I join CTV NewsChannel anchor Akshay Tandon to talk about the whale of a tale “Whalefall,” the pulpy and pious “Your Mother Your Mother Your Mother,” the documentary “You Can See Everything” and the rock ‘em, sock ‘em action “Street Fighter.”
Watch the whole thing HERE!
I join “CTV News Toronto at Five” with anchor Zuraidah Alman to talk about the whale of a tale “Whalefall,” the pulpy and pious “Your Mother Your Mother Your Mother” and the rock ‘em, sock ‘em action “Street Fighter.”
Watch the whole thing HERE! (Starts at 15:21)
I join CTV Atlantic’s Bruce Frisko to talk about the whale of a tale “Whalefall,” the pulpy and pious “Your Mother Your Mother Your Mother” and the rock ‘em, sock ‘em action “Street Fighter.”
Watch the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to wind your watch. Have a look as I race against the clock to tell you about the whale of a tale “Whalefall,” the pulpy and pious “Your Mother Your Mother Your Mother” and the rock ‘em, sock ‘em action “Street Fighter.”
Watch the whole thing HERE!
SYNOPSIS: In “Street Fighter,” a new martial arts film based on the iconic Capcom video game of the same name, a battle between estranged fighters Ryu and Ken uncovers a wide-ranging conspiracy. “This tournament isn’t what you think it is,” says Chun-Li (Callina Liang). “If you want to save your brother, then you must fight.”
CAST: Noah Centineo, Andrew Koji, Callina Liang, Joe “Roman Reigns” Anoa’i, David Dastmalchian, Cody Rhodes, Eric André, Andrew Schulz, Vidyut Jammwal, Curtis “50 Cent” Jackson, Jason Momoa. Directed by Kitao Sakurai.
REVIEW: The “Street Fighter” franchise returns to the big screen for the first time since the 1994 Jean-Claude Van Damme, Raúl Juliá (in his final role) and Kylie Minogue team up earned a 20% rotten score on Rotten Tomatoes.
Set in 1993, the new movie sees estranged friends and martial artists Ryu (Andrew Koji) and Ken Masters (Noah Centineo) brought together by Chun-Li (Callina Liang), an envoy of power mad dictator Lord M.Bison (David Dastmalchian), to battle in the second World Warrior Tournament. “The fiercest, strongest, deadliest fighters on Earth. This is Street Fighter!”
Fists fly, but when Ryu and Ken learn of a deadly conspiracy to siphon the fighter’s “Psycho Power” to energize Bison, a Hurricane Kick to the face or a Buffalo Headbutt will be the least of their problems.
There’s more, but the story doesn’t matter much. It’s mostly a framework to showcase the fights, which are plentiful and should please fans who want their kung fu action unencumbered by a coherent plot. Highlights are a 2D anime-inspired flashback to the Ryu vs. Sagat fight, a showdown between Jason Momoa’s big green fighting machine Blanka and Ryu and a slapstick infused hotel room fight between Ryu and Ken. The fight choreography takes its lead from the games, and provides the rock ‘em, sock ‘em action fans expect.
Apart from the visceral fight fun, there isn’t much here for those unfamiliar with the games.
Noah Centineo, Cody Rhodes, who plays the elaborately coiffed fighter Guile, and ring announcer Eric Andre understand the assignment, fully embracing the silly, ‘90s throwback vibe.
“Street Fighter” is pure fan service. It’s more faithful to its source material than the 1994 version and comes with plenty of spectacle but the slack pace and disregard for story will likely test the patience of non-fans.
Three movies in you wouldn’t think there was that much story left to tell in the Trolls Universe.
And you’d be right. There isn’t.
But “Trolls Band Together,” the new animated jukebox musical featuring the voices of Anna Kendrick and Justine Timberlake, and now playing in theatres, isn’t so much about the story as it is the frenetic, psychedelic experience of watching it all unfold.
This time around, the story begins years ago with Baby Branch (Timberlake) making his debut with BroZone, the all-Troll boy band consisting of Floyd (electropop sensation Troye Sivan), John Dory (Eric André), Spruce (Daveed Diggs) and Clay (Kid Cudi). The pressures of life at the top of the charts, of chasing the perfect sound, is wearing away at the band, and when their choreography goes wrong during a live show, they decide to call it quits.
