“What’s Love Got to Do with It,” starring Lily James, fresh off “Pam and Tommy,” and Shazad Latif, and now playing in theatres, is a rom com that examines the customs surrounding arranged marriages.
James plays Zoe, an award-winning British documentary filmmaker focussed on her work. She swipes right from time to time, but says, “I’m still interviewing. I haven’t met the one yet.”
“I’m fine without a boring old prince,” she says.
Her childhood next door neighbor, Kaz (Latif), now a handsome and successful doctor, doesn’t use dating apps, because he’s agreed to follow the example of his traditional Pakistani parents.
“I’m going old school on this one,” he says. “I’m getting an arranged marriage. Well, ‘assisted marriage.’ That’s what we’re calling it these days.”
“What,” Zoe jokes, “like assisted suicide?”
When he spouts data that suggests the divorce rate is lower among those with arranged marriages, she proposes that she follow the process, from introduction to marriage, with camera in hand. Her bosses go for the idea, even if they jokingly call the planned documentary, “Love Contractually.”
Zoe interviews other British couples with arranged marriages until Kaz gets engaged via Skype to Maymouna (Sajal Aly), a law student from Pakistan. “Love at first Skype,” says Zoe. Travelling to Lahore for the wedding, Zoe focuses her camera on Kaz as he “walks into love.”
“What’s Love Got to Do with it?” refreshes the usual rom com formula while still hewing the line enough to be recognizable within the genre. Director Shekhar Kapur, working with a script from Jemima Khan, embraces most, but not all, of the tropes of the genre. They forgo the most obvious—and often most odious—rom com conventions, in favor of something deeper. It’s still a rom com, but the absence of the usual meet cutes and airport runs are welcome omissions.
Kapur tugs at the heartstrings in the film’s closing moments, amping up the melodrama to provide an unexpectedly emotional finale, even if the actual ending of the film is completely expected. Much of that impact is due to the chemistry between James and Latif. An easy charm exists between them, the kind of vibe that makes the audience feel like they really did grow up next door to one another. That relationship goes a long way to adding dimension to their story, both platonic and possibly even romantic.
“What’s Love Got to Do with It?” is an elevated rom com which challenges the idea of love as a sweet old-fashioned notion.
Richard speaks to “CTV News at Six” anchor Andria Case about the best movies and television to watch this weekend including the origin story “Cruella” (in theatres and Disney+ with Premium Access) and the raw music documentary “Moby Doc” (Hot Docs virtual cinema and VOD).
Richard joins Ryan Doyle and Jay Michaels of the NewsTalk 1010 afternoon show to talk about the history of 007’s other favourite drink, the Vesper, some Oscar news and reviews of “Cruella” and “Moby Doc.”
Richard joins CP24 to have a look at new movies coming to VOD, streaming services and theatres including the family-friendly supervillain origin story “Cruella” (in theatres and Disney+ with Premium Access), the raw music documentary “Moby Doc” (Hot Docs virtual cinema and VOD) and the inspirational “Blue Miracle” (Netflix).
Richard and CTV NewsChannel morning show host Marcia MacMillan chat up the weekend’s big releases, the Disney+ supervillain origin story “Cruella” (in theatres and Disney+ with Premium Access) and the raw music documentary “Moby Doc” (Hot Docs virtual cinema and VOD).
Richard joins NewsTalk 1010’s Jim Richards coast-to-coast-to-coast late night “Showgram” to play the game “Did Richard Crouse like these movies?” This week we talk about the family-friendly supervillain origin story “Cruella” (in theatres and Disney+ with Premium Access), the raw music documentary “Moby Doc” (Hot Docs virtual cinema and VOD) and the inspirational “Blue Miracle” (Netflix).
Richard sits in on the CFRA Ottawa morning show with host Bill Carroll to talk the new movies coming to theatres, VOD and streaming services including the family-friendly supervillain origin story “Cruella” (in theatres and Disney+ with Premium Access), the raw music documentary “Moby Doc” (Hot Docs virtual cinema and VOD) and the inspirational “Blue Miracle” (Netflix).
