TO Live and Glatz Concerts are proud to present Skyfall in Concert, produced in association with EON Productions and Metro Goldwyn Mayer Studios (MGM) on November 25, 2023 at Meridian Hall in Toronto on November 25, 2023 at 7 pm. Daniel Craig returns as the legendary secret agent in the franchise’s most successful film to date. Now you will be able to experience composer Thomas Newman’s BAFTA-winning original score performed live by the TO Live Orchestra in sync to the picture!
Directed by Sam Mendes, Skyfall pits 007 against one of his most formidable foes…the ruthless cyberterrorist and former MI6 agent Silva (Javier Bardem). The action begins when a hard drive containing the identities of every undercover British agent is stolen. Bond’s mission to recover the stolen drive takes him from a thrilling chase across the rooftops of Istanbul to the violent underworld of Macau, and ultimately to the streets of London and the very heart of MI6 itself. As the stakes grow higher, his pursuit of the villainous Silva leads to an epic showdown at Skyfall Lodge, Bond’s remote family estate in the Scottish highlands.
Judi Dench returns once again as the steadfast M, and Skyfall introduces two familiar and beloved Bond characters: the ingenious quartermaster Q (Ben Whishaw), and the charming and resourceful Eve Moneypenny (Naomie Harris).
This event features the TO Live Orchestra conducted by Evan Mitchell.
Richard Crouse hosts a special preshow event before the screening!
TO Live and Glatz Concerts proudly present Casino Royale in Concert, the first installment in the James Bond Concert Series, produced in association with EON Productions and Metro Goldwyn Mayer Studios (MGM) at Meridian Hall in Toronto on November 24 at 7 pm. Audiences will be able to experience Bond on the big screen accompanied by the power of a full symphony orchestra performing composer David Arnold’s thrilling musical score live and in sync to the picture!
With Casino Royale, EON Productions and MGM launched their wildly successful reboot of the Bond franchise, and at the time of its release in 2006, it became the highest grossing film in the series’ history.
It also marked Daniel Craig’s first appearance as the legendary MI6 operative, and he earned high marks with fans and critics alike.
Directed by Martin Campbell, Casino Royale brings us Bond at the start of his career, having just earned 00 status and his licence to kill, and pits him against the ruthless terrorist financier known as Le Chiffre (Mads Mikkelsen). From the jungles of Madagascar to the white sand beaches of the Bahamas, Bond’s pursuit of Le Chiffre leads to a showdown in a high-stakes poker game at the luxurious Casino Royale in Montenegro, and ultimately to a jaw-dropping finale on the Grand Canal in Venice.
Along the way, Bond meets the beautiful British Treasury agent Vesper Lynd (Eva Green), assigned to keep a watchful eye on 007 as he risks it all to bring down Le Chiffre. Giancarlo Giannini stars as René Mathis, Bond’s mysterious MI6 contact in Montenegro, and Judi Dench returns as M.
This event features the TO Live Orchestra conducted by Evan Mitchell.
Richard Crouse hosts a special preshow event before the screening!
There’s an old proverb that reads, “Words have meaning, names have power.” “The Other Fellow,” a new documentary now paying in select theatres and on VOD, examines the power, along with the blessings, curses and the potentially life changing effects, of sharing a name with one of the most famous fictional characters of all time, super spy James Bond.
Like any good 007 film, “The Other Fellow” hops around the globe from Canada and the United States, to Guyana, Baghdad and Sweden, among other exotic locales, to tell its story. But unlike the proper Bond movies, this globe-trotting doc isn’t about high tech gadgets or supervillains. This is a study of identity, of the power of a name, thrust upon the film’s subjects at birth, to influence the path of the bearer’s life, particularly in our digital age.
From the amusing—several “Bonds” complain about hearing the same “shaken not stirred” jokes everyday of their lives—to the sinister—an African American Bond describes being jailed for 60 days for obstruction of justice for “playfully” saying his name to a police officer—director Matt Bauer examines the issue from several viewpoints.
The result is a funny, yet poignant film that entertains as it tackles big societal and personal issues. There’s a murder mystery, a story of abuse and a name change, all woven together to complete a portrait of how the aura of masculinity of the associated name comes loaded with challenges and unwanted attention.