“We’re not in sync,” says elder brother John Dory. “We’ve gone from boys to men, and now there’s only one direction for us to go… to the back streets.”
Cut to years later. Branch is now married to Queen Poppy (Kendrick), queen of the ever optimistic Pop Trolls, and hasn’t been in contact with his brothers since their last show. “My brothers walked out on me,” says Branch, “and never came back.”
Out of the blue John Dory shows up with bad news. Their brother Floyd is being held captive in a diamond prison by pop superstars Velvet and Veneer (Amy Schumer and Andrew Rannells) who siphon off his talent to enhance their terrible singing voices. “I want to be famous,” says Velvet, “but I don’t want to work for it.”
The only way to rescue Floyd is to put the band back together and create the one thing powerful enough to shatter a diamond, the perfect family harmony of all their voices singing together.
The experience of watching “Trolls Band Together” is not unlike watching a great fireworks display. They both distract the eye, are often super cool looking and may cause temporary elation, but as soon as they’re over, so is the thrill. The frantically paced film is all spectacle, glitter and musical dance numbers.
There isn’t a moment for the audience or the movie to catch its breath, as though director Walt Dohrn edited out any moments without action, leaving behind all peaks and no valleys. The razzle dazzle may appeal to younger audiences but parents, despite the addition of adult level humor, may be overwhelmed by the sheer volume of imagery in every frame.
Still, it’s hard to dislike a movie that emphasizes the importance of family and community, has credible boy band songs (NSYNC perform “Better Place,” their first original song in 22 years) and 2D animation sequences inspired by “Yellow Submarine” and “Fantasia.”
“Bad Trip” is a hidden camera movie à la “Borat,” with gross gags, a road trip but without Rudy Giuliani.
Gonzo comedian Eric André is Chris, an underachieving Florida man drifting through life. His life finds new purpose when his high school crush Maria (Michaela Conlin) comes into the juice joint where he is a self-proclaimed chef. As he blends drinks (and other things) they catch up. She’s now a hot shot art dealer in New York, back in her home town for a quick visit.
He asks her out but she declines, telling him she’s off to the airport. But, she adds, “If you’re ever in Manhattan, you should come to the gallery.”
Chris, in love, takes her invitation to heart and convinces his best friend Bud (Lil Rel Howery) to “borrow” his jailbird sister Trina’s (Tiffany Haddish) hot pink Crown Victoria and travel cross country to New York City.
Trouble is, Trina, recently escaped from prison, thinks the car is stolen and vows to track down Chris and Bud, to get her car and revenge.
Partly scripted, mostly improvised, “Bad Trip” follows in the footsteps of “Jackass” and Sacha Baron Cohen and often kicks it up a notch. The satirical edge of “Borat Subsequent Moviefilm” is missing but the outrageous antics on display might make Borat Sagdiyev blush. Barf, poop and bestiality are stops along the way in a road trip that includes drunken line dancing, accidentally getting super high and a tribute to “West Side Story” that is as sweet as it is surreal.
Not every prank sticks the landing, but you have to admire how far André and company (including director Kitao Sakurai) are willing to go to get a reaction. The elaborately staged hidden camera pranks are so outrageous it’s hard to imagine anyone in real life falling for them, but in the moment, who knows?
Several things become clear watching “Bad Trip.”
Firstly, the cast was game for almost anything. André, Haddish and Howery risk life and limb for a laugh, putting themselves in harm’s way in ridiculous ways. “I experienced physical and mental trauma I may never recover from,” Chris says, but I might guess André may feel the same way.
Secondly, it speaks to human nature. André’s bad behavior generally speaking brings out the best in people. It’s an oddly life affirming message from a movie that features random people covered in puke. From an old man on a park bench who gives Chris life changing advice to a bus full of people cheering on his lovesick journey, it’s filled with as much heart as it is gross stuff.
“Bad Trip” is a loosely structured good time that rides the line between gross and goofy, sincere and shocking.
