Watch the whole thing HERE!
Posts Tagged ‘Ivan Reitman’
Listen to the whole thing HERE!
(Toronto, ON – October 29, 2019) Experience Ivan Reitman’s 1984 comedy classic on the big screen while Elmer Bernstein’s score and Ray Parker Jr.’s chart-topping theme “Ghostbusters” are performed with orchestral accompaniment live and in-sync to the film.
Civic Theatres Toronto and Attila Glatz Concert Productions present Ghostbusters Live in Concert at the Sony Centre for the Performing Arts, Saturday, June 8, 2019. Buy tickets at sonycentre.ca, by phone, or visiting one of the Civic Theatres Toronto box offices.
Peter M. Bernstein, son of the Elmer Bernstein, the Academy Award-winning composer and orchestrator of the original “Ghostbusters” Grammy-nominated score, conducts the Motion Picture Symphony Orchestra.
On Saturday June 8, 2019 Richard Crouse will do a pre-show “Ghostbusters” talk from 6:30-7:00 pm – in the Lower Lobby with “Kim’s Convenience” stars and “Ghostbusters” super fans Paul Sun-Hyung Lee and Andrew Phung.
Bill Murray, Dan Aykroyd and Harold Ramis star as eccentric parapsychologists who start a ghost-catching business in New York City after their careers in academia go awry. The film’s co-stars include Sigourney Weaver as the Ghostbusters’ first client turned Gatekeeper, Rick Moranis as an accountant turned Keymaster, and Ernie Hudson as the Ghostbusters’ first recruit.
The original 1984 film was a massive hit grossing nearly $300 million worldwide. A 1989 sequel and a 2016 reboot followed. The song “Ghostbusters” was at #1 for three weeks on Billboard’s Hot 100 chart. The song was nominated for an Academy Award for Best Original Song and Parker won a 1984 Grammy Award for Best Pop Instrumental Performance.
Welcome to the House of Crouse. The reality of the situation is that beloved actor James Cromwell is now a jailbird. The “Babe” star was sentenced to jail for refusing to pay fines related to his arrest at a protest at a New York power plant. When he swung by the HoC he talked about the beginnings of his political activism. Then, HoC pal Kris Abel stops by to talk about another kind of reality, virtual reality and a new project from “Ghostbusters” director Ivan Reitman. It’s good stuff so whatever your reality is, c’mon in and sit a spell.
Synopsis: On the day of the NFL Draft, Cleveland Browns general manager Sonny Weaver Jr. (Kevin Costner) is faced with some tough choices. His team is not doing well, sports radio talking heads are beating him up for ruining the franchise his late father — the legendary coach Sonny Weaver Sr. — built up and his girlfriend (Jennifer Garner) is angry with him. His future and possibly the future of the team hinges on one deal: a massive trade for hotshot quarterback Bo Callahan (Josh Pence).
• Richard: 3/5
• Mark: 4/5
Richard: Mark, the message behind Draft Day is that technical ability is one thing, but having heart is more important. It’s a key message for the story but vital when considering the movie as a whole. This film is technically proficient, but loads of technically proficient flicks aren’t as entertaining as this one. This movie works particularly well because it has heart, just like the players that Kevin Costner’s character tries to recruit for his football team.
Mark: Which makes the movie the opposite of Moneyball, which celebrates rationality and scientific method. I much preferred Costner’s flawed, slightly desperate soul over Brad Pitt’s technocrat. But there were other reasons I liked the movie. Having it take place on one day gives the film an urgency that really pulls you in. And there were some nice directorial flourishes, too. I haven’t seen split screen used so well in a long time. And let’s not forget a strong supporting cast.
RC: Like Moneyball, Draft Day scores authenticity points by casting a number of sports figures and insiders playing themselves, but you’re right, the supporting cast of professional actors really scores a touchdown. I enjoyed seeing Frank Langella playing the anything-for-a-buck owner of the Browns and Ellen Burstyn and Dennis Leary as Sonny’s mother and grumpy coach respectively, are both great. Sean Combs didn’t even bother me. Of course, this really is Kevin Costner’s movie. He’s easy to watch at the best of times but particularly so when he’s in the genre that works best for him, and that’s sports movies.
MB: And it’s hard to watch Costner in this without thinking about his iconic sports roles in Field of Dreams or Bull Durham. In fact, this is often where players wind up — as coaches and managers. So there’s a through line to the character to appreciate. The only thing that bothered me was that I am not a football fan. I’ve never seen a game. So all the negotiations were like watching a game of chess without any idea how the pieces are moved. Could you follow the technical details of the trades? Or were you wishing for subtitles?
RC: Subtitles might have helped a bit, but for me it didn’t matter if I followed the intricacies of the draft day business because I think the underlying emotion that comes along with changing someone’s life by drafting them into the NFL — I found those scenes powerful.
MB: Director Ivan Reitman has had a tendency to lapse into sentiment and bathos, but he keeps these tendencies nicely in check. I loved Costner, but I was also impressed at the sure handed direction. Reitman’s working at the top of his game.
My Super Ex-Girlfriend draws on two unlikely sources for its inspiration—Fatal Attraction and Wonder Woman. In the film Luke Wilson plays Matt, a single guy who begins dating Jenny, played by Uma Thurman. At first she seems like the perfect girl for him but he soon realizes that not only is she beautiful, but she’s also jealous, needy and controlling. When her trifecta of super-neurosis become too much for him he decides to break up with her and turn his attentions to a co-worker. But like the song says, “breaking up is hard to do,” particularly when the dumpee is a superhero named G-Girl, hell bent on revenge.
The film is obviously an imaginary tale because it supposes that someone would break off a relationship with Uma Thurman. We’re in Lord of the Rings fantasy-land territory here.
We’re also in some pretty hilarious territory. My Super Ex-Girlfriend is director Ivan Reitman’s funniest movie since Ghostbusters, another special effects laden comedy set in New York. Reitman skillfully takes the idea of a super-gifted woman who falls for a regular guy—think Bewitched or I Dream of Jeannie—and puts a spin on it. What if the woman was slightly nuts and didn’t take rejection very well?
In the dual role of Jenny Johnson/G-Girl Uma Thurman finally shows that she has a comedic side. So often cast in serious dramas Thurman hasn’t really displayed an affinity for comedy although she has tried to make us laugh twice in recent years in the forgettable Prime and The Producers. Perhaps working with a veteran comedy director like Reitman, the man behind the camera for Meatballs, Stripes, a couple of Ghostbusters movies and Kindergarten Cop, helped hone her comedy chops because she is funny here as the vengeful super-hero. She’s funny and as I like to say “Umessent.”
My Super Ex-Girlfriend is a welcome twist on the old boy-meets-girl story and is funnier and smarter than the trailers would lead you to believe.