Posts Tagged ‘John Hamburg’

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY SEPT 2, 2022.

I joined CP24 to have a look at new movies coming to VOD, streaming services and theatres.  Today we talk about the mockumentary “Honk for Jesus. Save Your Soul,” the Netflix Kevin Hart comedy “Me Time” and the gritty coming-of-age story “Funny Pages.”

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL REVIEWS FOR SEPT 2 WITH Akshay Tandon.

I join CTV NewsChannel anchor Akshay Tandon to talk about the mockumentary “Honk for Jesus, Save Your Soul,” the Netflix Kevin Hart comedy “Me Time” and the gritty coming-of-age story “Funny Pages.”

Watch the whole thing HERE!

YOU TUBE: THREE MOVIES/THIRTY SECONDS! FAST REVIEWS FOR BUSY PEOPLE!

Watch as I review three movies in less time than it takes to do a pushup! Have a look as I race against the clock to tell you about the mockumentary “Honk for Jesus. Save Your Soul,” the Netflix Kevin Hart comedy “Me Time” and the gritty coming-of-age story “Funny Pages.”

Watch the whole thing HERE!

 

CFRA IN OTTAWA: THE BILL CARROLL MORNING SHOW MOVIE REVIEWS!

I sit in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres including the mockumentary “Honk for Jesus, Save Your Soul,” the Netflix Kevin Hart comedy “Me Time” and the gritty coming-of-age story “Funny Pages.”

Listen to the whole thing HERE!

THE SHOWGRAM WITH DAVID COOPER: DOES RICHARD CROUSE LIKE THESE MOVIES?

I join NewsTalk 1010 guest host Dave Kaufman on the coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse Like This?” This week we talk about the mockumentary “Honk for Jesus, Save Your Soul,” the Netflix Kevin Hart comedy “Me Time” and the gritty coming-of-age story “Funny Pages.”

Listen to the whole thing HERE!

ME TIME: 2 STARS. “childish movie that tries to examine what it means to be an adult.”

Most movies for kids often have just enough adult content to give parents a chuckle as the young ones giggle to the silly stuff. “Shrek,” “Minions” and even the wholesome “Toy Story” movies have embedded subliminal messages and jokes for parents who sit dutifully by as their children watch

The same is not usually true with movies aimed at grown-ups. Mature themes about house husbanding, unfulfilled career ambitions and marital discord aren’t exactly the stuff of family movie night. And that’s what makes “Me Time,” a new Netflix comedy starring Kevin Hart and Mark Wahlberg such a head-scratcher. Hart and Wahlberg should be able to squeeze some adult laughs out of the story of self-discovery by men who explore uncharted avenues in their lives, so why is so much of the humor aimed at kids?

Hart is Sonny Fisher, husband to architect Maya (Regina Hall) and father to two adorable kids. While Maya is advancing her career, Sonny put his dreams of being a musician to stay home with the kids. At home he’s a natural. It’s in the outside world that his awkwardness comes to the fore.

On the other end of the spectrum is his best friend Huck Dembo (Wahlberg). The embodiment of YOLO, he’s a party-boy and a risk-taker with a way with a phrase.

When Maya convinces Sonny to opt out of a family vacation and take some “me time,” he reluctantly agrees and winds up on Huck’s latest birthday adventure, a trip to Burning Man with a bus load of party people.

Cue the odd mix of adult reckoning and infantile gags.

“Me Time” wastes its two leads in a sea of wasted opportunities. Individually, Hart and Wahlberg bring the funny, so the comedic combo effect should be doubled, but director John “Along Came Polly” Hamburg keeps his two stars apart for most of the film’s first half. By the time their hijinks really begin, the mix of sincerity and silly has already worn thin. Both actors try hard to elevate the poop jokes and frenetic physical comedy, but are left hanging by a script that attempts to mix-and-match adult concerns with juvenile jokes.

The result is a movie that feels like it can’t decide who it is for, the poop joke audience or the buddy comedy crowd.

“Me Too” is a childish movie that attempts to examine what it means to be an adult.

