, The Outsiders (where he shared the screen with Cruise, Rob Lowe and Patrick Swayze) and Rumble Fish made him a teen idol, but also earned him some serious fans as well. Roger Ebert wrote that Dillon has “the kind of clarity, the uncluttered relationship with the camera that you see in only a handful of actors.”

He’s Really Blossomed
He was typecast as a brooding teen early on but breakout roles in several comedies proved he could more than just a gloomy Gus. In There’s Something About Mary, he used one of the most all time politically incorrect (but hilarious) pick-up lines to woo Cameron Diaz. Even better is Randy, his character in One Night at McCool’s. When nice guy Randy’s one-night stand lets it slip that her boyfriend is a killer who might come after them, he doesn’t run but in a beautiful bit of understatement says, “It’s just the sex and the violence all in one night is a little much.”

Wild Things
On the dramatic side he is an Oscar nominee for his work as the racist cop in Crash, an award winner for his realistic portrayal of a drug addict in Drugstore Cowboy and he steamed up the screen as the high school counsellor in the campy Wild Things.