Some have capitalized on the name. A New York theatre director reluctantly does a Bond style commercial for a casino, even though he has nothing in common with the character except the name. “He has a six-pack. I have a keg.”
Gunnar Schäfer, a Swedish man abandoned by his Nazi deserter father, filled the familial gap in his life with Bond, changing his name and adopting a 007 lifestyle and even opening a James Bond museum. In the embrace of the name, his story differs from the rest, but his obsession sheds light on the way a name can change the path of a life.
“The Other Fellow” isn’t a James Bond film, or a film about James Bond films. Instead, it is an intriguing and well packaged look at what it is like to be James Bond, or at least carry his name.
Richard looks at the five best and most unusual movie getaway cars of all time!
“A former homicide detective and a crime expert for Bell Media, Mark Mendelson said an ambulance, given its sirens and size, is a bad choice if you want to escape a foe or the police. His getaway car dos and don’ts are all about being inconspicuous.
“Common sedans are what works best. No SUVs. Smaller is better. In short, low key is the magic component. I’m thinking Honda, Subaru or Hyundai,” Mendelson said. “Pick a car that isn’t flashy. Boring is good. Don’t squeal on the way out. Nice and easy does it. You don’t want to attract attention.”
“Of course, directors like Bay want to attract audience attention with unusual getaway cars, like the ones listed below. Here are a few of the interesting cinematic choices that have appeared in past movies…” Read the whole thing HERE!
On this episode of “Last Call with Richard Crouse” we visit Paris and James Bond’s favourite bar. The home of the Bloody Mary and “An American in Paris,” Harry’s New York Bar at 5, Rue Daunou, is one of the world’s most legendary cocktail bars. With the help of cocktail historians Jared Brown and Anistatia Miller of Mixellany, Richard traces the history of the bar where real life “International Bar Flies” like F. Scott Fitzgerald, Ernest Hemingway, Coco Chanel, Humphrey Bogart, Edward VIII and George Gershwin all bent elbows. Join us for a story of a disgraced sport superstar, cocktails, and a New Year’s Eve wild goose chase around Paris.
Richard writes about five cars made popular by the movies.
“Often the biggest star in a movie isn’t the one with their name in the title. Will Smith, Kate Winslet and Tom Cruise are big stars, but the cars they drive frequently get as much attention as they do. Many of the bestselling cars in history vaulted to iconic status after appearing as product placement on the big screen. It’s called “brand awareness,” and Mike Jackson, GM North America vice-president for marketing and advertising, said that the right car in the right movie “represents the perfect intersection of entertainment, marketing and design.” It can also lead to big sales, as these examples show…” Read the whole thing HERE!
Richard joins Ryan Doyle of the NewsTalk 1010 afternoon show The Rush for Booze and Reviews! Today he talks about the return of James Bond in “No Time to Die,” and the OTHER drinks, not shaken or stirred, that Bond enjoyed in the books and the movies.
Will James Bond (Daniel Craig) ever be happy? The dour superspy looks great in a tux, has saved the planet a dozen or more times and piloted invisible planes but despite his list of achievements, true happiness always seems to have eluded him.
In “No Time to Die,” however, it looks like Bond may have found a sweet spot in his life with his pretty love interest, Dr. Madeleine Swann (Léa Seydoux). But Craig’s fifth and final time as 007 isn’t all sunshine and roses as much as it is a requiem for a character who was shaped by trauma.
“No Time to Die,” now only playing in theatres, kicks off with a cold open unlike any other Bond beginning. Two decades ago, against a remote, icy Norwegian backdrop, the young daughter of a Spectre agent is orphaned when a masked murderer invades her home. “Your father killed my entire family,” he says between bullets. She survives, and twenty or so years later grows up to be Dr. Swann, psychotherapist and the only woman who can make James Bond smile.
On holiday in Materna, Italy, she encourages him to visit the grave of heartbreaker Vesper Lynd, and put her memory to rest. He does, and soon the idyll with his new girlfriend ends, literally blowing up in his face.