RICHARD’S WEEKEND MOVIE REVIEWS FROM CP24! FRIDAY DEC 23, 2016.

Richard and CP24 anchor Jamie Gutfreund have a look at the weekend’s new movies, the Emma Stone/Ryan Gosling big screen musical “La La Land,” Fences” with Denzel Washington and Viola Davis and “Why Him?” starring Bryan Cranston and James Franco.

Watch the whole thing HERE!

RICHARD’S CTV NEWSCHANNEL WEEKEND MOVIE REVIEWS & MORE FOR DEC 23.

Richard sits in with Marcia MacMillan to have a look at the Christmas weekend movies, the Emma Stone/Ryan Gosling big screen musical “La La Land,” Fences” with Denzel Washington and Viola Davis and “Why Him?” starring Bryan Cranston and James Franco.

Watch the whole thing HERE!

WHY HIM?: 3 ½ STARS. “an enjoyably bawdy holiday pastime.”

“Why Him?” takes the concept of “Meet the Parents,” flips it on its head, updates it to include a Silicon Valley millionaire and wrings more laughs out of another of James Franco’s now trademarked flaky characters.

Ned and Barb Fleming (Bryan Cranston and Megan Mullally) are a typical, mid-Western couple. They had their first date at a KISS concert, run a small business and have high hopes for the daughter Stephanie (Zoey Deutch), a brilliant young woman studying at Stanford. It comes as a bit of a shock when they find out their precious Stephanie has been secretly dating dot com millionaire Laird Mayhew (James Franco). When they arrive to spend the holidays at his ultra modern Palo Alto mansion they’re horrified to discover he’s ten years older and over sharer who compliments Mrs. Fleming on her “tight body,” calls Mr. Fleming “dude,” talks about “sloppy car sex” and swears a blue streak.

The happy young couple have been living together for a year in Laird’s swanky pad and now he wants to ask for her hand in marriage. “On Christmas Day I’m going to ask Steph to marry me,” he says to Ned. “I know how tight you are so I really, really want your blessing.” Determined to win Ned over Laird continues, “Give me a few days to win you over in by Christmas day I guarantee you’ll be calling the sun and I’ll be calling you dad.”

What follows is a war of wills—Laird doing everything possible to ingratiate himself to Ned while dear old dad remains unimpressed. Absent in the equation is the one person who really matters, Stephanie.

“Why Him?” is a generation gap comedy with several very funny performances. Cranston and Franco are a classic buddy pairing. Laird has no filter and strange taste in art—a moose preserved in its own urine dominates the living room—while Ned is a buttoned down fuddy duddy who laughs at his own dad jokes.

Franco has tread this territory before but this doesn’t feel like a rehash or a greatest hits performance. Laird may be a handful and a little over enthusiastic—before he even meets the family he has their holiday card blown up and tattooed on his back—but he is genuine. Behind the wide toothy grin is a heart of gold and it makes the Laird more interesting than Franco’s run-of-the-mill on-screen stoner dude.

Cranston revisits his “Malcolm in the Middle” days with a father-knows-best character with a twist. Ned is hopelessly lost in Laird’s world. He doesn’t understand the lingo, the home’s fancy paper-free toilets and, as a print and paper company owner in a high tech world, he especially doesn’t get Laird’s business. It’s a role we’ve seen a thousand times but Cranston works it hard, wringing every laugh out of every pained facial expression.

In the supporting category it’s Keegan-Michael Key as Gustav, Laird’s right-hand-man, who almost steals the show. He’s the Cato to Laird’s Inspector Clouseau, a faithful handler who runs the house and randomly attacks his boss to train him for potential threats. It’s funny stuff, the kind of thing he perfected on his sketch show “Key & Peele” and while he’s a character who would seem most at home in a short skit he never outstays his welcome here.

“Why Him?” balances raunchy humour—an awkward electronic toilet sequence rivals anything from the Adam Sandler canon—with actual heartfelt storytelling resulting in an enjoyably bawdy holiday pastime.