Richard Crouse makes a Salty Dog, the perfect cocktail to enjoy while paying tribute to animal actor stars of “Cruella,” the latest Disney live-action reboot. Come have a drink and a think about “Cruella” with us!
“Cruella,” now available in select theatres and on Disney+ with Premier Access, is an origin story that explains the reason why one of Disney’s greatest villains hates Dalmatians.
One eventful day defined Estella’s (Tipper Seifert-Cleveland) life. In less than twenty-four hours, the precious preteen with the distinctive mop of black and white hair, got kicked out of an upscale private school, snuck into a fashion show and thought, “for the first time in my life, I feel like I belong,“ and developed a lifelong hatred of Dalmatians. I won’t say why, but she does have a good reason to harbor animosity toward the spotted dogs. Most tragically, she lost her mother that same day.
Cut loose and alone, she lands in 1964 London. Falling in with petty thieves Jasper (Joel Fry) and Horace (Paul Walter Hauser), Estella (now played by Emma Stone) forms an impromptu family, pulling off scams using disguises designed and made by her own hand.
Still, she’s not satisfied. “I want to be a professional designer,” she says, “not a thief.”
Securing an entry level job at an upscale department store, she gets the attention of The Baroness (Emma Thompson), a cruel, imperious clothing designer who says things like, “Gratitude is for losers.” She is the undisputed matriarch London fashion and will crush anyone who gets in her way.
As Estella rises through the ranks, she becomes aware of a connection between The Baroness and the death of her mother. Until then, she believed she was responsible for her mother’s passing and had gone through the five stages of grief. Denial, anger, bargaining, depression and acceptance. Now she adds a sixth stage, revenge.
“I’m starting to remember that you have an extreme side,” says Estella’s old friend Anita Darling (Kirby Howell-Baptiste).
Determined to ruin The Baroness, break her spirit, her confidence and her business. Estella creates an alter ego, the disruptive Cruella. In a series of staged public stunts Cruella humiliates The Baroness and becomes the darling of the fashion world. “Some call her a designer,” a TV talking head breathlessly reports, “some call her a vandal.”
As the “mad, bad and just a little bit sad” Cruella’s antics escalate, Estella’s personality grows fainter. “I’m not sweet Estella, try as I might. I’m Cruella.”
“Cruella” has lots going for it. Great costume design, a rippin’ soundtrack and arch attitude, but by the time the end credits roll, it is all about the dueling Emmas, Stone and Thompson.
“Wow,” says Cruella. “You really are a psycho. “How nice of you to say,” The Baroness snaps back.
Both hand in flamboyant performances that capture the wickedly humorous tone of the story.
Stone’s performance straddles the line between her two characters as Estella’s attempts to fit into the regular world fade, as bits and pieces of Cruella’s anything goes mentality filter through until she goes full-on baddie. The punk rock-glam inspired clothes help in the transformation, but the heart comes from Stone, who does something difficult, bring a tragic heart to a villain.
As The Baroness, Thompson is the is the Queen of the Side Eye. It’s a wonderfully comedic performance, equal parts disdain, evil and ridiculous, she redefines arrogance. Think “The Devil Wears Prada” with a sharper edge. It’s the kind of work you want to watch at least twice to catch all the small bits of business she weaves into the performance.
Propelled by the performances and a music-heavy soundtrack featuring everything from The Doors and Nina Simone to Iggy & The Stooges (this must be the first Disney film to feature the proto-punk tune “I Wanna Be Your Dog”) and Tina Turner, “Cruella” rocks along at a clip until it loses steam near the end as it prepares itself for the sequel.
Until then, however, “Cruella” is the most audacious of the recent live action reimaginings of a classic Disney character.
“What’s Love Got to Do with It,” starring Lily James, fresh off “Pam and Tommy,” and Shazad Latif, and now playing in theatres, is a rom com that examines the customs surrounding arranged marriages.