Convinced Swann has betrayed him, the superspy cuts her loose, vowing to never lay eyes on her again.
Cut to five years later. Bond is retired from MI6, but lured back into the game of international espionage when his friend and CIA field officer Felix Leiter (Jeffrey Wright) and associate Logan Ash (Billy Magnussen) ask him to help locate Valdo Obruche (David Dencik), a missing scientist working on a deadly DNA Nanobots weapon.
The job sees Bond square off with one of his greatest foes, Ernst Stavro Blofeld (Christoph Waltz) and revenge-thirsty terrorist Lyutsifer Safin (Rami Malek), a master in the art of asymmetric warfare.
“No Time to Die” shakes up the Bond formula while still offering most of what fans pay to see. There are exotic locations, some high-flying action and the odd 007 one-liner. They are embedded into the DNA of the franchise; character traits that have not been genetically edited out of the movie.
The womanizing, which was so much a part of the Bond folklore, is still there, but trimmed, and played for comic effect. In one instance Ana de Armas, whose appearance as CIA agent Paloma amounts to an extended cameo, charmingly closes the door on that aspect of the Bond legend. In a short but eventful scene, she almost steals the show, and leaves the audience wanting more.
What director Cary Joji Fukunaga, who co-wrote the script alongside Neal Purvis, Robert Wade, Phoebe Waller-Bridge and Scott Z. Burns, has done is add in a ponderous reevaluation of Craig’s years as Bond. Call backs abound to “Casino Royale,” “Quantum of Solace,” “Skyfall,” and “Spectre” and loose ends are tied into bows in in the film’s many Easter eggs. Much of that material is fan service as the fifteen-year Craig reign comes to a close. A shot of M’s (Judi Dench) portrait nods to Bond’s connection to her and Fukunaga reaches back to “Casino Royale” for a tribute to Felix “Brother from Langley” Leiter (Jeffrey Wright). It feels like a nice, respectful way to usher out one era and bring in the next, in whatever form that may take.
But “No Time to Die” is not simply a tip of the hat to the past. With an eye to the future, Fukunaga and Craig have fundamentally changed what a Bond movie is. As the only Bond actor to have an arc for his character, Craig didn’t simply put on Pierce Brosnan’s tux and carry on as so many of the previous actors have done. He took Bond to places he’s never been before, amping up the emotionality of the character as a person born out of trauma. He talks about having everything taken from him as a child, “before I was even in the fight.” For the first time in Bond history, 007 is feeling the ticking of the clock, and not the timer on a bomb he’s trying to diffuse, but the metaphorical hands of time tightening around him.
This approach effectively changes “No Time to Die’s” dynamic, from action film to soul-searching character drama. The 163-minute running time allows the characters to explore why and how they landed where they did in life, but it also sucks much of the urgency from the storytelling. Add to that Malek’s Safin, a clichéd villain who really should make a larger impact, and the drama necessary to shake that martini is lessened.
There is #NoTimeForSpoilers in this review but suffice to say, “No Time to Die” is a Bond film unlike any other. Craig leaves the franchise having made the biggest impact on the character since Sean Connery set the rules more than half a century ago. His finale is drawn out and may rely too heavily on pop psychologically but it’s an important film in the Bond canon. It may even be the most important and exciting since “Dr. No.” Why? Because, as an on-screen card promises, “James Bond will return,” but the movie gives us no hint as to what that re-invented future will entail and that, after almost sixty years of a steady diet of 007isms, is “No Time to Die’s” most exciting achievement.
Richard joins Ryan Doyle and Jay Michaels of the NewsTalk 1010 afternoon show to talk about the history of 007’s other favourite drink, the Vesper, some Oscar news and reviews of “Cruella” and “Moby Doc.”
TO Live and Glatz Concerts are proud to present Skyfall in Concert, produced in association with EON Productions and Metro Goldwyn Mayer Studios (MGM) on November 25, 2023 at Meridian Hall in Toronto on November 25, 2023 at 7 pm. Daniel Craig returns as the legendary secret agent in the franchise’s most successful film to date. Now you will be able to experience composer Thomas Newman’s BAFTA-winning original score performed live by the TO Live Orchestra in sync to the picture!
