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Posts Tagged ‘Meatballs’
On Sept. 5, the Reel Guys will be wearing our matching glow-in-the-dark Dr. Venkman khaki T-shirts to celebrate TIFF’s Bill Murray Day. Beginning at 10 a.m., the TIFF Bell Lightbox in Toronto will feature free screenings of Stripes, Groundhog Day and, everybody’s favourite, Ghostbusters, in advance of the world premier of Murray’s new movie St. Vincent. “I’m a nut,” Murray says, “but not just a nut.” His movies, which range from nutty comedies to dramas and everything in between, show his range. Today, as we celebrate the genius that is Bill Murray, the Reel Guys select a few must-sees.
Richard: Mark, I feel happy just knowing that I live in the same world as Bill Murray. I’ve never met him, but his very existence and the existence of films like Meatballs, Ghostbusters, Lost in Translation and any of his movies with Wes Anderson make my world a better place.
If I had to choose one little-seen Murray movie to tout, it would be Where the Buffalo Roam — his take on the life of the high priest of Gonzo journalism, Hunter S. Thompson. It’s not a great film, but it’s worth it to hear Murray say the famous line, “I hate to advocate drugs or liquor, violence, insanity to anyone, but, in my case, it worked.”
Mark: Richard, here’s my pick for a little-known film starring Murray: The Razor’s Edge. At the height of Murray’s first round of fame, he managed to miscast himself in a Somerset Maugham costume drama about a man’s search for spirituality.
His acting style is completely at odds with the rest of the material, as he’s playing the part as a louche 19th-century wiseass. And you know what? I love it!
Also from this time period, the mid-’80s, is the underrated Scrooged, a great retelling of A Christmas Carol. Traditionalists who fondly remember Alistair Sims would be aghast, but Murray really knows how to shake off the cobwebs and make the movie funny and oddly touching.
RC: Have you seen Murray in Hyde Park on Hudson? He plays Franklin D. Roosevelt and he gives the kind of effortless performance that made me wonder what might have happened to his career if The Razor’s Edge hadn’t been such a flop, forcing him back into comedy. But he can switch back and forth easily.
The same year he played an undertaker in Get Low, he also played an exaggerated version of himself as a man who plays at being a zombie during the apocalypse so he can continue playing golf unbothered by the undead in Zombieland.
It’s a surreal cameo that, like most of Murray’s appearances, is worth the price of admission.
MB: There may be bad movies that Bill Murray is in but there are no bad Bill Murray movies. He consistently rises above the material. But when the script is top-notch, there is no beating him.
I’m thinking here of Groundhog Day — one of the best and smartest comedies of the past 30 years.
He takes a clever idea and turns it into something transcendent, even philosophical. Great movie, great performance.
RC: In the transcendent and philosophical pile, I’d throw in Broken Flowers, where Murray plays a man on a journey to reconnect with all the women he knew before he became a burned-out Don Juan.
Ebert gave this four out of four stars; I give it five out of four. It’s that good.
MB: Yes, a great role for him. But consider this: his supporting role in Tootsie, where he nearly steals scenes from the great Dustin Hoffman.
Synopsis: The Reel Guys are hardy Canadians, but with the sub-zero weather we’ve been having lately even the most robust Canuck deserves a snow day. With that in mind, the Reel Guys have put away their long underwear, ear muffs and dignity and decided to stay home. At the risk of earning ridicule from our friends in Saskatchewan and other places where it regularly gets frigid, here are our ideas for movies to take your mind off the deep freeze. Close the drapes, turn up the heat and enjoy…
Richard: Spring Breakers was shot in St. Petersburg, Florida, so expect lots of beach shots, beautiful sunsets and a young cast — featuring Selena Gomez, Vanessa Hudgens, Ashley Benson and Rachel Korine—stripped down to clothing that would cause instant frost bite for those us of living in the Great White North these days. The story of the illegal way they try to make money for spring break plays more like a wild music video than traditional film, but there’s no denying the heat that comes off the screen.
MB: Summer camp? I’m with you on the Canadian classic Meatballs, with the great Bill Murray. But there’s another counter-intuitive way to go here, Richard. And that is to watch movies that depict a world so hot, you’ll be wishing for some refreshing snowflakes. Just put on the great Lawrence of Arabia. You’ll want to make a snowman by the second hour. Or Gus Van Sant’s Gerry or Antonioni’s Zabriskie Point, both of which take place in literal and existential deserts. Dune would probably work too, although I’ve never met anyone who could watch it all the way through.
RC: Talk about flipping from one extreme to the other. I’ll stick with a more moderate climate for my last pick. Under the Tuscan Sun is a hot love story starring Diane Lane set in moderate, but enjoyable temperatures.
MB: A lovely movie. But let’s not forget the old standby: The Yule Log, burning brightly on DVD. Not much of a cast, the acting is wooden, but the dialogue crackles!