Fast reviews for busy people! Watch as I review three movies in less time than it takes to make the bed! Have a look as I race against the clock to tell you about the bullet ballet of “Ballerina,” fishy thriller “Dangerous Animals” and the horror comedy “I Don’t Understand You.”
Watch the whole thing HERE!
I join CP24 to talk about the big movies hitting theatres this week including the bullet ballet of “Ballerina,” fishy thriller “Dangerous Animals,” the horror comedy “I Don’t Understand You,” the animated “Predator: Killer of Killers” and the exorcism flick “The Ritual.”
Watch the whole thing HERE!
I sit in on the CFRA Ottawa morning show with host Bill Carroll to talk about the new movies coming to theatres including the bullet ballet of “Ballerina,” fishy thriller “Dangerous Animals,” the horror comedy “I Don’t Understand You,” the animated “Predator: Killer of Killers” and the exorcism flick “The Ritual.”
Listen to the whole thing HERE!
SYNOPSIS: In “I Don’t Understand You,” a new horror-comedy now playing in theatres, Nick Kroll and Andrew Rannells play Dom and Cole, a wealthy American couple whose tenth anniversary trip to Italy devolves into chaos when they get lost on the way to a fancy restaurant located in a rural farm. “I thought we would die here,” Cole says. “Alone in a rental car.” Complicating an already complicated situation, their surrogate (Amanda Seyfried) goes into early labor and asks them to return from their trip earlier than planned.
CAST: Nick Kroll, Andrew Rannells, Morgan Spector, Eleonora Romandini and Amanda Seyfried. Written and directed by David Joseph Craig and Brian Crano.
REVIEW: Mean spirited, but often very funny, “I Don’t Understand You” mixes deadpan humor with buckets of blood in a story of a vacation gone horribly wrong.
Loosely based on the real-life vacations-gone-wild and adoption fraud experiences of writer/directors David Joseph Craig and Brian Crano, the movie is a farcical mix-and-match of misunderstandings and murder that still manages to find time for tenderness.
That comes courtesy of Nick Kroll and Andrew Rannells, who, when they aren’t accidentally killing the locals, have great chemistry and the lived-in feel of a real couple. That both are also masters of the throw-away, funny comment is an added bonus as they humorously remark on the increasingly chaotic goings on.
As funny as the leads are, the movie struggles to reconcile adoption anxiety and mayhem. The story’s adoption fraud angle is left mostly unexplored, serving primarily as a McGuffin for the mayhem in Italy. As a result, “I Don’t Understand You” has some tonal problems, but its commitment to outrageous fun trumps whatever wonky feeling is left behind by the script.
On the March 15, 2025 edition of The Richard Crouse Show we meet Atom Egoyan and Amanda Seyfried of the new film “Seven Veils.” In this a new psychological thriller, now playing in theatres, Seyfried is Jeanine, a director dealing with repressed trauma as she mounts a production of her mentor’s most famous work, the opera “Salome.” Rich with metaphor and suspense “Seven Veils” is an intellectual thriller about art imitating life.
We also meet Sonequa Martin-Green. You know her from “Star Trek: Discovery,” “New Girl” and “The Good Wife.” She also played Sasha Williams, a main character and a survivor of the outbreak in “The Walking Dead.”
Today we’ll talk about her new film, the dark comedy “My Dead Friend Zoe,” now playing in theatres. In it she plays an Afghanistan veteran haunted by her late best friend Zoe. Now in civilian life, she searches for a way forward as she suffers from PTSD and tends to her retired Lieutenant-Colonel grandfather played by Ed Harris.
Then we meet Keira Jang, star of Can I Get A Witness?” a new Canadian eco-sci fi/coming-of-age film now playing in theaters. It’s set in a future where climate change and world poverty have been eradicated. To mitigate these modern-day issues, travel and technology are banned and every citizen must end life at 50. Documenting the process are artists as witnesses, like the character Kiera plays, a teenager on her first day on the job.
Listen to the whole thing HERE!
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Each week on the nationally syndicated Richard Crouse Show, Canada’s most recognized movie critic brings together some of the most interesting and opinionated people from the movies, television and music to put a fresh spin on news from the world of lifestyle and pop-culture. Tune into this show to hear in-depth interviews with actors and directors, to find out what’s going on behind the scenes of your favourite shows and movies and get a new take on current trends. Recent guests include Chris Pratt, Elvis Costello, Baz Luhrmann, Martin Freeman, David Cronenberg, Mayim Bialik, The Kids in the Hall and many more!
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Here’s my interview with Atom Egoyan and Amanda Seyfried of the new film “Seven Veils.” In this a new psychological thriller, now playing in theatres, Seyfried is Jeanine, a director dealing with repressed trauma as she mounts a production of her mentor’s most famous work, the opera “Salome.” Rich with metaphor and suspense “Seven Veils” is an intellectual thriller about art imitating life.
Watch the whole thing HERE!
I join CTV NewsChannel anchor Scott Hirsch to talk about the strange sci fi of “Mickey 17,” the kid-friendly “Night of the Zoopocalypse” and the suspense of “Seven Veils.”
Watch the whole thing HERE!
Fast reviews for busy people! Watch as I review three movies in less time than it takes to make some toast! Have a look as I race against the clock to tell you about the strange sci fi of “Mickey 17,” the kid-friendly “Night of the Zoopocalypse” and the suspense of “Seven Veils.”
Watch the whole thing HERE!
SYNOPSIS: In “Seven Veils,” a new psychological thriller from director Atom Egoyan, and now playing in theatres, Amanda Seyfried is Jeanine, a director dealing with repressed trauma as she mounts a production of her mentor’s most famous work, the opera “Salome.”
CAST: Amanda Seyfried, Rebecca Liddiard, Douglas Smith, Mark O’Brien and Vinessa Antoine. Directed by Atom Egoyan.
REVIEW: “Seven Veils” isn’t an adaptation of “Salome,” the story of violence, desire and the severed head of John the Baptist. Instead, it uses Richard Strauss’s controversial opera as a catalyst for the action.
The real world and the world of theatre converge as director Jeanine (Amanda Seyfried) remounts the opera “Salome,” a production previously helmed by her mentor and groomer Charles. Charles’s successful vision of the show suggested Salome was sexually abused by her father, a notion he reinforced with the use of upsetting videos of Jeanine’s abuse at the hand of her father.
When she says she wants to make “small but meaningful changes” to the show, the opera company management reject her ideas, even going so far as to insist on publishing Charles’s production notes in the program instead of hers. If she wants, they say, she can talk about her ideas for the show on an obscure podcast.
Her personal life is equally unsettled. Her husband may be having an affair with her mother’s caregiver, and it turns out that Charles’s wife may have known more about her husband’s proclivities than she let on.
Over time, as tensions mount, the unsettled situation uncorks Jeanine’s memories as an undercurrent of trauma is revealed.
There’s more, but it’s Jeanine’s main story that enthralls.
Rich with metaphor and suspense “Seven Veils” is an intellectual thriller about art imitating life.
As the parallels between Jeanine and Salome are revealed—the domination by male authority figures, confrontation of desire—Seyfried artfully plays Jeanine’s emotional turmoil, as a person torn between raw trauma and the “show must go on” ethos of her profession. It’s a career high for her as she portrays multitudes with a minimum of dialogue.
“Seven Veils” departs from “Salome” in its closing moments, avoiding the violence of the opera. Instead, it paints a compelling portrait of how trauma molds Jeanine’s personal and professional lives.
